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13/11/2023
13/11/2023

Bè patient and tolerant like OBATALA
Be wise and observant like ORUNMILA
Be truthful and knowledgable like IFA
Be loving and kind like OSUN
Be disciplinèd and forthright like OGUN
Be ambitious and consistent like SANGO
Be faithful and lòyal like OYA
Be conscious with nature like OSAYIN
Be cònsistent and diligent like OSUMARE
Be forthright and fair like ESÙ
Be sèlfless and protective like EGUN
Be supportive with comrades like EGBE
Be mystèrious and reserved like OLOKUN
Be industrious and prudent like AJE
Be the Yoruba deity of bullroarers and justice ỌRỌ.

Above all, be at òne with your ORI.

May 0risha's, ancèstors and Irunmòles bless our endeavours as we journey through this wòrld and beyond.
Ase'🙏👏🌻🌹
Grand Rising fàmily!
Orile-ede yoruba lafe ni kiakia
Yorùbá Nation no going back


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02/11/2023

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17/07/2023

The First Nigerian Female JuJu Musician, Guitarist

Queen Serifat Oladunni Oduguwa popularly known as Queen Oladunni Decency was one of the stars of the Yoruba juju musician during her lifetime.

She was born in 1949 in Noforija, Epe, Nigeria and died in 1978 at the age of 28.

She was the founder and leader of a Jùjú music band called Her Majesty Queen Oladunni Decency And Her Unity Orchestra.

The First Female guitarist and band leader recorded many hit songs including: Atupa Ma iku, Ninu Igbagbo Lemi O Ma Yan, Alafia Logun Oro , Odun Yin San Wa Sowo, Metric System, Ijesa Progressive Union, Emi Yio Ma Yin O Logo, Chief S. B. Ajasa Oluwa, Mummy Juju Fans, Pegan Pegan and others.

17/07/2023
17/07/2023

Remembering Toba Opaleye: Celebrating the Exceptional Radio Broadcaster on His Birthday Today.

In a significant moment, chaos erupted at the Broadcasting Corporation of Oyo State (BCOS) studio when one of its presenters failed to show up for work. Directed by Chief Abiodun Sanda, Director of Programmes, a young trainee was tasked with playing records to ensure uninterrupted transmission.

However, this trainee went above and beyond the given instructions, delivering an outstanding performance that became a benchmark in broadcasting across Southwest Nigeria. Chief Sanda was summoned by his superior, the distinguished art connoisseur Adebayo Faketi, who was eager to know the new voice behind the exceptional performance—Toba Opaleye.

This marked the beginning of Toba Opaleye's journey, armed with a Higher School Certificate, as he embarked on his broadcasting career at BCOS on that eventful day, December 1st, 1980.

Born Atobatele Okanlawon Opaleye on July 13, 1958, Toba faced both privilege and adversity in his upbringing. Having lost both parents at a young age, he learned to navigate life with resourcefulness and street smarts. Growing up in Abebi, Ibadan, an area notorious for crime, Toba found himself involved in various skirmishes and altercations.

During his upbringing, the streets of Abebi were ruled by the infamous larger-than-life robbery kingpin, Mufu Oloosa Oko. Toba would later captivate his radio audience with tales of Mufu Oloosa Oko, inspiring the popular film adaptation by Odunlade Adekola. His radio narratives also featured notable mythical figures such as Egun Oloolu, Alapansapa, and Ogbonkoko.

Toba presented programs at BCOS for three years before transitioning to Radio Nigeria, Ibadan in 1983, and later joining the Ogun State Broadcasting Corporation. Fluent in both Yoruba and English, Toba seamlessly weaved between the two languages to cater to his multilingual audience.

His abilities impressed fellow broadcasters, drawing comparisons to his friend Gbenga Adeboye. While Toba was calculated and assertive, Gbenga exuded spontaneity and quick wit. Together, they elevated Yoruba language and broadcasting to unprecedented heights, serving as aspirations for their broadcasting cohort.

During the 1990s, Toba Opaleye, along with notable names like Bashiru Adisa (aka Baba Gboin), Ambrose Somide, Kola Tunde Elegbede, Olusesan Ekisola, Kenny Keke Ogungbe, Peter Okodua, Segun "Shy Shy" Shyllon, Felix Femi Fasina, Bimbola Sowoolu, Gbenga Adeboye, Kola Olawuyi, and many others, marked a new era when OGBC 2 FM and other radio stations emerged.

Despite Olusesan Ekisola's efforts to persuade Toba to join the Dokpesi-owned RayPower when it launched in 1996, Toba resigned from OGBC in 1997 to pursue independent broadcasting. Alongside Gbenga Adeboye, they founded the Freelance and Independent Broadcasters' Association of Nigeria (FIBAN), which has become a household association for broadcasters managing multiple programs across several stations.

As an independent broadcaster, Toba dazzled audiences with his well-researched programs across various stations. Some of his notable programs included "Ayo & Toba" on Oyo Radio, "Toba Opaleye on FM" on OGBC, "Eko For Show" on Eko FM, "Ijeun Agba" on Paramount FM, "Lehin Igbeti" on Star FM with Tony Toero, and "Eto Baba Eto" on Radio OYO. Among his programs, "Toba Opaleye on FM" on OGBC stood out.

A dedicated writer with numerous stories to his credit, Toba published the book "Esu Amule ti" in 1996, an adaptation of Shakespeare's Hamlet. He also published the novel "Bawo Ni" in 1990 and wrote and produced a play titled "Oluronbi." At the peak of his creativity, he ventured into movie production, music marketing, and artist management. He co-produced "Olugbeja" in the early '90s and later wrote and produced "Igbaladogi" (an odyssey of a wayward woman) and its sequel. Other notable feature films he worked on included "Abeni Onipangbe," "Yemisi Owereke," and "A*o Esu Beleke," which captivated audiences in cinemas and home videos in the late '90s and early 2000s. At the time of his passing, Toba had over 100 unpublished scripts, including "Alimi Janganja-again," "Mufu Oloosa Oko," "Yesufu," "The Vacant Stool," "Ojo Loko Agbado," "Kekere Ori Ejo," and many more.

Toba was a creative genius and an accomplished broadcaster. Chief Abiodun Sanda, the Oyo prince under whose tutelage Toba honed his skills, still uses him as an example of a natural-born broadcaster, recounting stories of Toba's genius and mischief as a young broadcaster.

Toba obtained a diploma in Mass Communication from the University of Lagos and then pursued an Advanced Diploma in Mass Communication and a postgraduate course in Marketing at the Nigerian Institute of Journalism. He received accolades at his graduation, including the Overall Best Student award and the revered Chief Dayo Duyile Prize for the Best Student in Precision Journalism. He further obtained an MBA in Marketing from Ondo State University (now Adekunle Ajasin University, Akungba, Ondo).

Toba lived for the arts and dedicated himself to creativity. As a music promoter and manager, he provided platforms for upcoming and established musicians on his programs. Many artists would travel from out of town to attend his morning program, even staying at his home. His son, Olusesi, recalls meeting the Fuji legend Alabi Pasuma for the first time when he stayed overnight on their couch.

Toba cherished life and embraced it fully. Perhaps this stemmed from losing his parents at an early age or his well-documented social nature, as he was married to two women, Oyeyiinka and Abiola (deceased), whom he affectionately referred to as "Olori" and "Erelu," respectively. Toba's romantic endearments for these two women created a loving home.

Toba, who would have turned 65 years old today, passed away on April 30, 2006, due to a kidney-related ailment at the age of 47. He is survived by six children: Oyeyemi, Olusesi, Oluwafeni (deceased), Omsalewa, Omowonuola, and Omotinuola.

Although Atobatele Okanlawon Opaleye may have transitioned, his work remains indelible in the pantheon of broadcasting in Nigeria today. Rest in peace, Toba.

17/07/2023

Story of Ayinla Omowura : A Yoruba music legend

Waidi Ayinla Yusuf Gbogbolowo better known as Ayinla Omowura (1933 – 6 May 1980) was a Nigerian Apala musician born in Itoko, Abeokuta in 1933

Omowura was the son of Yusuff Gbogbolowo, a blacksmith, and Wuramotu Morenike.
He did not have formal education and started out working at his father's smithy but left and went on to working several jobs as a driver, butcher, carpenter and bus park boy.

He was however discovered by Adewole Alao Oniluola, who later became his lead drummer and started an apprenticeship in Olalomi, an Apala variant.

Omowura was known for feuding with other musicians including his superiors such as Haruna Ishola, whom he later acknowledged to be his superior. He also feuded with Ayinde Barrister, Fatai Olowonyo, Yesufu Olatunji and Dauda Epo Akara.

These feuds coloured his music over his discography. He was noted to have a quick temper and engaged in ma*****na use and in physical altercations.

Despite being unlettered, Omowura was enlightened about current events and had a command of puns, proverbs innuendos and metaphors. He was a social commentator, critic as well as a moral instructor.

He often served as a mouthpiece for passing on government policies to the masses and was also a messenger of the masses back to the government. In his 1976 album, Owo Udoji he hailed the government for salary increment but however demanded for same increment in the private sector In Orin Owo Ile Eko, He explained the Lagos rent edict to his listeners and also praised the Mobolaji Johnson-led Lagos State government for the masses-oriented programme.

He influenced the response of the people to the policy and also explained the National Census of 1973 in his album National Census.

the 1973 album, Challenge Cup '73 he explained the change in driving from the left to the right hand side and the change of the Nigerian Currency from the colonial Pound Sterling to the Naira and Kobo during the General Yakubu Gowon-led military government.

Asides current affairs, he used his albums to extol the importance of sporting activities. His music also preached positive change in society and portrayed both mourning and celebration.

He was also a critic of women who bleached their skin and promiscuous women.
He had many aliases and earned the moniker, Hadji Costly because of his flamboyant dressing in agbadas made of high quality Swiss lace and gold jewellery.

His other aliases include Egunmogaji, Anigilaje and Alujannu Elere which demonstrated his status as the enfant terrible in music of the time.

Omowura was a muslim by birth, he practiced the religion and performed the Hajj in 1975. He however also engaged in traditional religion practices.He was married to Afusatu of the Ile Eleni clan and Tawakalitu Owonikoko.

Omowura was killed in a bar room brawl on May 6, 1980 aged 47. He died from a cerebral haemorrhage after being struck on the head with a beer mug by Bayewu, his manager at the time.

Bayewu was taken to court and sentenced to death a few years later.On the day he died, EMI Records recorded at least 50,000 copies sale on each of his albums.

Following the death of Omowura in 1980 and Haruna Ishola in 1983, the popularity of Apala music waned and has been largely replaced by Fuji music. New school Nigerian musicians, Terry Apala and Q-dot Alagbe have made music influenced by Omowura's style.

17/07/2023

Oh!!!

17/07/2023
17/07/2023

AYOKA FOYEKE AJANGILA

Olórun ní somo
Àyòká Motúnráyò
Olórun ní somo

Ayoka Foyeke Ajangila began recording with Decca in Lagos in June 1961. Her career spanned the 1950s through the 1980s.

A native of Ibadan, she toured Europe with Hubert Ogunde in 1979 and released a beautiful album (Olorun ni somo) to commemorate the safe delivery of her first child.

Ajangila, who came from a family of Sango and Egungun devotees, played a mixed genre of music classified in the 1970s and 1980s Yoruba musical culture as "Pankenke" and featuring full ensemble of data drums.

Today, we know almost nothing about Ajangila, not because she did not do enough to be remembered, but because cultural memory and production of knowledge have continued to privilege male voices over women.

With the help of digital technology, Ajangila's voice (with all energy, class and beauty) is still clearly audible. The album celebrated victory over biological childlessness.

Thank goodness for veteran presenters/journalists/broadcasters like Aare Samuel ArugboBoisi and his twin brother, Elere Oba, for projecting our cultural heritage. Listen to Samuel Ibikunle on Fresh FM, 105.9, every Monday, from 9:00pm - 12:00am, Àrobá Àwon Akanni.

Written by Phassy Word Smith

Picture Credit: Nigerian Daily Times, June 3, 1961.

17/07/2023

Kanu’s Lawyer Reminds Tinubu Of Campaign Promise To Negotiate With Agitators, Says ‘Don’t Dialogue With IPOB Leader While He’s In Chains’ | Sahara Reporters https://bit.ly/44PjRXq

17/07/2023
17/07/2023

HISTORY OF ILA-ORANGUN

Ila-Orangun lies about 65km northeast of Ile-Ife and 90km southeast of Ilorin on the southern edge of the savannah. It is a part of the distinct dialectical Yoruba sub-group known as Ìgbómìnà or Ìgbóónà who originates from the north central and south western parts of Nigeria.

The Igbomina group, presently, is mainly found in the eastern part of Kwara State, and the northern part of Osun State where Ìlá-ọ̀ràngún is located.

The beautiful and serene town of Ila-Orangun share boundaries with Rore, Arandun and Aran-Orin to the North, Ora and Oke-Ila Orangun to the north-east, Oyan to the West, Otan-Ayegbaju to the South West and Oke-Imesi (in Ekiti State) to the east. More than 80 percent of Ila people are farmers and they grow crops like maize, plantain, cassava, pepper and cash crops like cocoa and kolanut.

The people of Ila-Orangun are also skillful and professional palm wine tappers. They are globally recognized and known for this professing and thus this popular Yoruba statement was birthed: “Ila o l’oogun, emu l’ogun Ila” (Ila has no medicine other than palm wine).

Also, they are known for local arts and crafts which include pottery, soap making and wood carving which is world acclaimed in the work of Fakeye who hails from Ila-Orangun.

The history of Ila-Orangun was traced to the reign of Oduduwa (the first Oba and founder of Yoruba tribe) in Ile-Ife when his seven grandsons decided to found some large political centers, one of which was Ila-Orangun.

It is believed that Ifagbamila (Ajagunla), one of the sons of Okanbi, the son of Oduduwa, left Ile-Ife with his mother, Adetinrin, in about 12th century to found Ila and he became the first Orangun (king) of the town.

The direct link Ila has to Ile-Ife made people refer to the town as a kingdom, and its king, Orangun, as the leader of Igbomina. Howbeit, traditions in other Igbomina towns such as Ajase, Isanlu-Isin, Oba, Owa, Oro, Ikosin and Igbaja claim that larger communities existed in Igbomina before Ila emerged, and that Ila is not the most powerful of all Igbomina towns.

Other oral accounts of Ila history have it that Ajagunla was the son of Princess Adetirin who was the only daughter of Oduduwa. She migrated from Ile-Ife because of an unwanted pregnancy and settled in Ila-Kodomu also called Igbo-Ajagunla in the history of Ila-Orangun.

These sources further claim that the people of Ila once lived separately before they finally settled together at their present site, Ila-Orangun, where Orangun Igbonnibi first reigned. The previous dispersed settlements include Ila Yara, Ila Magbon (later known as Ila-Orangun), Ajo, Ila-Okiri (Oke-Ila) Oke Molododo, Ilase and Ilawo.

These settlements were originally not established by the Ila people. History has it that people were already living there before migrants form Igbo-Ajagunla occupied Ila-Yara and later, other settlements. It is worthy of note that the people of these pre-Ila-Orangun settlements migrated from one settlement to another.

For example, Ila-Yara was deserted because of a royal dispute; another source traced the cause to be an outbreak of earthworm which forced the people to migrate from Ila-Yara to Ilawo, Ila Okiri, Ila Magbon and Ilase.

An account traced the etymology of the words ‘Ila’ and ‘Orangun’ to the period when Ifagbamila Ajagunla left Ile-Ife with half (Ilaji) of his grandfather’s (Oduduwa) wealth; and the Odu Ifa that instructed him to leave Ile Ife was “Ose meji” meaning “Oro mi gun” which means “my life plans are straight”. Thus the saying “Ìlàjì ni mo pín, ọ̀rọ̀ mí gún” became Ila-Orangun.

However, it should be noted that no European observer in the precolonial period of Nigeria ever grasped the nature of the settlement at its inception.

European travelers arrived too late in Igbomina and their reports only captured the horrific devastation of wars on Ila that began after the fall of Old Oyo empire.

17/07/2023

Wow

17/07/2023
17/07/2023
17/07/2023

Wow!

17/07/2023

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