09/02/2022
We are talking about the imposing palace of the Normans.
(ALL INFO BELOW)
The Royal Palace of Palermo, also called Palazzo dei Normanni, is one of the most extraordinary monuments in all of Sicily. It is able to tell the story of Palermo starting from the first Punic settlements until today. Among the various rooms and rooms that can be visited, there is also the Palatine Chapel. Its sumptuous decorations are a true manifesto of Arab-Norman art and since 2015 it has been part of the heritage of humanity. The Palermo Astronomical Observatory and the Specola Museum are located inside the ancient Torre Pisana, while temporary exhibitions are often set up in the Sale del Duca di Montalto.
History of the Norman Palace from the Phoenicians to the Angevins
The Palazzo dei Normanni in Palermo stands on an area where the Arabs had already built a first fortification which was then transformed during the reign of the Normans. In 1130, Roger II, the first of the Norman kings of Sicily, decided to use the building as his residence. Thus began work to adapt the defensive fortress to the new purpose and these will also be carried out by the successors William I and William II. The construction of the Palatine Chapel and the transformation of the architectural layout of the building date back to this period. The structure is thus divided into a system of towers (Pisana, Ioaria, Chirimbi, Greca) connected to each other by walkways. With the death of Frederick II in 1250 begins a period of decline of the building. This will continue also in the following years when the Angevins and then the Aragonese ruled in Sicily. The rulers of these dynasties will in fact prefer other locations such as Palazzo Chiaramonte Steri, which will become the new seat of the Inquisition and the Castello a Mare.
History of the Norman Palace from the Aragonese to today
From 1415 in Sicily they will rule Viceroys, directly appointed by the King of Aragon. These will restore the Royal Palace considerable importance and, starting from the mid-sixteenth century, they decided to use it as their headquarters. Thus began new renovations of the building that led to the demolition of some towers and the construction of new bastions. Between 1569 and 1571 the demolition of a large part of the Norman structures also took place to build a new wing of the building with three elevations. The first level will be used as an ammunition depot and then further transformed into the current Sale del Duca di Montalto. On the second level, a floor will be created with five rooms used for bureaucratic functions. The third level, equipped with a large hall, will be used as the seat of the Parliament of Sicily and corresponds to the current Hall of Hercules. Further changes to the layout of the building will continue throughout the nineteenth century. In 1790 Ferdinand IV had an astronomical observatory built on the Pisan Tower which still exists today while some decorations in the Hall of Hercules date back to 1811.
The rooms of the Norman Palace
Palatine Chapel
On the first floor of the Royal Palace there is the most fascinating environment of the whole building: the Palatine Chapel (that is, of the Palace). In the monument the Byzantine, Latin and Islamic traditions blend harmoniously. Built by Roger II in 1132 and consecrated in 1140, it became the private chapel of the royal family. The church is divided into three naves, separated by Corinthian-style marble and granite columns. In the central nave there is a wooden ceiling with precious Arab-style inlays depicting animals and dancers. The walls and the dome are entirely covered with golden mosaics in the Arab-Norman style. In the dome the Christ Pantocrator is represented while blessing with the three fingers of his right hand, clearly of Byzantine inspiration. Biblical episodes from the Old and New Testament are represented on the walls of the chapel.
The Hall of Hercules
The name of this room, which was the ancient hall of the General Parliaments of the Kingdom, is due to the decorations on the ceiling and walls. They are the work of the Sicilian painter Giuseppe Velasco who, between 1811 and 1812, represented various scenes related to the Greek hero Hercules including: the Apotheosis and some Labors. The latter were painted in monochrome and inserted within particular ornamental bands called "a grotesque" and created by the painter Benedetto Cotardi. Since 1947 the Sala d’Ercole has been the seat of the Sicilian Regional Parliament.
Curiosity: The Sicilian Parliament is the first Italian Parliament and one of the oldest in Europe.
The Halls of the Duke of Montalto
This wing of the palace was built during a transformation project of the Norman Palace between 1565 and 1575 and initially used as an ammunition depot. In 1637 these rooms were transformed into rooms for summer audiences. For this reason the President of the Kingdom. don Luigi Moncada, duke of Montalto, asked the best artists of the time to fresco them. They worked on it: Pietro Novelli who created The Viceroy Moncada, winner of the Moors, Gerardo Astorino (The Sicilian Parliament), Vincenzo La Barbera and Giuseppe Costantino. In 1788, based on a project by Giuseppe Venanzio Marvuglia for King Ferdinand of Bourbon, the Sale del Duca di Montalto became stables. Today they are used for temporary exhibitions.
The Hall of the Viceroys
This wing of the Palazzo dei Normanni is named after the 21 portraits, affixed to the walls, of viceroys, lieutenants and presidents of the Bourbon kingdom of Sicily in office from 1747 to 1840. Among the characters represented are: Domenico Caracciolo di Villamaina, who abolished the Inquisition tribunal in 1782 and Francesco D'Aquino prince of Caramanico, who established in 1790 the astronomical observatory which is still located today on the Torre Pisana of the Royal Palace. Around the vault there is a frieze with symbols and allegories concerning Sicily, including the Trinacria, by Salvatore Gregorietti (1901).
The Pompeian Room
Inside an environment known as the Pompeian Gallery, we find the so-called Sala Pompeiana commissioned by Leopoldo di Borbone. The name derives from its neoclassical style decorations, made by Giuseppe Patania around 1835. The painter, inspired by the archaeological discoveries of Herculaneum and Pompeii, represented some mythological scenes such as Eros and Aphrodite on a chariot. It is also called the "queen's room" because it was the personal room of Queen Maria Carolina of Habsburg.
The Chinese Room
A very particular environment of the Royal Palace of Palermo is the Chinese Room. This reflected a widespread fashion in all European courts between the eighteenth and nineteenth centuries. The paintings are by the brothers Salvatore and Giovanni Patricolo and represent men and women dressed in "Chinese" style. In the choice of subjects, the painters were inspired by the scenes created by Giuseppe Velasco, a few decades earlier, in the interiors of the Chinese building.
The Room of the Winds
Of the ancient medieval tower Ioaria or Jaaria only the Hall of the Four Columns or Hall of the Winds remains. This was a sumptuous setting where the king devoted himself to idleness and quiet. The name Ioaria derives from the Arabic Gawhariyya and means "precious". The room has a painted wooden roof, built between 1713 and 1720, and has a compass rose in the center. On one of the walls there is a Denial of Peter, oil on canvas made by Filippo Paladini in 1613
The Sala di Ruggero
The Hall is so called because it was created by the will of Roger II. The mosaics that cover the walls are, however, commissioned by his son William I. The peculiarity of these decorations lies in the type of subjects depicted which are pagan and not religious. There are in fact represented a hunting scene, a fight between centaurs, and various animals such as leopards, peacocks, deer and swans in an environment with rich vegetation. The decoration of the vault dates back to the period of Frederick II and in fact the Swabian eagle, symbol of the Swabians, is represented.
The other rooms of the Royal Palace: the Punic-Roman Walls, the Maqueda Courtyard, the Royal Gardens
Other very interesting environments of the Royal Palace of Palermo are: the remains of the Punic-Roman Walls, the Maqueda Courtyard and the Royal Gardens. On the lower floor of the Duca di Montalto Rooms you can see the remains of the ancient Punic city walls of the city of Palermo. These architectural elements date back to the 5th century BC. C. and were discovered in 1984 during an archaeological campaign. The Cortile Maqueda is a work in 1600 and takes its name from the Spanish viceroy Maqueda Bernardino de Cardenas y Portugal. It has a structure consisting of three Renaissance-style arcades, the intermediate level of which is the highest. Inside the Bastion of San Pietro, there are the gardens of the Royal Palace. There are flower beds with curvilinear edges and various tree species of subtropical origin. Inside, three Ficus macrophylla stand out, one of which embraces a large Pinus pinea.
The purchase of the ticket also allows access to the Palatine Chapel, the exhibition in progress in the Rooms of the Duke of Montalto and other rooms with the exception of the Sala Pio La Torre and Sala Piersanti Mattarella. The Norman Palace is also the seat of the Sicilian Parliament. For this reason, on Tuesdays, Wednesdays and Thursdays it is not possible to access the Royal Apartments (Sala d’Ercole, Sala dei Viceroy, etc.) while the Palatine Chapel remains open to visitors, except when religious services are celebrated there.
Address
Independence Square, 1, 90129 Palermo
Phone
+39 091 7055611
Site
https://www.federicosecondo. org
Timetables
From Monday to Thursday: 8.30 - 14.30 (last admission);
Friday and Saturday 8.30 - 16.30 (last admission);
Sundays and holidays from 8.30 to 9.30 and
from 11.30 to 12.30 (last admission).