
08/03/2025
Jharoka, a pigeon-hole window, was an outlet to the outer world for the women of royal households. However, few Indian queens, from Maharani Gayatri Devi to Maharani Radhika Raje, did not let jharokas restrict their access to the outer world. They stepped out of veils to redefine their queenhood beyond beauty, elegance, and aristocracy.
Born into the illustrious royal family of Wankaner, a city in the Rajkot district of Gujarat, Radhika Raje had a progressive, modern upbringing. Her father, Dr. MK Ranjitsinhji Jhala, was the first from the Wankaner royal family to renounce his title to serve as an IAS officer during the Bhopal gas tragedy—a moment that instilled in Radhika the belief, ‘you can’t expect things to fall into place without lifting a finger.’
Growing up in Delhi, she embraced a modest lifestyle, riding public buses and engaging with commoners on a genuine level. Determined to chart her own course, she pursued a degree in history and carved a niche as a fashion journalist at the Indian Express, thus becoming the first woman in her family to join the workforce at the age of 21.
In 2002, Radhika married the Prince of Baroda (now Vadodara) and moved into the opulent Lakshmi Vilas Palace—the world’s largest private residence, four times the size of Buckingham Palace. As the Maharani of this magnificent estate, Radhika Raje never allowed lavish surroundings to define her; instead, she remained committed to creating an individual identity outside the royal residence and challenging traditional expectations, with the steadfast support of her husband and in-laws.
Radhika champions women’s right to self-sufficiency and independence. Inspired by pioneering figures such as Maharani Chimnabai II, her initiatives empower women with vocational training in tailoring and beautician skills. Among her projects, “Nari Ki Savari” equips women with taxi-driving skills for a decent living. During the COVID-19 lockdown, she ran social media campaigns to revive the livelihood of over 700 families. She owns Baroda’s first café entirely run by transgender individuals for social inclusion.
As a patron of art and craft, the Maharani of Baroda organizes craft fairs like “Urja” to celebrate the country’s indigenous handcraft traditions. She raises funds for charity through the palace heritage garba, an annual event organized on the palace grounds. It not only hits the headlines every year but brings the youth together to contribute to charitable causes. She has also revived the historic Baroda Shalu—a cherished textile tradition from Varanasi—thus intertwining art, culture, and progressive leadership into her enduring legacy.