10/05/2023
"The Competition!" Choosing an action camera. Part One
As I start creating more content and preparing for this summer's big adventure, it's become apparent that I need to look into getting an action camera.
In the past, GoPro would be the go-to option. It has innovated hardware and software and has dominated the actiin camera market. With new improvements every year or two and an abundance of third-party accessories, GoPro is one of the best choices. As with most things in life, there is no unicorn action camera.
In the last few years, other companies have joined the market. I ended up settling on the Insta360 One RS with 4k Boost lens. What attracted me to this brand and this particular model was its modular design.
The camera is comprised of the core module (LCD screen/processor), lens module, and battery. As hardware components continue being developed or updated, it is possible to upgrade portions of the camera. At present, I only purchased the 4k boost lens option(GoPro Hero 11 equivalent). In the future, I will have the option to purchase the 360 lens. This is far less expensive than buying two cameras when entering the action camera market.
Another thing I considered was the ability to replace only a portion of the camera if something gets damaged.
A big selling feature for me was the mounting bracket that keeps the core module, lens module, and battery locked securily together. The mounting bracket incorporates the standard GoPro design and works with any GoPro compatible hardware. At $26, it allows me to mount a bracket on my helmet, handlebar, and tripod. To move the camera, you push a small button to open up the bracket. This means that moving the camera to different mounting positions doesn't require aiming the camera each time as well.
I was also drawn to the GPS Action Remote. It allows you to control up to 4 cameras. The buttons are motorcycle glove friendly, and the display is clear and back-lit. It displays important information such as the shooting mode and camera battery life. A large LED light turns from green to red (audible beep as well), indicating that recording has begun. In picture mode, it is also possible to take a picture on the fly without even touching the camera.
The size of the remote and mounting hardware makes it possible to mount it on the motorcycle's handlebar (on the clutch side). The remote can also put the camera in sleep mode. Pushing the large record button wakes up the camera. This is perfect for sections of a route where you don't want to record but want the option to start at a moment's notice. This not only saves battery power but memory card space and hours of editing.
One main reason I wanted to get the remote was for "drive by" video sequences. This usually involves setting up the camera at a set location, turning around the motorcycle, riding out of the scene, turning the motorcycle around, driving past the recording camera, and then coming back to collect the equipment. On narrow, double track, that would entail kickstand pivots. That's a lot of time that the camera is recording for a very short final edit.
Lastly, I was really excited by the inexpensive mic adapter ($26). It's small, well placed design allows for a lavalier mic to plug in and stash in the helmet. It also has a USB C power cord plug that can provide camera power from either the motorcycle's USB charge port or a large capacity power bank, stored in a motorcycle jacket.
The icing on the cake is the ability to change the mic audio gain in the camera. The close proximity of a lavalier mic in one's helmet leads to a lot of avoidable voice distortion.