Eritrea Art & Architecture

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Eritrea Art & Architecture All about Visual Eritrea Art & Architecture. We Do Not Own Any Of The Pictures Posted Here.

Eritrean Fine Art   Carrying babies on the back is a timeless tradition in Eritrea, passed down from generation to gener...
02/08/2024

Eritrean Fine Art

Carrying babies on the back is a timeless tradition in Eritrea, passed down from generation to generation. It’s a practice that has been preserved despite the influence of Western cultures, and it’s a part of the rich culture that Eritrean mothers aim to preserve.

Eritrean women have carried babies on their backs for centuries. It is a very natural way for a mother to keep her baby safe, to bond with the baby, to communicate with and nurture the baby.

Timeline of AsmaraThe following is a timeline of the history of the city of Asmara, Eritrea. - Circa 1515 CE - Four vill...
20/07/2024

Timeline of Asmara

The following is a timeline of the history of the city of Asmara, Eritrea.

- Circa 1515 CE - Four villages merge to become "4Asmera" Arbate Asmera literally means, in the Tigrinya language, "the four (feminine plural) made them unite.

- 1889 - 3 August: Asmara occupied by Italian forces under command of Baldissera.

- 1895 - Governor's Palace built.

- 1900 - Capital of colonial Italian Eritrea moved to Asmara from Massawa.

- 1902 The first city plan for Asmara was introduced. The plan from 1902 had already divided the city into three zones: a zone for Italians which included the city center, a zone centered on the traditional market meant for other European groups like Greeks and Jews, and an unplanned zone for indigenous Eritrean folks, located outside of the northern city border. A fourth zone for industry was envisaged in the next plan of 1908. Additional plans by planner Cavagniari, which were decided upon in 1913 and 1916 respectively, strengthened the principle of racial separation, which then became increasingly more rigid during the beginning of the fascist era in the 1920s.

- 1905 - Congresso Coloniale Italiano held in Asmara.

- 1906 - Asmara Synagogue built.

- 1911 - Ferrovia Massawa-Asmara Train begins operating; Asmara Station.

- 1920 Teatro Asmara (theatre) opens.
Population: 14,711.

- 1922 - Asmara Airport begins operating.

- 1923 - Church of Our Lady of the Rosary built.

- 1930s - New Governor's Palace built (now City Hall).

- 1935 - Population: 16,000 (12,000 Eritrean + 4,000 Italians).

- 1936 - Apartheid begins; the city is racially divided into nazionali (white) and indigenous Eritrean (black) areas.

- 1937 Asmara-Massawa Cableway begins operating.

- Albergo CIAAO (hotel) built for the Compagnia Immobiliare Alberghi Africa Orientale.

- Cinema Excelsior and Cinema Teatro Augustus open.

- 1938 Great Mosque of Asmara, Cicero Stadium, and Fiat Tagliero Building constructed.

- Cinema Impero opens.

- 1939 Asmara Brewery in business.

- Population: 84,000 (36,000 Eritrean + 48,000 Italians).

- 1941 March. British occupy the city.

- Asmara Brewery FC (football club) formed.

- 1945 - Red Sea FC (football club) formed.

- 1951 - British occupation ends.

- 1953 - United States military signals intelligence Kagnew Station in operation.

- 1957 - Scuola materna italiana di Asmara (school) active.

- 1958 Catholic College of the Santa Famiglia founded.

- Denden Stadium opens.

- 1959 - Catholic Apostolic Vicariate of Asmara active.

- 1962 - Population: 120,000.

- 1964 - Population: 131,800.

- 1968 January: Part of the 1968 African Cup of Nations football contest held in Asmara.

- University of Asmara opens.

- 1969 - Kidane Mehret Cathedral built.

- UNESCO World Heritage Site
Official name Asmara: A Modernist African City
Inscription 2017 (41st Session).

The Emblem of Eritrea Cycling and Camel are the Emblem of Eritrea. Cycling is the biggest sport in Eritrea, and its cycl...
06/07/2024

The Emblem of Eritrea

Cycling and Camel are the Emblem of Eritrea.
Cycling is the biggest sport in Eritrea, and its cyclists are the best in Africa – and increasingly among the best in the world. Cycling became a part of Eritrea’s national identity. Eritrea is the only African country that has such deep roots in cycling.

The Coat of arms of Eritrea was adopted 24 May 1993 on the occasion of the declaration of independence. The emblem mainly depicts a camel surrounded by a wreath of laurel. In fact it shows a scene of a dromedary camel in the desert, which is surrounded by an olive wreath. The camel was the animal of load used during the war of independence to transport supplies and goods, and was seen as being instrumental to the movement’s success by Eritrean liberation fighters. The name of the country appears on a scroll towards the bottom of the emblem threefold, in Tigrinya, English and Arabic, of course these being the working languages of the country.

Debra Sina (Tigrinya: ደብረ ሲና) is a monastery in the highlands of Eritrea near Keren in the Anseba Region. It was founded...
28/06/2024

Debra Sina (Tigrinya: ደብረ ሲና) is a monastery in the highlands of Eritrea near Keren in the Anseba Region. It was founded in the 4th century by saint Aba Salama, making it one of the oldest churches in the world.

The Anseba Region is home to some of the most prominent historical sites in the country, one of them being the Monastery of Debra Sina.

Situated on the Eritrean highlands, just around 18 kilometers east of the town of Elabered, on the Asmara-Keren road, the Monastery of Debre Sina is a site of pilgrimage for Eritrean Orthodox Christians in the month of June.

It was the site of the first Holy Communion prepared in the Eritrean Orthodox Church, by the 4th-century bishop Aba Salama. It is one of the oldest monasteries in Africa and the world, as it was probably built in the third century.

The monastery is the site of a pilgrimage by Eritrean Orthodox believers each year in June. The pilgrimage centres on a church above the village where a vision of Mary was said to have been seen by shepherd girls beneath a large boulder. The church is built adjacent to and over the rock where the vision was seen. The pilgrimage includes thousands of ordinary Eritrean believers camping for one night in the village of Debra Sina, singing, drumming, chanting and celebrating Mary.

The monastery was completely rebuilt during Italian colonial years in the 1930.

Eritrean Culture of Greeting Greeting somebody with a handshake and the word "Salam or Selam" is common. Lengthy, elabor...
21/06/2024

Eritrean Culture of Greeting

Greeting somebody with a handshake and the word "Salam or Selam" is common. Lengthy, elaborate greetings are normal, especially on special occasions. Women greet each other by ululating (an expression of strong emotion) and kissing each her on each cheek three times.

A forehead kiss is a social kissing gesture to indicate friendship and/or to denote comforting someone. A forehead kiss is a sign of adoration and affection. In Eritrean culture, the forehead kiss is a gesture of apology as well as a sign of acknowledgment of grievance on the part of the person being kissed. A kiss on the forehead is usually a sign of respect to elders when they are getting kissed by the younger ones. Other regions where the forehead kiss has been noted is in societies wherein it is usually the older person kissing the younger person on the forehead. Likewise, the forehead kiss is a more acceptable, and subtle, public display of affection. It allows for emotion and passion to be passed from one partner to another, without involving the eyes of those around them like other public displays of affection would.

Another interesting habit in Eritrean greeting culture is the utterance of welcoming words to anyone whom you meet in lonely paths or streets. You don’t just pass a person in a deserted street without saluting him or her. You are more or less saying: peace be unto you. And any passerby expects similar words from you and from themself.

As for the ones who come to your house, the tradition prescribes a type of greeting and reception similar to the one practiced by the people of the Old Testament.

Asmara Eritrea: An Art Deco City in AfricaAsmara, the capital city of Eritrea, is a unique mishmash of Art Deco architec...
14/06/2024

Asmara Eritrea: An Art Deco City in Africa

Asmara, the capital city of Eritrea, is a unique mishmash of Art Deco architecture. When the Italians colonized Eritrea between 1890 and 1941, they built around 400 Art Deco and modernist buildings all over the capital city. Asmara was nicknamed “La Piccola Roma” (Little Rome), because of the urban layout and architecture.

Today, the entire Asmara city is a UNESCO World Heritage Site and offers visitors the chance to travel back in time, to a different era and continent.

Carta Aromatica D’Eritrea (Aromatic Paper of Eritrea) was created in 1927 by Dott.Vittoriano Casanova, a pharmacist from...
07/06/2024

Carta Aromatica D’Eritrea (Aromatic Paper of Eritrea) was created in 1927 by Dott.Vittoriano Casanova, a pharmacist from Piacenza, who after more than three years of research, produces an Officinal Aromatic Paper that could persistently scent the environment through fumigations: at the time the use of fumigation was widespread, in fact in the Official Pharmacopoeia of some Northern European countries there were numerous mixtures for Incenses and Officinal Papers.

Since then, the Aromatic Paper of Eritrea is made with the same formula, composed of a mix of mosses, resins and over 30 natural essential oils, the majority of which are of African and Asian origin. The resins are still pulverized by hand in the mortar and left in infusion in pure alcohol for weeks.

Dott. Vittoriano Casanova 2 - Carta Aromatica d'Eritrea

The absorbent paper composed of pure cellulose is soaked with the final mixture, and after drying it is cut and punched to create the classic “booklets”. The extraordinary fragrance of the Aromatic Paper of Eritrea released by the combustion of the strips is obtained without using artificial dyes or fragrances reconstructed in the laboratory.

With the inimitable fragrance of the Aromatic Paper of Eritrea, has been created a complete Line of products for perfuming rooms, cars and for Aromatherapy.

Dr. Vittoriano Casanova has been awarded the gold medal of the Order of Pharmacists of the Province of Piacenza. The "historic" booklet of Carta Aromatica d'Eritrea®, which has remained unchanged since 1927, consists of 24 strips of pure cellulose ready to be burned, soaked in the inimitable aromatic essence composed of extremely pure essential oils, resins and musks with multiple properties and all absolutely natural.

STONE ARCHITECTURE IN ERITREA  Mud bricks, stone and wood are the oldest and basic building materials known to man.Mud b...
31/05/2024

STONE ARCHITECTURE IN ERITREA

Mud bricks, stone and wood are the oldest and basic building materials known to man.
Mud bricks and wood have been mostly used for basic buildings such as residential houses or stables while stone have been used to erect important and impressive buildings like temples, which were meant to serve for extremely long time and endure for centuries. Men regarded stones as everlasting because the phenomenon of enhanced weathering due to environmental pollution did not exist in former times.

Since prehistoric times, humans have chosen to use stones to erect extraordinary monuments, mostly of religious importance. Due to their availability, stones are commonly used to build churches, houses, villages and towns. For exceptional cases rare and decorative stones like marble, which are transported over a long distance, have been used. When such precious stones were not available in near places, they had to be imported. This kind of culture is easily seen at the monuments of the ancient port of Adulis.
Evidence suggests that the marbles from Adulis have been imported from the Byzantine, Greek and Rome localities. The design of the building structures and elements had to be adapted to the mineralogical, physical and mechanical properties of the stone. The high compressive strength and the low tensile strength of stone require special techniques to overarch gateways and erect vaults.

Immemorial natural stone buildings have been considered a valuable and essential part of the building industry. Monumental constructions that have been created bear witness to extraordinary technical and artistic achievements.
For many years, a large number of fascinating examples of ancient structures of buildings have survived on the Eritrean landscapes. There are many of these structures in the countryside, and their style of construction has been incorporated in several modern buildings of towns and cities. The monkey-head construction style that was first seen in the Kidane Mihret church of Senafe was later applied in the modern Saint Mary (Enda Mariam) church of Asmara.

Further research is needed to understand whether the unique Eritrean house structures and monuments have similarities with structures in other countries on the Horn of Africa. The contemporary and typical structures of architecture in Eritrea are the H’dmo (a common traditional house on the highlands), and Agudo and Agneet (common on the lowlands). The Merebae, a semi-modern structure characterized by stone and wooden architectural features and zinc sheet, is common along the coastal towns of Eritrea. All house construction styles have rectilinear shape and form. They all use the same building materials — stone, mud and timber roof. Unlike the other structures, the Agudo is round and has conical thatched roof.

The contemporary structures reflect cultural and symbolic representations of the communities in Eritrea. The construction of the building has the potential to respond to the sustainability of the climatic condition and availability of abundant materials. The structures serve as images of the society’s lifestyle and reflect the needs of human beings at a certain time. Most of the vernacular buildings represent ingenious and considerable technical innovations and perform spectacular handcraft works.

The earliest evidence of ancient architecture (permanent settlements) in Eritrea dates back to the mid- 2nd millennium B.C. to the first millennium A. D. The period coincides with the flourishing of complex agro-pastoral settlements over much of the country and the Horn of Africa. This period is characterized by the rise of permanent villages and urban precursors in the first millennium B.C.E and the subsequent flourishing of urban centers by the first millennium C.E. In the course of antiquity, residential units, village assembles and urban centers with remarkably significant reflections of domestic architectural features appeared over a span of the millennia, and they have become references to understand the evolution of vernacular architecture in the Horn.

As far as permanent settlements are concerned, the first archaeological evidence to date comes from the sites of Sembel and Mai-Chihot in the Asmara plateau which dates to the 8th -4th centuries B.C.E. Wall features reminiscent of the ancient architecture were exposed during excavations in the sites and the distinctive features of these architectural units were revealed.

Several conjectures have been made about the reconstruction of these architectural features in comparison with contemporary forms. The elaboration of the unique architecture became more visible with the rise of urban civilizations in the Horn from the first millennium BCE to the 1st millennium CE, when the architecture showed a regional pattern and distribution across many of the renowned archaeological sites. The typical monumentality that appeared in the region during the period was accompanied with the elaboration of what is commonly called the “domestic architecture“ of the era, which is quite visible in residential units, urban ensembles and peripheral areas of sites like Matara and Adulis in Eritrea. The ingenuity in local architecture can be discerned from these archaeological sites. Following the demise of these urban centers, the visibility of the vernacular architecture is witnessed in the medieval period where evolved techniques such as the “monkey-head“ building techniques have been fully incorporated in the construction of ancient churches and monastic complexes.

The vernacular houses have rectilinear and sometimes a hybrid of rectilinear and circular shapes. The rooms could be classified according to their functions. The rooms closer to the entrance are commonly used for service functions as cattle or livestock area and straw storage. The other side of the gate comprises the main functional rooms which are the center of the dwelling with their most common use and functions, such as cooking, eating, sitting, sleeping and storage.

As a result of the direct influence of modernity, vernacular architectures have undergone a number of changes over the years. This has led to the emergence of contemporary approaches on buildings. The values of the vernacular architecture, however, are still very relevant to our contemporary buildings. For instance, vernacular architecture uses local eco-friendly materials to address local climatic conditions. With today’s issues of climate change and global warming, it is becoming increasingly clear that there is a need to revisit the use of our local building materials. With some improvements, our local materials can function in the same way as the modern materials, with added advantage of not affecting the environment.

In Eritrea, thanks to the ongoing archaeological research, the history and style of monumental constructions is relatively well understood. However, a detailed architectural study of the monumental structures is still needed. The techniques and forms of the structures were evolving over thousands and hundreds of years. It is predictable that such forms and styles of the vernacular structures were directly related to their local environments. Hence, studying the architectural styles with the aim of incorporating them into our modern construction strategies is essential. This may further help to maintain the cultural evolution and environmental advantages of Eritrea’s ancient monumental engineering. Finally, this can serve not only to preserve our endangered architectural heritage but also to boost the tourism industry.

Krar (Tigrigna ክራር) is a five-or-six stringed bowl-shaped lyre from Eritrea. It is tuned to a pentatonic scale. A modern...
17/05/2024

Krar (Tigrigna ክራር) is a five-or-six stringed bowl-shaped lyre from Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Chera Wata, Shambuko and Kebero is one of the most widespread musical instruments in Eritrea.

Starting from the early ages a society’s cultural practices, music, dance, musical instruments, and other traditions determine the cultural identity of a given society. Although music and musical instruments in today’s world seem to be common to any society in any corner of the world, some traditional musical instruments are unique to particular societies. Following are the nine (9) cultural music instruments of the Eritrean Society:

1. Negarit; is a kind of drum made from either wood or metal in a semi circle shape with a diameter of 15cm. The upper and lower end of the circle is covered from animal hide with a rope in the middle to stretch the hide. “Negarit” is played with a small stick usually in religious celebrations and weddings. “Negarit” is also beaten in times of invasion or attack.

2. Kebero; is a drum like traditional instrument categorized into two by the sound and task it provides as big and small. The bigger one is used by priests during church hymns and recitals. It is made from wood in circular shape with unbalanced ends. Animal hide covers the ends of “Kebero”, and the whole body is covered with a rope in order to stretch the hide. It also has a rope in the side because it is played hanging from a shoulder of a person and it beaten by the hand. The sound and beats of the “Kebero” depend on the movement of the hand and the timing the hand touches the hide.

The smaller “Kebero” is also made with the same material and shape as the bigger one except the difference in size and is used in any kind of celebrations. Some times the manufacturers put small stones or beads inside it to make deeper sounds.

3. Tsenasel; the handle of this instrument is made of wood where as the head is made of metal. The metal part has two strings attached to its ends. The strings are full of metal corks depending on the length of the strings. The corks make the sounds when the instrument is moved from one side to another. This instrument is usually used during church recitals.

4. Shambuko; is a musical instrument similar to a flute and is made either from iron or a bamboo tree. It has eight or six holes along its length to determine the type of tune.

5. Embilta; is traditionally made from a tree called “Argezana” but it is also made from iron or any other kind of metal. “Embilta” is a 1m long tube and is played with blowing air into it. There are three types of “Embilta” , one is with one hole in it, Shanqet, the second is with out holes but is played by covering the bigger hole at the end of the tube, Debay, and the third one is with out holes and is played by rhythmically blowing air on it. All three are played at the same time and music is created by mixing the sounds coming from the three “Embiltas”. Embilta is played during all kinds of celebrations. Although not common, it is also played during funerals.

There also used to be a similar smaller instrument called “Tatula” made from either animal horn or metal played during religious celebrations especially during Epiphany and often during funeral ceremonies.

6. Meleket; is a traditional instrument similar to trumpet usually made from bamboo tree but also made from iron and is played during different celebrations.

7. Begena; is a triangular shaped musical instrument with eight to ten cords and is played by touching those cords with a finger. It is much similar to the harp. In Eritrea, it is played in churches especially during fasting seasons. At present, this instrument is no longer used.

8. Krar; is made of boxed wood with six or five strings attached in the middle and played by touching the strings with a finger, similar to a guitar. It is played in almost any celebrations accompanied by “Kebero” and “Chera Wata”.

9. Chera Wata; is diamond shaped musical instrument made from hide of a goat, horsehair and wood. It is similar to violin. It is played when the instrument with the horsehair string touches the strings on the box. It is played in almost all occasions, previously used to be played by professionals but at present, almost every one who has the ability can play it.

These are the traditional musical instrument used by almost all the ethnic groups in the Eritrea and almost all are still functioning in the music of the country.

Public holidays in EritreaThe State of Eritrea currently celebrates 16 national holidays. Many of the holidays celebrate...
10/05/2024

Public holidays in Eritrea

The State of Eritrea currently celebrates 16 national holidays. Many of the holidays celebrated in Eritrea are based on religious beliefs. The most important national holidays are Independence Day (May 24), Martyrs' Day (June 20), and Revolution Day (September 1). Additional holidays follow the calendar of the Eritrean Orthodox Tewahedo Church, and the two holy Eids (Eid Aladaha and Eid Al-Fitir), as Muslim holidays are observed as public holidays in Eritrea. However, these events are considered national holidays and everyone is entitled to a paid vacation day.

Public holidays in Eritrea are regulated by the Labour Proclamation of Eritrea No. 118 of 2001. This law establishes the public holidays celebrated within the country, provides the government with the authority to move holidays from a rest day to the following work day, and grants the government authority to create one-time or new national holidays.

Chapter 2, Article 55 of the Labour Proclamation regulates pay for employees on national holidays. Under this law, all employees are entitled to a paid day off for every national holiday.

Employees that are required to work on a national holiday because of their position are given a pay rate of two and one half times their regular hourly salary for all hours worked on that date. This premium pay is mandated by law and cannot be changed, even in employment contracts.

Eritrean Fine Art (አደይ - Adey)
02/05/2024

Eritrean Fine Art (አደይ - Adey)

Zeray Deres Hotel Assab or Aseb (Tigrinya: ዓሰብ, Arabic: عصب) is a port city in the Southern Red Sea Region of Eritrea. A...
25/04/2024

Zeray Deres Hotel Assab or Aseb (Tigrinya: ዓሰብ, Arabic: عصب) is a port city in the Southern Red Sea Region of Eritrea.

After the Italian government took control of the port in 1882, it laid the foundations for the formation of the colony of Italian Eritrea.

In 1884, the port was visited by the Italian traveller G.B Licata who estimated the population to be 111 Afar, 12 Tigrinya/Tigre, 140 Arab, 43 Italian, and 10 Somalis. Despite being still being a small settlement, Assab was regarded as a place of promise, Licata described it emotionally in 1884 as the beginning of "great things to come.

Following the occupation of Massawa in 1885, the port inevitably declined. It gained considerable attention on 15 November 1869 when the port of Assab was bought by the Italian missionary Giuseppe Sapeto on behalf of the Rubattino Shipping Company.

Logo of Asmara, Eritrea 1890
19/04/2024

Logo of Asmara, Eritrea 1890

Massawa: A Forgotten Gem By The Red Sea In EritreaMassawa, Northern Red Sea Region, Eritrea: The former Banco d'Italia b...
12/04/2024

Massawa: A Forgotten Gem By The Red Sea In Eritrea

Massawa, Northern Red Sea Region, Eritrea: The former Banco d'Italia building in the old city of Massawa, Eritrea, dates from the 1920s. Banca d'Italia building locted next to the main entrance to the Massawa port. The bullet ridden Palazzo Banca d'Italia - western facade - magnificent Italian building displaying war scars from bullets, artillery and aerial bombardment in 1990 - designed by the engineer Giuseppe Cane in neo-Moorish / Arab-Ottoman style, it replaced a building in Taulud destroyed by the 1921 earthquake Piazza Principe di Piemonte / Baratieri - Batse island, the old town.

In 1914, the Italian government authorized the Banca d'Italia, the Italian central bank, to operate under special regime and therefore to carry out in the colonies operations not allowed in Italy, including commercial banking. Banca d'Italia then established its first two branches in Asmara and Massawa. Two more banks followed: Banca Cooperativa Popolare Eritrea with its headquarters in Asmara was established in 1915, the Banca per l'Africa Orientale was established in 1917, with its head office in Massawa and a branch in Mogadishu (Somalia). These two private banks however collapsed just few years later.

By the end of the Italian colonial period in 1941, there were four banks and one credit union operating in Eritrea. These banks were: Banca d'Italia, Banco di Napoli, Banco di Roma, Banca Nazionale del Lavoro and Cassa di Credito Agrario e Minerario. These banks had 13 branches in six Eritrean cities: Asmara, Massawa, Keren, Adikeyh, Decamahare and Assab.

However, the banks mostly served the Italians and foreign businessmen (Armenians, Egyptians, Greeks, Indians, Yemenis) living in the colony. The arrival of the British military administration in Eritrea in 1941 started to change this situation. Barclays Bank established two branches in Eritrea, Asmara in 1941 and Massawa in 1942. In 1943, the British authorities permitted Banco di Napoli and Banco di Roma to reopen their branches.

At present there are three commercial banks in operation in Eritrea - The Commercial Bank, The Housing and Commercial Bank, and the Eritrean Investment and Development Bank.

The Commercial Bank of Eritrea is the dominant bank in the country. It owns nearly 80% of all banking sector assets in the country and is a state-owned bank. It has branches in the larger cities and towns of every Eritrean region.

Housing and Commercial Bank of Eritrea is the second biggest bank in current operation. The Bank was established in 1994 to provide banking service to residential buildings. Later, in 1996 it extended its services to full commercial services. It too has branches throughout the country.

The third bank is the Eritrean Investment and Development Bank. Primarily the bank was established to provide agricultural and commercial loans to investors. The Eritrean Investment and Development Bank and the Agricultural and Industrial Bank of Eritrea also have branches in the major cities of the regions.

DaEro is a big tree found in the highlands of Eritrea. The equivalent tree which is very common to find in the lowlands ...
05/04/2024

DaEro is a big tree found in the highlands of Eritrea. The equivalent tree which is very common to find in the lowlands of Eritrea is Duma. These big trees are often used as a venue for gathering the locals to conduct a community meeting, to celebrate big success or to mourn the loss of someone who had been a community figure. They go there to solve family problems , discuss communal affairs. The village elderly council are also elected at this venue. Once they are elect a leader or a council, the members of the village community will put a leaf on his/ her head to signal a good wish. The elders of the village or of the community call a meeting in which they call it BAYTO ADI which means the assembly of the villagers if there is any issue or any matter that the community needs to address.

The valley of Sycamore just outside the town of Segenity in the Southern region is one of the areas where such trees are found in abundance. The big trees have been there for hundreds of years and have been part of the inhabitants’ lives for generations.

The Adgna Tegelba, one of Eritrea’s rich of customary laws, collectively known as Highin Sir’aten Endaba and by which its people have been governed and disciplined, is said to have been drafted under these trees over 500 years prior to the Italian colonization.

The importance of the sycamores as long a long standing relic has earned it great respect. Not only has it been figured in one of the bills of the national currency, (the 5 Nakfa note) but it was also honored with a session on African languages during the “Against All Odds Conference” in 2000.

The sycamores in this area have all different names, each name being given according to particular characteristics. For instance, Daero Hatsaro (a variation of short sycamore) takes its name from the fact that it is short but wider than its neighboring trees.

Nakfa, Eritrea  Nakfa, Tigrinya: ናቕፋ, is a town in the Northern Red Sea region of Eritrea.In the national narrative of E...
30/03/2024

Nakfa, Eritrea

Nakfa, Tigrinya: ናቕፋ, is a town in the Northern Red Sea region of Eritrea.

In the national narrative of Eritrea, Nakfa was a symbol of resilience and perseverance. During the long and bitter struggle, Nakfa proved to be the reliable sanctuary of Eritrean fighters. When EPLF decided to liberate place and people piece by piece, Nakfa become the first place to be liberated in 23rd March 1977, after a long siege and an all-out offensive by the freedom fighters. The first surgical unit of EPLF was also formed in the siege of Nakfa.

The newly constructed ጎብየ (Turtle) auditorium with seating for over 500 people and overlooking the town of Nakfa and the surrounding mountains.

Eritrean Interior Design
22/03/2024

Eritrean Interior Design

The Italian architecture that shaped new world heritage site AsmaraStanding as a startling collection of futuristic Ital...
15/03/2024

The Italian architecture that shaped new world heritage site Asmara

Standing as a startling collection of futuristic Italian architecture from the 1930s, perched on a desert mountaintop high above the Red Sea, the Eritrean capital of Asmara has been listed as a Unesco world heritage site.

Announced as one of a series of new “inscriptions”, which are expected to include German caves with ice-age art and the English Lake District, Asmara is the first modernist city in the world to be listed in its entirety.

First planned in the 1910s by the Italian architect-engineer Odoardo Cavagnari, Asmara was lavishly furnished with new buildings and transformed into Africa’s most modern metropolis. As the “little Rome” at the centre of Italy’s planned African empire, it became a playground for Italian architects to experiment. There was a very intense period of architectural development from 1935-1941 partial Rome is a copy of Asmara.

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