Brückner & Brückner

Brückner & Brückner Designbüro Brückner & Brückner Kommunikationsdesign Brückner & Brückner is a Dortmund/Mannheim based design studio that creates brands and user experiences.

They unite expertise in the fields of corporate, editorial and web design. Working for leading german brand agencies the two brothers served clients including Audi, BMW, Deutsche Bundesbank, Médecins Sans Frontières, Siemens, Volkswagen and many other clients from the social and cultural sector. They’ve already received numerous national and international design awards for their work.

Find Yalla Yalla! Studio in public space! With a strong design language of its own, the studio has a strong identity and...
17/04/2024

Find Yalla Yalla! Studio in public space! With a strong design language of its own, the studio has a strong identity and appears self-confident and lively in the urban space.

Client .studio
Design
Fonts

Shaping places Shaping identitiesCombining content with design. The redesign turns the inside out, reflecting the studio...
16/04/2024

Shaping places Shaping identities
Combining content with design. The redesign turns the inside out, reflecting the studio's approach not only in terms of design but also in terms of language.

Client .studio
Design
Fonts

The new design for Yalla Yalla! is not only to be found in the digital world but can also be applied to a wide variety o...
15/04/2024

The new design for Yalla Yalla! is not only to be found in the digital world but can also be applied to a wide variety of print products. Here is the new letterhead.

Client .studio
Design
Fonts

Through a harmonious integration of core design elements and clear user guidance, the website  for Flux e.V. becomes a c...
26/03/2024

Through a harmonious integration of core design elements and clear user guidance, the website for Flux e.V. becomes a central point of contact for artists and a broad audience interested in dance and performance art.

Client
Design
Fonts

The web design for Flux e.V. strives for a harmonious balance between aesthetics and functionality to reflect the divers...
23/03/2024

The web design for Flux e.V. strives for a harmonious balance between aesthetics and functionality to reflect the diversity and movement of dance.
With a focus on intuitiveness and engagement, the user experience is designed to enable smooth navigation through the site, providing a comprehensive understanding of Flux's identity.

Client
Design
Fonts

The publication “WIR. 50 Jahre Landschaft in Transformation” The statement pages consist of bar-like text blocks, some o...
21/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The statement pages consist of bar-like text blocks, some of which are rotated. In contrast to other texts, reviews are set in two columns, while reports on research projects in the “WHEN” section are exclusively in the blue tone of this chapter.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation” The central element of the black bar, which is derived from...
20/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The central element of the black bar, which is derived from the word mark, runs like a red thread through the new design system. You can also find them on the back of the cover. The cover is finished with black hot-foil stamping.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation”The statement pages consist of bar-like text blocks, some of...
19/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The statement pages consist of bar-like text blocks, some of which are rotated. In contrast to other texts, reviews are set in two columns. The general section of the book is printed on light gray paper.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation” The choice of paper and color scheme of the book also under...
18/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The choice of paper and color scheme of the book also underline the new appearance in their combination with typography and layout. Three abbreviated separator pages announce the chapters “WHO”, “WHERE” and “WHEN”. Their colors are derived from the office’s project plans.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

Some impressions of our design for the publication “WIR. 50 Jahre Landschaft in Transformation”. Client Design  Pictures...
16/03/2024

Some impressions of our design for the publication “WIR. 50 Jahre Landschaft in Transformation”.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation”The articles and text content are regularly supplemented by ...
14/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The articles and text content are regularly supplemented by project image sections. The affiliation of image and text elements is made clear here by image numbering integrated into text passages. A high-gloss picture printing paper benefits the image quality and at the same time creates a contrast to the coated paper used for the other pages.

Papers inside: 120g/m² Pergraphica Timid Grey, 115g/m² Lessebo Design Smooth, 135g/m² Gardagloss Art glossy

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation” The general section of the book is printed on light gray pa...
14/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The general section of the book is printed on light gray paper. Among other things, it contains a six-page fold-out with an infographic that provides information on locations, projects and people from 1973 to 2023.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation” In addition to analog and digital images, the book consists...
13/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

In addition to analog and digital images, the book consists of introductory texts, (personal) articles by Planergruppe members and external contributors, retrospective and “future views”, statements, reports on research projects and interviews. The respective layout types make it clear at a glance what type of content is involved. For example, personal articles and quotes, in contrast to more general texts, are set in a serif font.
The affiliation of image and text elements is made clear here by image numbering integrated into text passages.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation” The wider black ribbon marker is also integrated into the d...
12/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The wider black ribbon marker is also integrated into the design system. In combination with the embossed word mark on the spine, it symbolizes the bar, which is always connected to the word mark within the branding.

Client
Design
Pictures by
Fonts Klim Type Foundry Pangram Pangram Foundry
Publisher Deutscher Architektur Verlag
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation”The general section of the book is printed on light gray pap...
11/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The general section of the book is printed on light gray paper. Among other things, it contains a six-page fold-out with an infographic that provides information on locations, projects and people from 1973 to 2023.

Client
Design
Pictures by
Fonts Klim Type Foundry Pangram Pangram Foundry
Publisher Deutscher Architektur Verlag
Printed by
Paper Freytag & Petersen

The publication “WIR. 50 Jahre Landschaft in Transformation”The choice of paper and color scheme of the book also underl...
09/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”

The choice of paper and color scheme of the book also underline the new appearance in their combination with typography and layout.
The articles and text content are regularly supplemented by project image sections. A high-gloss picture printing paper benefits the image quality and at the same time creates a contrast to the coated paper used for the other pages. The general section of the book is printed on light gray paper.

Client
Design
Pictures by
Fonts .pangram
Publisher
Printed by
Paper

The publication “WIR. 50 Jahre Landschaft in Transformation”, which was published by “Deutscher Architektur Verlag”, bui...
08/03/2024

The publication “WIR. 50 Jahre Landschaft in Transformation”, which was published by “Deutscher Architektur Verlag”, builds on this system. The element of the bar is also continued and transferred to the typographic layout area in various ways - for example through the arrangement of text elements or the use of indents and headlines.

The central element of the black bar, which is derived from the word mark, runs like a red thread through the new design system. It symbolizes a focus on structure, stringency and contrast: the visual appearance is based on a clear grid system and the dynamic alternation between static layout and lively project images.

Client
Design
Pictures by
Fonts .pangram
Publisher
Print by
Paper

Details from our latest exhibition:Nietzsche in private – an impossible exhibition.Take a look at the full project on ou...
06/03/2024

Details from our latest exhibition:
Nietzsche in private – an impossible exhibition.

Take a look at the full project on our website:
https://www.brueckner.studio/cases/nietzsche-privat/

Scenography by our friends from please don't touch

Pictures by Fiona Oehler
Client Klassik Stiftung Weimar
Type Schick Toikka

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Hafenstraße 25–27
Mannheim
68159

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