Bhutan Vales Tours & Travels

Bhutan Vales Tours & Travels Bhutan Vales Tours & Travels is a registered travel company based in Thimphu, Bhutan.

Bhutan Vales Tours & Travels is a registered travel company who is committed to offer the best travel services to our valued clients.

Yummy dinner: Stir-fried noodles (egg) and potato dumplings
18/03/2024

Yummy dinner: Stir-fried noodles (egg) and potato dumplings

Spring in Bhutan: March, April, May and early JuneSpring, the season of rejuvenation, offers the perfect backdrop for a ...
18/03/2024

Spring in Bhutan: March, April, May and early June

Spring, the season of rejuvenation, offers the perfect backdrop for a memorable tour. With blooming flowers, mild weather, and nature's vibrant colors, it's a feast for the senses. Explore the beauty of spring, from picturesque landscapes to cultural festivals, and create lasting memories in this delightful season.


108 Druk Wangyal Chortens built by Queen Azhi Dorji Wangmo Wangchuck at Dochula Pass (31oom) between Thimphu and Punakha...
06/09/2023

108 Druk Wangyal Chortens built by Queen Azhi Dorji Wangmo Wangchuck at Dochula Pass (31oom) between Thimphu and Punakha.








Good Morning from Bhutan! Have a wonderful Day/week🙏🏻
04/09/2023

Good Morning from Bhutan! Have a wonderful Day/week🙏🏻






Happiness...
03/09/2023

Happiness...

Happy National Day of Malaysia 🇲🇾 (Merdeka Day): 31 August 2023Today, we the people of Bhutan join you to celebrate the ...
31/08/2023

Happy National Day of Malaysia 🇲🇾 (Merdeka Day): 31 August 2023

Today, we the people of Bhutan join you to celebrate the rich tapestry of cultures, traditions, and unity that make this nation truly special. From the bustling cities to the serene landscapes, Malaysia's diversity shines bright. As we reflect on the journey, embrace the values of harmony, progress, and togetherness that define Malaysian. Here's to a future filled with prosperity, peace, and endless moments of national pride. Merdeka forever! 🎉🎈




31/08/2023

Mask dances provide profound insight into Bhutan’s rich and fascinating cultural heritage. Mask dances in Bhutan date back hundreds of years and are mostly performed by monks. They pay homage to significant religious figures, saints and masters, making them a sacred and enchanting pathway to exploring the country's cultural and Buddhist heritage.

THE PHALLUS OF BHUTAN AND ITS UNIQUE SYMBOL:One element that immediately captures the attention of visitors during their...
29/08/2023

THE PHALLUS OF BHUTAN AND ITS UNIQUE SYMBOL:

One element that immediately captures the attention of visitors during their inaugural journey to Bhutan pertains to the prevalence of ph***ic representations. The depiction of phalluses is indeed a pervasive phenomenon within the Bhutanese cultural landscape. These images, whether painted or intricately carved, manifest as vividly colorful phalluses adorning the walls of traditional Bhutanese residences. Furthermore, conspicuous large-scale phalluses are suspended from the eaves of houses, while smaller renditions are worn around the necks of children. Additionally, miniature phallus keychains are procurable commodities, often acquired by amused tourists. A visit to Bhutan invariably exposes one to a plethora of ph***ic representations in various dimensions, prominently dispersed across the country, particularly within rural locales. Visitors unacquainted with this distinct cultural facet may initially experience a sense of astonishment.

The phallus assumes the role of an arcane emblem within the cultural milieu of Bhutan, signifying both protective qualities against malevolent forces and bestowal of auspicious fortune. This symbolic significance of the phallus has been ingrained within the Bhutanese collective consciousness across successive generations. Moreover, the Bhutanese populace attributes fertility symbolism to the phallus, reinforcing its multifaceted connotations. Exhibiting an array of hues ranging from vibrant yellows to delicate pinks, these ph***ic representations can take on diverse manifestations: at times adorned with hair, occasionally entwined with depictions of dragons exhaling flames, some endowed with piercing ocular features, and in certain instances, even portraying ej*******on. The ubiquity of these ph***ic depictions underscores their revered status within the cultural framework of Bhutan and among its people.

1) THE ORIGIN OF THE SYMBOLIC PHALLUS:

The origins of these unconventional depictions of ph***ic imagery trace back to the historical emergence of a nonconformist Tibetan Lama named Drukpa Kunley, who arrived in Bhutan during the 15th century.

According to legend, Drukpa Kunley, recognized for his unorthodox approach, dispatched an arrow from his Tibetan location with the intention of identifying a novel site for disseminating his Buddhist teachings. Remarkably, the arrow descended near the present-day locale of Chimi Lhakhang situated in Punakha, now the site of his temple. This fortuitous event guided him towards Bhutan. During the quest to retrieve his arrow, Drukpa Kunley encountered a youthful woman who ardently subscribed to his mission. Subsequently, he shared an evening with her, an encounter through which he bestowed upon her his progeny, ostensibly imparting his blessings. The Chimi Lhakhang's surroundings, imbued with profound significance, presently accommodate an archaic bow and arrow, alongside a meticulously crafted 10-inch ph***ic emblem constructed from ivory and wood.

Upon his arrival in Bhutan, Lama Drukpa Kunley embarked on an itinerant journey across the kingdom. This expedition exposed him to the stringent tenets upheld by Bhutan's religious hierarchy and the prevailing adherence to conventional societal norms. Driven by an unwavering determination to emancipate the populace from their established customs, he undertook the mission of disseminating the authentic teachings of Buddha. His unconventional methodologies, often characterized by amorous escapades, and his frequent exhibition of eccentric behavior earned him the epithet "The Divine Madman." Purposefully employing shock tactics, he compelled individuals to challenge the existing establishment and subvert customary traditions. This he achieved through the employment of risqué poetry, provocative humor, and sermons delivered under the influence of wine.

The Chimi Lhakhang, recognized as the Temple of Fertility in Bhutan, stands as a testament to this intriguing historical narrative.

2) SPIRITUAL SIGNIFICANCE:

In the role of an iconoclast, Saint Drukpa Kunley embarked on a mission to facilitate the comprehension of the intricate aspects of Ta***ic Buddhism, endeavoring to make them more accessible. Employing the phallus and its attributed divine potency, now recognized as the "Thunderbolt of Flaming Wisdom," he undertook the task of subduing malevolent entities, thereby effecting their transformation into benevolent guardian deities. During his historical era, he assumed the role of a proponent of ph***ic iconography, thereby orchestrating a paradigm shift wherein a hitherto societal taboo was transmuted into a symbol of protection and significance. The phallus, in this multifaceted capacity, serves as both a protective entity and a catalyst for fertility, concurrently challenging the human ego. It bears the potential to repel malevolent spirits as well as to mitigate the human transgression of slander.

The figure known as the Divine Madman, Lama Drukpa Kunley, ascended to recognition as the "fertility saint." The construction of the Chimi Lhakhang in 1499, as a commemorative gesture in his honor, bestowed upon the structure the appellation of the "fertility temple." Within the confines of this sacred edifice, a collection of wooden phalluses finds its residence, among them the silver-handled brown bamboo phallus, believed to have been transported from Tibet by the Divine Madman himself and invested with divine attributes. The allure of this revered site has engendered a growing trend among recently married women and couples grappling with issues of fertility. This phenomenon has transcended local boundaries, attracting couples from across the globe. A noteworthy ritual involves the gentle touch of the wooden phalluses to the foreheads of women, an act facilitated by the temple's presiding monk, thereby conferring blessings conducive to the conception and birth of robust offspring for the visiting couples.

3) PHALLUS AS SYMBOL OF GOODLUCK

The concept of adorning newly constructed residences with depictions of phalluses as a means to invoke good fortune and avert malevolent forces is deeply ingrained within the collective psyche of Bhutan. Consequently, these ph***ic representations extend to even being adorned on license plates of vehicles, thus reflecting the pervasiveness of this belief. These motifs are prominently displayed on both traditional abodes and contemporary architectural structures. Furthermore, wooden ph***ic sculptures are meticulously crafted and suspended above entrances and beneath eaves. In a further manifestation, individuals incorporate phallus-shaped pendants into their necklaces, a practice believed to act as a protective talisman, thwarting negativity.

During the Tshechus, the annual religious festivals integral to Bhutanese culture, celebrated across diverse monastic sites within the nation, the Atsaras—masked jesters—also exhibit their adherence to this motif by donning headgear adorned with fabric reminiscent of phallus imagery. Armed with sacred whips and symbolic wooden phalluses, these masked performers engage in lively dances within the precincts of dzongs, captivating audiences while leveraging the symbolic potency of the phallus. The agricultural realm further highlights the multifaceted role of these depictions: in the eastern reaches of Bhutan, farmers suspend wooden phalluses within fields to deter pests from affecting crop growth. Conversely, in the central regions, residents immerse replica phalluses into drinking vessels prior to serving guests, illustrating the nuanced ways in which this emblem's influence permeates various facets of Bhutanese life.

Also watch this: https://www.youtube.com/watch?v=rl_QQgcbmvk










Memorial Stupa, Thimphu…
29/08/2023

Memorial Stupa, Thimphu…



Government of Bhutan introduces enhanced incentives and policies to stimulate tourism, recognizing its employment, forei...
27/08/2023

Government of Bhutan introduces enhanced incentives and policies to stimulate tourism, recognizing its employment, foreign exchange, spillover benefits, and economic growth contributions.

For more details: https://bhutan.travel/announcements






Taktshang "Tiger's Nest" Monastery (Dzongkha: སྤ་རོ་སྟག་ཚང་།)The Taktsang Palphug, or "Tiger's Nest" monastery, is the m...
27/08/2023

Taktshang "Tiger's Nest" Monastery (Dzongkha: སྤ་རོ་སྟག་ཚང་།)

The Taktsang Palphug, or "Tiger's Nest" monastery, is the most iconic and eye-catching of Bhutan's architectural treasures. In a land famous for cliffside aeries and secluded, wind-swept lhakhangs, the Taktsang Palphug represents the ultimate in seclusion, isolation, and security, perched atop a sheer drop of many hundreds of meters. As noted by Tsering, "It seems almost unbelieveable that it was possible to build on such a dangerous spot" (Tsering, p. 114). The monastery is simultaneously one of Bhutan's oldest and newest major monuments: old, as its history began with the arrival of Guru Rinpoche here in the 8th century; new, as the complex was destroyed by fire in 1998 and subsequently restored.

Early history of the Taktsang Ney:

The early history of Taktsang is linked to the travels of Guru Rinpoche, also known as Padmasambhava, an 8th-century Buddhist master from Tibet. According to Phende Legshed Wangchuk, the Guru journeyed here from Singgye Dzong (in northern Lhuentse) to Paro on the back of a pregnant, flaming tigress (a manifestation of Tashi Kheudron, his consort), giving rise to the name Taktsang. He disguised himself as the wrathful entity Dorje Drolö, his eighth and final manifestation, and took refuge in a cliffside hollow. This cave—the Taktsang Pelphug—is the most sacred spot (ney) within Taktsang and serves as the focal point for organizing the temple's numerous lhakhangs. There, the master meditated and—working together with his consort—subdued numerous demons and harmful entities, binding them by oath to serve henceforth as dharma protectors.

Subduing or co-opting demons has a long and storied history in Bhutan and is a staple of legends associated with holy places. For example, the Guru's exploits are similar to the work of the "Divine Madman" Drukpa Kunley (1455-1529), who subdued a demon tormenting the Punakha valley, containing it beneath a chorten at the Chime Lhakhang. It also echoes the tales associated with the founding of the Dechenphug Lhakhang in Thimphu, where the grandson of Phajo Drugom Shigpo (1184-1251) subverted a malicious entity and transformed it into a faithful protector of the valley. A similar legend is told of Jangtsa Dumtseg in Paro, where Thangtong Gyalpo (1385-1464), the "King of the Empty Plain," bottled up a demon beneath the Dumtseg chorten. Even the Guru himself, a master demon hunter, convinced the malignant entity Myongkhapa to abandon evil and serve the dharma by acting as a protective genius loci (i.e., a neypo) of the Gomphu Kora, in eastern Bhutan.

After the Guru purified the cave—following four long years of meditations—he converted it into a beyul, a kind of sacred refuge visible only to the most accomplished Buddhist adepts. In keeping with the Guru's work as a gatherer of treasures (terma), he also hid various Buddhist relics, wisdom, and knowledge within it for the benefit of future generations. Thinley notes that in the Treasury Key (mdzod kyi lde mig) of the King's Chronicle (rgyal po thang yig), a 19th-century commentary to the Guhyagarbha Ta**ra, it is recorded that "At Paro Taktsang Senphug, many true teachings for attaining actual and complete enlightenment are hidden" (Thinley, p. 121).

Over the next 800 years, a veritable "who's who" of Bhutan's leading luminaries paid their respects. In the 10th or 11th century, the Buddhist siddha Jetsun Milarepa (1028/40-1111/23), a murderer before becoming an ardent Buddhist, visited the cave and meditated there for three months. Later in the same era Gyalwa Lhanangpa (1164-1224), the founder of Lhapa Kagyu, journeyed here, along with Phajo Drugom Zhigpo (1180-1252), the Drukpa Kagyu founder. Several hundred years later, the Tibetan polymath, Thangtong Gyalpo, mentioned earlier in this article, traveled to Taktsang and discovered a ten-yard long scroll secreted within the cave, handed to him by five dakinis. However, he does not appear to have erected any of his famous iron-link suspension bridges at this most challenging of sites.

Most famously, the cave caught the attention of the Zhabdrung Rinpoche (1594-1651), the future unifier of Bhutan. According to one legend (as noted on the Paro government's website), in the late 1630s, while staying at the nearby Rinpung (Paro) Dzong, the Zhabdrung dreamed of a black-clad man granting him custody of the Taktsang Ney. The following morning, he warned his retainers that he expected a visitor, who was to be admitted without delay. Soon enough, Singye Samdrup, the guardian deity of Taktsang, arrived at the dzong dressed in the garb of a poor laborer, carrying a sack of onions. The perplexed officials guided him to the Zhabdrung's office. There, he announced that he had come to deliver over the Taktsang. Recognizing the deity for who he was, the Zhabdrung gave him a white scarf and asked him to carry it to the top of the Taktsang cliff-face and declare that the region was now under the sovereignty of the Zhabdrung. When the deity lived up to his word, the Zhabdrung vowed to build a temple called Guru Tsengye Lhakhang (temple of the eight forms of Guru Rinpoche) in his homage. However, the Zhabdrung died before he could fulfill his vow. It was left to Gyalsey Tenzin Rabgye (1638–1696), the 4th Druk Desi, and the Zhabdrung's spiritual successor to complete his master's vision.

Later history from 1692 onward:

The Druk Desi ordered the construction of a grand monastery at Taktsang to fulfill the Zhabdrung's wishes. According to John A. Ardussi, at the time of the Tenzin Rabgye's intervention, from which the present form of the temple derives, the site was entirely devoid of architecture, apart from some small hermitages higher up the cliff-face. Ardussi writes, "There is no mention of other buildings in the vicinity, and we must assume that any earlier hermitages on the immediate site had long since decayed" (p. 40). However, it is certain that there were already several flourishing institutions in the local area, well away from the mountainside. For instance, Karma Phuntsho writes that the Ogyen Tsemo sanctuary was established by Sonam Gyaltshen on a nearby hilltop as early as 1508, and the occupants of the hermitage controlled access to the Taktsang until the Zhabdrung's arrival.

Before construction commenced, the aging Tenzin Rabgye ascended to the mouth of the Taktsang Pelphug. The Druk Desi blessed the cave and performed a tshechu ceremony with a crowd of onlookers watching from below. Various miracles manifested themselves, including the appearance of a triple rainbow, a rain of flowers, and "countless other auspicious signs, never before seen or heard of, occurred at that time" (Ardussi, p. 46).

The Druk Desi enlisted Lopon Dragpa Gyatsho, his chief architect, to oversee construction. But, according to legend, each time Lopon laid a few foundation courses during the daytime, demons dismantled the work when darkness fell. Only by cutting a lock of his hair and mixing it with the mortar was Lopon able to prevent the monsters from returning. A similar story is told of the construction of the Samye monastery in Tibet, the first Buddhist monastery in the region, where the Guru Rinpoche scared off a malignant entity hampering the work.

Another story involving hair, possibly conflated with the above tale, is a myth that several minor goddesses offered long tresses of their own hair to serve as building materials when mortar supplies grew low.

The various temples established by Tenzin Rabgye survived until the mid-20th century when a fire lit in a nearby meadow raged out of control for four days. The conflagration spread high enough that it engulfed more than half the structures at Taksang. Fortunately, the main guardian image, depicting Sengge Samdrub, was spared. By 1957 the damage was fully repaired.

A second and more severe fire broke out in April 1998, originating with the Guru Tsengye Lhakhang, not far from the caretaker's house. According to the New York Times, an overturned butter lamp may have been responsible (later speculation focused on an electrical short-circuit), but the precise cause was never determined. Only a sole caretaker was present at the time, who did not survive. The intense fire could not be extinguished and raged for at least three days, although numerous local residents made valiant attempts to haul buckets of water up the mountainside. Many important relics, including sacred scrolls and thangka paintings, were lost in the inferno.

Architecture and layout:

The Taktsang is an excellent example of the Draphu type of architecture, characterized by secluded hermitages built directly against sheer rock. A similar design at a much smaller scale is the Drakarpo Kora, located just eighteen kilometers to the southeast. In both instances, the layout of the various lhakhangs is constrained by the narrow footprint of the cliffside ledges.

As noted by the architect Laura Blake in her book Bhutan's Buddhist Architecture, the heart of the Taktsang comprises seven or eight individual buildings arranged in a comma shape, with the tail of the comma pointed toward higher elevations. Near the base of the temple (corresponding to the head of the comma) is the Langchen Pelgye Tsengay Lhakhang, which is built directly against the rock face. Opposite it is the largest structure, a three-level building housing a dubkhang (meditation retreat) on the ground floor, the Guru Sungjem Lhakhang in the middle level, and the Guru Tsengey Lhakhang on the upper floor. This building is topped with a two-tiered jabzhi-style roof and a golden sertog finial to indicate its sacred nature.

In the middle of the complex, past a curved flight of stairs hewn from the rock, is the Drolo Lhakhang. Higher still—and directly adjacent—is a hall housing butter lamps. Finally, at the apex of the site are two connected buildings called the Namsey and Tshepamed Lhakhang. The former building is a narrow two-level, tapered structure that sits dizzyingly at the extreme edge of the precipice. The Tshepamed Lhakhang stands more snuggly to its rear.

Distance

The climb to the monastery takes about 3 hours at a comfortable pace. Regular trekkers and gym enthusiasts can complete it in about 2 hours. The total walking distance is about 4 km one way with 700m in elevation gained. For those who are unable to climb, you can opt to rent a horse to ride up to the midway where a cafeteria is located. However, descending the mountain has to be done on foot and renting of a horse is not available. The cafeteria is the midpoint of the hike (from the starting point, it’s about 2km of steep climb), there is where you will be able to catch some rest, refresh yourself, fill up your tummy before continuing the hike. From the cafeteria, it takes approximately another 45 minutes to 1 hour to reach the Tiger’s Nest monastery. You will then proceed another 2 km on a gentler slope to reach the second viewpoint, after which there will be concrete descending steps and you will be passing by a waterfall over a bridge, followed by the final ascending of 120 steps bringing one to the main entrance of Tiger’s Nest.

Along the way, you will walk past many colourful prayer flags that Bhutanese had strung up for the wind to bring compassion and blessings to all sentient beings. These colourful prayer flags called Lung Dhar, surface in five colors representing the five elements of nature.

Tips for Visiting Tiger’s Nest:

- Start early if you want to avoid the crowd and the heat.
- Wear a pair of good walking shoes to protect your ankles, bring a hat and sunscreen.
- You can also rent a walking stick at the base of Tiger’s Nest if required.
- Stay hydrated and take your time. The ascent gains an elevation of 700 m, although it is below an altitude of 3000m, it is wise to pace yourself to avoid overexertion and result in altitude sickness.
- Regulate your breathing to avoid panting. You will expend more energy if you pant.
- Bring a warm jacket as your body cools down pretty fast when you are visiting the temple.
- Bring some snacks to chew on once you reach the peak to restore your energy and keep warm for the return journey.

You are required to keep all your electronic and photography equipment with the sentry before entering the complex. Photography is prohibited inside the temple as with all other temples and monasteries in Bhutan. You are required to remove your shoes and headgears upon entering Tiger’s Nest monasteries.

Entrance Fee:
After the revision of visa policy of Bhutan in July 2022, it was decided that an entrance fee of Nu. 2,000 however revised to Nu. 1000 per person will be levied for all visitors to Taktsang September 23, 2022. Children below the ages of 12 will be charged only 50% of the fees and children ages 5 and below will be exempted from the payment of fees.

Source:

Ardussi, John A. (1999). "Gyalse Tenzin Rabgye and the Founding of Taktsang Lhakhang". Journal of Bhutan Studies. Thimphu: Centre for Bhutan Studies. 1 (1): 28.

Wangchuk, Phende Legshed. (2009). "The History of Taktshang Monastery". The Soul and Substance of Bhutan's Cultural Heritage: Proceedings of the Fifth Colloquium. Paro: National Museum of Bhutan. Volume 1, p. 183-206.








Glimpse of Bhutan tour… The Land of Thunder Dragon.
23/08/2023

Glimpse of Bhutan tour… The Land of Thunder Dragon.












Gasa Dzong.Gasa Dzong is located at an elevation of about 2800m. The Dzong was said have built by Zhabdrung Nawang Namgy...
21/08/2023

Gasa Dzong.

Gasa Dzong is located at an elevation of about 2800m. The Dzong was said have built by Zhabdrung Nawang Namgyal in 1640s above the cave meditated by a Tibetan saint Terkhungpa. It has a great historial, cultural and spiritual significance. Just below is the “la Tsho” literally meaning soul-lake.






Punakha Dzong (Fortress)The Punakha Dzong, also known as Pungthang Dewa chhenbi Phodrang, is the administrative centre o...
10/08/2023

Punakha Dzong (Fortress)

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Happy CNY to all my friends who observe this special day!
21/01/2023

Happy CNY to all my friends who observe this special day!

Happy 115th National Day. As we remember our great history and the tireless services of our beloved Monarchs for the pas...
17/12/2022

Happy 115th National Day.

As we remember our great history and the tireless services of our beloved Monarchs for the past 115 years, we pray for the propagation of peace and prosperity in Bhutan for all times to come.

བཀའ་དྲིན་ཆེ་མི་དབང་མཆོག

Wangdue Eco Lodge… far but nice…
14/12/2022

Wangdue Eco Lodge… far but nice…

Glimpse of Snowman trek🇧🇹 Bhutan
20/09/2022

Glimpse of Snowman trek🇧🇹 Bhutan

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