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Heritage Walks

Official pg of Delhi Heritage Walks (DHW)- a team of historians who explore the city of Delhi. Founded by Kanika Singh. A. Book discussions

How do we do it?

This is the official page of team Delhi Heritage Walks (delhiheritagewalks.com)

What do we want to do? Experience the city of Delhi, its neighbourhoods, as never before
B. Explore the lesser known parts of the city
C. Enjoy heritage as not only the past but a living tradition
D. Organize walks in different parts of the city
B. Hold book discussion through our Book Club

What can you do on this pa

ge? Get detail information about walks & book discussions
B. See the calendar of the month
C. Register for walks
D. See photographs of previous events
E. See videos, blog write ups on monuments in Delhi
F. Get updates on history, Delhi & walking
G. Provide feedback to us
H. Access our website (delhiheritagewalks.com)

16/03/2025

“Not quite sure if it’s a modern city or a medieval village, Delhi sits happily in between”.

Authored by Supriya Sahai, ‘Delhi on the Road’ explores the paradox of a city caught between stillness and motion. Published in 2010, this collection of black and white illustrations captures the essence of Delhi through the eyes of the author, who, over a period of eighteen months, documented its streets, monuments, and everyday scenes. The result is a balanced portrayal of the city, showing it as both frozen in time and constantly evolving.

The drawings serve as a visual template, allowing readers to journey through the quiet neighbourhoods of North Delhi, the vibrant lanes of Old Delhi, and the rapidly transforming spaces of South Delhi and Mehrauli. Whether depicting the city’s map, shop signs, crowded streets framed by monuments, or common sights such as markets, cattle and commuters, through her observations, the illustrator turned fleeting moments into lasting art. The work spurs one to reflect on their own interactions with the city, recalling personal stories connected to the locations outlined.

24/02/2025

Situated in North Delhi’s Burari area is a site that reflects India’s colonial legacy as well as post-independence evolution. Spanning 52 acres, the Coronation Park was the venue for three Delhi Durbars, i.e., ceremonies where British monarchs were declared rulers, in 1877, 1903, and 1911, respectively. They served to reinforce British power by emulating the traditions of previous Indian rulers. King George V’s presence at the 1911 Durbar was particularly significant, as it was then that the decision to transfer India’s capital from Calcutta to Delhi was announced.

A central feature is the Coronation Memorial, a sandstone pillar commemorating all three Durbars. After India gained independence, statues from the colonial era were moved from prominent locations in the city to here. Amongst them was the 49-foot statue of King George V, formerly located at Kartavya Path. Additionally, statues of British viceroys, such as Lord Hardinge and Lord Chelmsford, were also relocated. In the initial post-independence period, Jawaharlal Nehru resisted the removal of colonial statues, viewing them as part of the country’s history. However, a surge in nationalism by the 1960s led to their systematic removal. While some regarded this as erasing history, others considered it a necessary step in asserting India’s post-colonial identity.

At present, despite restoration efforts by the Delhi Development Authority (DDA) and the Indian National Trust for Art and Cultural Heritage (INTACH) in 2011, Coronation Park remains largely overlooked. Modifications to the site include an amphitheater, water features, and a children’s play area.

25/01/2025

Tucked in the hectic lanes of Old Delhi, the Daryaganj Sunday Book Market, a name that strikes familiarity in many, is more than just a place to buy second-hand books. Originally a marketplace for goods like vinyl records, radios, and clothes, the market’s identity began shifting in the 1960s, when second-hand, rare, and pirated books took reign of the scene. The area’s connection to the Mughal Empire also runs deep, with evidence of early markets established during Emperor Shahjahan’s rule.

In “Old Delhi’s Parallel Book Bazaar”, Kanupriya Dhingra explores how Daryaganj became synonymous with books, offering readers a detailed look at the market’s history, spatial dynamics, and the lives of its booksellers. A key theme is the 2019 relocation to Mahila Haat, prompted by concerns over traffic and encroachment. A comparison between the market’s form and function before and after the move is also made. An ethnographic approach is used, complete with interviews and rhythmanalysis, capturing how this informal market coexists with the more formal, regulated one.

The second part of the read concerns the booksellers, a unique community of individuals who found themselves in the profession by chance, among them, a former photographer, an Urdu lecturer, a rickshaw puller, and a stenographer. Their knowledge extends beyond the books they sell, with insights on perfecting a stall, understanding customer needs, and specialising in areas like pirated copies or rare finds. The significantly disproportionate presence of women booksellers is highlighted, offering a look into the role of gender in the profession.

Engaging the readers with the use of photos and vignettes, the book offers an in depth account of a core part of the city’s rapidly changing identity.

28/12/2024

Gurudwara Sisganj Sahib, located in Chandni Chowk, Old Delhi, is a sacred site that memorialises Guru Tegh Bahadur, the ninth Sikh Guru, who was martyred in 1675. His inexorable stand for individuals’ freedom to practice their faith and his refusal to abandon his own, in the face of brutality, became a defining moment in Sikh history.

The story of his martyrdom began when Mughal Emperor Aurangzeb sought to force a group of Kashmiri Pandits to convert to Islam. In their despair, the latter turned to the Guru for aid. In response, Guru Tegh Bahadur courageously challenged the emperor, declaring that if Aurangzeb could convert him, everyone would follow; otherwise, the emperor should halt his pursuit of forced conversions.

The Guru, along with his devoted disciples Bhai Mati Das, Bhai Sati Das, and Bhai Dyala, was arrested and imprisoned at the Mughal Kotwali (now the langar hall of the Gurdwara). The three disciples endured unspeakable torture in front of their Guru, an attempt to break his spirit. Despite witnessing their persecution, Guru Tegh Bahadur remained steadfast in his faith, refusing to renounce his beliefs. His ex*****on followed, and he was beheaded on the very spot where the Gurdwara now stands.

Today, Gurudwara Sisganj Sahib is not only a place of worship but also a homage to the courage and sacrifice of the Guru and his disciples. The Bhai Mati Das Museum within the Gurdwara honours their memory and showcases a collection of modern historical paintings that depict key moments from Sikh history, including scenes from the lives of the 10 Sikh Gurus. The nearby Northbrook Fountain, located at Fountain Chowk, is believed to be the place where the three martyrs were tortured.

24/11/2024

Prithviraj Chauhan, the 12th-century ruler of the Chauhan dynasty, is a historical figure, popularly celebrated for his stand against Muhammad Ghori, the ruler of the Ghurid dynasty. The stories of Prithviraj’s marriage with Sanjyogita when she garlanded his staute at her swayayamvar; the “Shabd-Bedi Baan” – the arrow shot by the captive & blinded king, are all stuff of legends. Today, Qila Rai Pithora in Mehrauli is associated with the Chauhan king; Rai Pithora being another name for Prithviraj.

Cynthia Talbot in “The Last Hindu Emperor: Prithviraj Chauhan and the Indian Past, 1200–2000”, undertakes a thorough case study approach to examine the ways in which memories of the Chauhan king have been constructed and reconstructed. Talbot synthesizes historical facts with local stories and popular narratives. She uses a range of literary works including the Prithviraj Raso, Indo-Persian and Sanskrit texts and epigraphic evidence and the epic ballad of Alha Udal (where incidentally, Prithviraj is a villan, not a hero!) The book is especially relevant for unravelling the process of memory and history-writing through which Prithviraj Chauhan came to be associated with Delhi and remembered as the king of Delhi, rather than of Ajmer.

The read serves as an important reference for how history and memories intertwine along with the politicisation of historical figures via reimagination of their legends.

20/10/2024

Amidst the graves in Nicholson Cemetery lies the burial site of a prominent intellectual figure and key personality of the Delhi Renaissance, Master Yesudas Ramachandra. He was a professor of mathematics and an Urdu stylist at Delhi College. As a nexus of the 19th-century movement, the college was a trailblazer in producing, publishing and translating texts in various languages, including English, Arabic, Sanskrit and Urdu, making knowledge accessible.

Master Ramachandra played a crucial role in developing periodicals issued from the institute’s press in the mid-19th century, editing two journals, a fortnightly titled Fava’idu- ’n-Narizin and a monthly scientific and literary publication called Muhibb-e-Hind. Through these efforts, he introduced the literate public of North India to Western advancements in science and technology while promoting a culture of learning and reform.

Born into a Kayastha family, he converted to Christianity around 1852, a decision that led many families, fearful of conversion, to withdraw their children from the college. The First War of Independence further altered his life drastically. Deemed a traitor by the rebels, he fled the city, and upon his return, he faced rejection and hostility from the British, who viewed him as a ‘native’. Despite his efforts to reestablish himself in Delhi, he encountered discrimination, physical assaults and public derision. His passing in 1882 marked the end of a transformative period in history.

29/09/2024

Old Delhi boasts an impressive variety of buildings attributed to women, including those of royal descent like Jahanara, Akbarabadi Begum and Fatehpuri Begum. Also notable is Begum Samru, India’s only catholic queen, remnants of whose estate, which once stood opposite the Red Fort, can now be found in Bhagirath Palace Market, one of the largest for electronic goods. While various sources offer fragments of her life story, much still remains unknown.

A detailed portrait of her transition, from an orphaned girl to a courtesan turned mercenary and administrator, is presented in the historical novel ‘Begum Samru of Sardhana’ by Michel Larneuil. The first-person narration immerses readers in the world of this enigmatic figure, providing insight into her thoughts and feelings.

Divided into two parts, the book indicates the functions of names and their significance in shaping identities. It chronicles the protagonist’s transformation from Farzana to Begum Samru, then to the Begum of Sardhana, and finally to Begum Joanna upon her conversion to Christianity, alongside chapters dedicated to key figures in her life. As the tale unfolds, the inspiring nature of her journey becomes apparent as she rose against the rigid gender roles of her time. She commanded an army of 4000 troops, led them into battle, and provided protection to the Mughal emperor Shah Alam on several occasions which earned her immense respect. References to her architectural legacy reflect her appreciation for cultural diversity. With every page readers are compelled to know more.

15/09/2024

Jahanpanah, meaning “refuge of the world”, was the name given to the fourth fortified city of Delhi constructed by Mohammad bin Tughluq in the 14th century. Per the Sultan’s grand vision, earlier cities of Lal Kot and Siri were merged and bordered to form a new settlement holding structures emanating opulence and splendour like a citadel, palace and mosque. Traces of the same can be found in several locations across South Delhi.

The Bijay Mandal is a notable example. Translating to “Victory Pavillion”, the building appears to have served a strategic function. It stands on two sequent platforms and features an octagonal pavilion which offers an unobstructed view of surrounding areas from all directions, including Sarvodaya Enclave, Kalu Sarai and Hauz Khas. A narrow staircase leads to the top level. Speculations about the premise’s purpose include its use by the emperor as a personal lair or to monitor his soldiers. Chronicles of Moroccan traveller Ibn Battuta who visited the Sultan’s court from 1333 to 1341 indicate the existence of a complex called Hazar Sutun or the “hall of thousand pillars” at the site. Described as the king’s court and a hall for public audience, evidence of its relation to the Bijay Mandal has been found. A striking characteristic is the set of two pits positioned along the walls of a hall, leading historians to wonder if they were wells, storage space for grains or treasure chambers. The latter of the three is likely to be true as prior excavations have discovered a variety of precious objects from various time periods here, such as rubies, corals, pottery, pearls and coins.

31/08/2024

“The Kaurs of 1984” by Sanam Sutirath Wazir revisits the harrowing devastation inflicted upon Sikhs following the assassination of Indira Gandhi. The trauma of those affected, particularly women, is documented through a ghastly narrative created from oral histories that leaves an indelible impact on those who engage with it. Graphic imagery is evoked as survivors recall memories still fresh in their minds, of losing their families; shedding their identities; being betrayed by those they considered friends; unprotected by the very institution that pledges adherence to the principle of secularism, promising unwavering protection on its basis; and so much more.

A sombre period in the country’s past marked by hatred and barbarity, the experiences of Sikh women during this time have not been as extensively recorded. In the unwarranted attacks against their community, they suffered violations of all kinds, uprooted and displaced from their residence, forcibly made to witness their loved ones being martyred by mobs and facing harassment, physical and psychological, at the hands of the aggressors. As their pleas for help went unheard, they were impelled to leave their homes of which nothing remained, left to figure out ways to survive, transitioning from homemakers to wage earners in order to raise their children. Recollections of women who took to militancy are elaborated. The work also highlights reasons behind the failure of rehabilitation efforts as these women are still enduring the pains inflicted upon them, grappling with wounds that are only beginning to surface.

19/08/2024

Sultan Firuz Shah, the third ruler of the Tughlaq dynasty, reigned over Delhi from 1351 to 1388 and was known for his architectural innovations and accomplishments. Among his notable works was the installation of two Ashokan pillars in the city, which were transported from Topra and Meerut. Uprooting and moving them was a remarkable feat, especially the monolith at his capital Firuz Shah Kotla, which weighed 27 tons and required dismantling and transportation via river.

The pillar in his fortress was placed atop a stepped pyramid and was intended to be displayed as an impressive monument for future generations to witness. It was renamed “Minar-e-Zarin” meaning “golden column” because of its burnished appearance. Scholars from distant places were invited to attempt decrypting the inscriptions on its surface. However their ventures proved futile as knowledge of the Brahmi and Prakrit scripts had declined considerably in northern India. Nonetheless, local legends and contemporary accounts have helped shape their interpretation. Some believed it to be the “walking stick of Bhim”, used for herding cattle by the most powerful of the Pandava brothers from the Mahabharata. Others associate it with a revered djinn named Lat Baba with “Lat” meaning pillar and “Baba” referring to a venerated figure, making it a sacred site.

The other pillar stands near Firuz Shah’s hunting lodge on the northern ridge, the Pir Ghaib. It was damaged in an 18th-century explosion and subsequently reassembled. Carvings on it, which detail Ashoka’s principles of administration and initiatives of public welfare, were gifted for study to the Asiatic Society in Calcutta by Hindu Rao.

04/08/2024

The earliest account of a settlement in Delhi has been traced in the epic of Mahabharata, which alludes to the city of Indraprastha. Thereafter, control over the region was assumed by the Tomars, Chahamanas, Sultans, Mughals and British, respectively.

Regimes led by each of these had distinct reasons for occupying the city, and once established, they left their mark, discernible in the architectural styles adopted by them. Structures from the time of the Delhi Sultanate like the Hauz Khas Complex, Qutub Minar and Tughlaqabad Fort are marked by Indo-Islamic elements, their distinct domes contrasting the Sikhars of Hindu frameworks. The Mughal period introduced imposing buildings such as the Red Fort and Humayun’s Tomb, featuring red sandstone, white marble, lush gardens and ornate domes. Colonial aesthetics are visible in constructions like the Parliament House and Central Secretariat. All are reflective of the cultures that existed in the city and contributed to its selfhood.

The origin of Delhi along with the transformations it underwent over time are detailed in Percival Spear’s “Delhi: A Historical Sketch”. One of the four books in “The Delhi Omnibus” collection, it incorporates photographs, chronicles and references to old records, which together provide readers with an understanding of Delhi’s transition into a metropolis.

28/07/2024

In Old Delhi, place names were often drawn from local trades, renowned commercial classes or notable figures residing in the area. An eminent landmark here is the Town Hall, built by the British on premises formerly owned by Shahjahan’s daughter Jahanara. During the Mughal era, the location accommodated a city square and an octagonal pool. The precinct measured 100 by 100 yards and flowing through it was a canal that reflected moonlight which led to it being recognised as Chandni Chowk or “Moonlit Square”.

Constructed between 1860 and 1865, the Town Hall serves as a key example of British civic architecture in the city, fashioned to facilitate interaction between the local community and Europeans. Originally named the Lawrence Institute, it was envisioned to house the municipality office, chamber of commerce, literary society and museum. It was predominantly funded by local traders and the public. The municipality also made significant contributions to its construction owing to which, they asserted on using it exclusively, eventually purchasing the building in 1866 for over 1,00,000 rupees.

The architecture is a fusion of Victorian elements, East India railway station style and Italian railway station features from Punjab which prompted stringent criticism for its dismal design. Recognised publications of the time asserted that it was the public’s right to expect better aesthetics. However, officials dismissed these sentiments by highlighting their scant contribution of Rs. 40,000. Also featured at the site is a statue of Swami Shradhanand who protested against the Rowlatt Act here.

22/07/2024

Fascination is one way to describe the experience of becoming familiar with all that is confined within Delhi, a city where speckles of foregone times exist in tandem with the verve of everydayness. Standing in places one least expects, camouflaged between highrise buildings and proudly staking claim over key spots like busy roads and complexes, old structures that have withstood the test of time and are sights to behold make one contemplate their history.

Exploring this peculiar mix of antiquity and modernity, as well as the latter’s intrusion into townships that are hundreds of years old, Charles Lewis and Karoki Lewis, in “Delhi’s Historic Villages”, present an informative report about lesser known monuments from medieval times, focusing on eight villages- Begumpur, Khirki, Chiragh Delhi, Shahpur Jat, Masjid Moth, Hauz Khas, Nizamuddin and Mehrauli. In depth archival research, interviews with villagers and evocative photography thoroughly encapsulate how urbanity has bled into the traditions of these communities obliged to navigate and adapt to continual changes and adopt new lifestyles. Capturing Delhi’s dynamic and juxtaposed identity, the book emphasises the importance of preserving relics reflecting its storied past and is sure to keep readers interested.

14/07/2024

Every year Delhi University attracts students from across the country vying to secure a spot in one of its many prestigious colleges. Reasons for this high demand are manifold, including the allure of studying in the national capital; university’s reputation; variety of courses offered; opportunities for obtaining affordable education; vibrant college culture; increased networking prospects, etc. In conjunction with other institutes, St. Stephen’s college and Hindu college often constitute two of the top choices for aspiring students. Surprisingly, both predate the establishment of Delhi University itself!

Tracing its origin back to 1881, St. Stephen’s College was started in a haveli in Old Delhi’s Katra Kaushal Rai of Kinari Bazar. Initially a Cambridge Missionary’s initiative, it was relocated twice before settling at its present location. Between 1892 and 1940 it stood in Kashmiri Gate. The original campus now serves as the office of the Election Commission.

Hindu College was founded by nationalists in response to and as a display of resistance against the western education being proselytised by the British. The campus was located near St. Stephen’s College and was the initiative of Krishan Dassji Gurwale who started it with other visionaries in 1899, in order to impart patriotic education in a secular and egalitarian manner. Originally linked to Punjab University, the college was housed in a building in Kinari Bazar, Chandni Chowk, and underwent a major confrontation with the former in 1902 over the dearth of proper facilities. Rai Bahadur Lala Sultan Singh’s generous donation of a part of his Kashmiri Gate property to the college resolved the issue. The college operated from there till 1953. Today the area accommodates governmental offices.

In 1922, both colleges became the first ones to affiliate with the newly established University of Delhi.

19/06/2024

Piracy, in its various forms, operates as a shadow financial institution that challenges traditional notions of proprietorship and consumption. From active urban markets selling counterfeit products to the widespread practice of large-scale photocopying of popular literary works and availability of otherwise difficult to access academic materials online via platforms that simply require Digital Object Identifiers (DOI), piracy thrives on providing accessible alternatives amidst soaring costs. It impacts cultural narratives and reshapes technological access, resulting in a predicament, obscuring the link between what is permissible by law and what is not. Issues of moderation and control follow.

In “Pirate Modernity: Delhi’s Media Urbanism”, Ravi Sundaram traces the origins of this process and changes propagated by technological advancement, at large, owing to globalisation, in Delhi and the culture of its people, broaching several key issues and events that marked their development and expansion as well as underlying causal and maintaining factors. Touched upon are circumstances that set forth the creation of the 1962 Master Plan and innovations that aimed at promulgating a modern city which required its inhabitants to possess an “urban psyche”, such as a variety of media and technology ranging from print media and television to public and private modes of transportation. Both pros and cons of these dramatic changes are highlighted and with the inclusion of maps, of the city and bazaars; pictures, of forms and markets; newspaper cuts of anti piracy campaigns; and comic series, the particulars discussed in the text exhaustively encapsulate today’s information culture.

08/06/2024

St. James Church stands as a prominent symbol of colonial heritage in the Kashmiri Gate neighbourhood. Established in 1836 it has endured as the first and oldest surviving church in the city, bearing witness to historical events like the sepoy mutiny of 1857.

James Skinner, also known as ‘Sikandar Saheb’, was born in Calcutta to a British East India Company officer and a Rajput woman. His Anglo-Indian heritage shaped his military career, being the reason behind his initial assignment as a low rank officer in the Maratha Army at the age of 16. He rose to prominence after joining the British Indian Army when he founded the Skinner's Horse, a cavalry regiment also referred to as the Yellow Boys, derived from the colour of the uniforms. The immense success of the regiment as well as Skinner’s near fatality during the conflict between the East India Company and Marathas in 1803 resulted in him being conferred the Church as a gift.

The building is characterised by a Greek cross layout surmounted by a high dome. Featured ahead of it is a memorial cross. Inside, a collection of memorial tablets can be found. The churchyard commemorates the lives of notable individuals associated with the church, including James Skinner himself, his family, dear friend William Fraser and Thomas Metcalfe. During the Rebellion of 1857, the church faced targeted attacks by sepoys who seized all movable items from the it, including marble slabs, chairs, and tables, while repurposing it as a headquarters, with a canteen and field hospital set up inside. As the records of the church were destroyed during the mutiny, it is difficult to discern who designed it.

27/05/2024

Historically, jhuggi jhopris have been conceptualised as sites of urban blight, characterised by overcrowding, poverty and social disorganisation. We are familiar with demolition drives and other measures undertaken to clear out slums. We see headlines and discussions about them in the news. A quick search online will also reveal that promises of rehabilitation and restoration for those living in these areas are hardly met. Is there more to this issue than the usual process of identification of cause, associated problems and implementation of interventions? Where does the matter lie in the scope of city planning?

In “Rule by Aesthetics: World-Class City Making in Delhi”, D. Asher Ghertner delineates a way of planning that focuses on an envisaged “world class” city rather than making use of deliberate strategies involving use of maps, surveys and census. He explains this concept by describing planning during colonial times, when the British, using the equipment available at their disposal, focused on appearance, looking at Indian cities through the lens of how they wished for them to look in the future. Tying the concept of ‘rule by aesthetics’ to city planning and governance in Delhi at present the author untangles the complexity of the slums, throwing light on the bifurcation between popular perceptions about individuals residing within them and their lived realities.

Providing a nuanced account of unequal development and the interplay of structural inequalities, institutional neglect and individual agency, the book also addresses the influence of media portrayal, offering readers insight on the implications of aesthetic governmentality.

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