04/21/2018
After being given a 13 page, nightmare accompaniment by Schumann 1 week before a concert, I'm thinking I might write a Soloist's Guide to Keeping your Accompanist from Killing You. It might look something like this (with the explanation that every yes is multiplied by at least x days of practice).
1. Is the piece by Debussy, Schumann or Schubert?
2. Is it an orchestral reduction?
3. Is it filled with triplets at a ridiculously fast tempo for more than 4 pages?
4. Are there so many notes and accidentals scattered everywhere that you have to squint to read the music?
5. Do your hands need to be the size of Rachmaninoff's to reach most of the chords?
6. If you find a recording of the piece, is the accompanist also named and takes a bow before or after the performance?
If the answer is yes to more than one of these, you should've given you accompanist the music weeks ago.
They get little credit and less pay than the singers they support. So why do accompanists do it? Tom Service finds out