Panalux

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Panalux

Lighting rental for the film, television, and entertainment production industries.

Created specifically to cater to the exacting needs of the global entertainment industry, the Panalux service is unrivalled in its ability to provide creative solutions to the full spectrum of production types, regardless of size or genre. Experience and innovation plus an extensive inventory of modern equipment fully supported by a team of highly skilled professionals sets Panalux apart from the

competition. Utilising these extensive resources, clients continually entrust us to deliver practical, effective lighting systems to projects throughout the world.

23/12/2024

"Best in the game," says creative director and photographer Rami Bittar during his visit to London!

19/12/2024

Can you believe is only a week away? 🎅 🎄 Today we're sharing more from this fun spot, courtesy of Metro Rigging.

Production Company: Hungry Man
Shot at: , Stage 1 & 5
Director: Bryan Buckley
Producer: Camilla Cullen
Production Manager: Tom Martin
1st AD: Joe Carter
Grip: Felix Milburn-Foster
Gaffer: Reuben Garrett
Electricians: Lawrence Stromski, Joseph Nowell, Chris Howorth, Jude Garrett, Rob White, Micky Mack, Tison Bailey
Rigger: Andrew Thompson
Production Designer: David Skinner
Art Director: Matt Fraser
Props Stylist: Tess Bartlett
Lighting gear:

Photos Courtesy of Metro Rigging

17/12/2024

Who's ready for ? 🎅 🎄 Today we're sharing a special look at this fun spot.

Production Company: Hungry Man
Shot at: , Stage 1 & 5
Director: Bryan Buckley
Producer: Camilla Cullen
Production Manager: Tom Martin
1st AD: Joe Carter
Grip: Felix Milburn-Foster
Gaffer: Reuben Garrett
Electricians: Lawrence Stromski, Joseph Nowell, Chris Howorth, Jude Garrett, Rob White, Micky Mack, Tison Bailey
Rigger: Andrew Thompson
Production Designer: David Skinner
Art Director: Matt Fraser
Props Stylist: Tess Bartlett
Lighting gear:

Photos & Video Courtesy of Metro Rigging

05/12/2024

Did someone mention motorised 18K fresnel heads? Happy to the shoot of The Family Man (2006) with Balazs Bolygo BSC, HCA and Ian Barwick.

The heads and motorised stirrups are still well in use in 2024, built to last! 🏆💪

21/11/2024

Today we're in Cape Town with Lorenzo Erasmus!

15/11/2024

Has anyone else not stopped thinking about ‘We Live In Time’ since they watched it? 🙋 Come with us and Stuart Bentley BSC () on the brilliantly heartwrenching film.

“We wanted to create a naturalistic look for 'We Live in Time' - that could support and enhance the story without being too loud or flashy,” says Stuart. “We knew the performances would be incredibly strong so I just tried my very best to support that. We wanted to respond to the atmosphere of each scene as if the camera was a character in its own right - energized and fast moving at times - static and observational at others. I was always aiming for naturalism and authenticity in the camerawork and lighting.

I love working with all sorts of lenses and always use the script and conversations with the director as a starting point for what equipment might be suitable for each new project. I wanted something slightly soft and vintage but without too much personality. We tested a whole range of lenses before landing on the – they’re gorgeous lenses and delivered the kind of naturalism we wanted whilst also retaining a little bit of that magic. I liked the comprehensive range and they were both small and fast - we did a lot of handheld so I needed something that would work well for that.

I think my favourite setup is the scene where Florence and Andrew have an argument in the kitchen at night. It’s one of the most simple lighting setups – a few practicals and a single . The performances are just so incredible – it was amazing being so close to them in the room feeling that energy.
By keeping the floor clear and the lighting simple it hopefully allowed them the space and atmosphere to concentrate on their work without getting caught up in any technicalities.

I’ve done hundreds of projects with over the years and have always loved their help and support - they looked after me when I first started out shooting music videos so it felt like a great fit for this project!”

13/11/2024

Welcome to of with this fun look at our testing room facility!

Video credit & courtesy of Denise Woods ()

08/11/2024

Check out this look at an incredible campaign shoot for with Cathy Ye and Adam Trz.

Lighting by and shot at .

Video credit & courtesy of Cathy Ye

01/11/2024

"'Film is light!' - Federico Fellini
At my favorite candy stores with my gaffer Ian to choose the right brushes to light. ," says . We love lighting too! 💡 ❤️

25/10/2024

Who misses the summer? 🌞 A behind the scenes look at a wonderful short film called 'Summer', looks like it was a sunny shoot with Bethany Yang, gaffer Vaibhav Sanghavi and spark Peter Borák.

20/10/2024

Congratulations to , & for their nomination for "Wall of Eyes" – from 👁️🎥.

The music video was shot on film with lenses and serviced by London & Woodland Hills and London.

17/10/2024

Happy with some fun technical rigs from of a spot for with Brent Crude Sauls, ICLS, Karien Cherry and Deon van Zyl, SASC.

⚡ Video / Reshare courtesy and special thanks to Brent Crude Sauls, ICLS

26/09/2024

Today we're going at of this this fun Argos spot with Joe Douglas and Steve Finberg.

19/09/2024

Brilliant from Clint Stone - serviced by Cape Town.

17/09/2024

Congratulations to all the nominees and winners of the 2024 ! is proud to have supported the following winning :

🏆 🏆 - Winner for Outstanding Comedy Series - Adam Bricker ASC, serviced by Panavision Hollywood.

🏆 Baby Reindeer 🏆 - Winner for Outstanding Limited or Anthology Series - cinematographers Krzysztof Trojnar & Annika Summerson BSC,
Gaffers: Alex Edyvean & Bernie Rostoski serviced by London.

13/09/2024

From a different angle, and
Matt Fox, Paul Allen.

09/09/2024

See how Nate Bauer () overcame the issues of lighting talent on a very small boat – at night! – on ⛵️💡

05/09/2024

Today we're throwing it back to this rig on the set of

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Videos

"Best in the game," says creative director and photographer Rami Bittar during his visit to #Panalux London!

“Best in the game,” says creative director and photographer @ramibittar on working with #Panalux London!

Today we're #behindthescenes in Cape Town with #lightingtech Lorenzo Erasmus!

Welcome to #behindthescenes of #Panalux with this fun look at our testing room facility! Video credit & courtesy of #cinematographer Denise Woods (@denisefwoods)

Check out this #behindthescenes look at an incredible campaign shoot for #heartsuk with #cinematographer Cathy Ye and #gaffer Adam Trz. Lighting by #panalux and shot at #DukesIslandStudios. Video credit & courtesy of Cathy Ye

Happy #throwbackthursday with some fun technical rigs from #behindthescenes of a spot for #Brutalfruitza with #gaffer Brent Crude Sauls, ICLS, #director Karien Cherry and #DOP Deon van Zyl, SASC. ⚡ Video / Reshare courtesy and special thanks to Brent Crude Sauls, ICLS

Today we're going #behindthescenes at #BlackIslandStudios of this this fun Argos spot with #cinematographer Joe Douglas and #gaffer Steve Finberg.

See how #gaffer Nate Bauer (@digitalvagrantlc) overcame the issues of lighting talent on a very small boat – at night! – on #TheMinistryOfUngentlemanlyWarfare ⛵️💡

The Making of The Crown

Emmy nominated #cinematographer Adriano Goldman ASC BSC ABC and #gaffer Andy Lowe take viewers behind the scenes of #TheCrown. Over six seasons, the Emmy nominated Netflix series has enthralled viewers with its simultaneously intimate and epic portrait of Queen Elizabeth II and the royal family’s inner workings throughout the second half of the 20th century and into the early years of the 21st. #Panavision and #Panalux serviced the production throughout all six seasons, supplying cameras, optics and lighting equipment to lead #directorofphotography Adriano Goldman ASC BSC ABC; cinematographers Ole Bratt Birkeland BSC; Stuart Howell BSC; Fabian Wagner ASC BSC; Frank Lamm; Ben Wilson; Rasmus Videbæk; and Sophia Olsson, and their crews. In this video, Goldman and gaffer Andy Lowe welcome viewers on set and reflect on the evolution of the series’ camerawork and lighting. Sophia Olsson has been nominated for Outstanding Cinematography for a Series (One Hour) - “Ritz,” and Adriano Goldman ASC BSC ABC has been nominated for Outstanding Cinematography for a Series (One Hour) - “Sleep, Dearie Sleep." #TheCrown has also been nominated for 18 Emmys, including Outstanding Drama Series. Watch The Crown, Seasons 1-6, now on #Netflix and click the link below to watch the full interview! https://pvlink.net/Making_of_The_Crown

Jamie Ramsay SASC

#Cinematographer Jamie D. Ramsay SASC takes us behind the scenes of his career, whilst chatting about #AllOfUsStrangers, serviced by #Panalux London. Watch the full video by clicking the link below! https://pvlink.net/-Jamie-Ramsay-interview

All of us Strangers

#Cinematographer Jamie D. Ramsay SASC takes us behind the emotion of lighting #AllOfUsStrangers, serviced by #Panalux London. 💡 #Gaffer: Warren Ewen Click here to watch the full interview! https://pvlink.net/-Jamie-Ramsay-interview

Steve Finberg - 20x20

A fantastic look on set at #IslandStudios of the #lightingsetup courtesy of #gaffer Steve Finberg "The joy of having 7 x 20’x20’ on motors for easy adjustment of height and angles, on recent commercial @island_studios Riggers Pat Daly and Mark Redmond."

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