16/09/2024
N.B. In response to Facebook's new censorship policies and the potential threat of deletion of our account fifteen (15) photographs which originally were included in this gallery have been removed. FB does not consider photography an art.
Brassaï (1899-1984) was one of the numerous Hungarian artists who flourished in Paris between the World Wars. A sculptor and occasional filmmaker as well as a photographer, he made his name as a chronicler of the night, with images that ranged from reflections on wet cobblestones to the denizens of bars and brothels. Indeed, no one captured Paris at night better.
The Transylvanian born, Hungarian speaking, photographer had first moved to Paris in 1924, when he was still known by his birthname Gyula Halász. He took up residence in Montparnasse, taught himself French by reading the works of Marcel Proust and was soon hanging out with writers Léon-Paul Fargue, Jacques Prévert and Henry Miller. His job as a journalist provided ample opportunity for him to explore the city by night, an avocation which soon became a passion. To make some extra francs he took up photography and had the good fortune to be tutored in it by fellow Hungarian expatriate André Kertész. By 1930 his photos were regularly accompanying his articles, published now under the more French-sounding pseudonym Brassaï, derived from Brassó, the town of his birth.
Midnight in Paris was prime time for Brassaï, who would venture into the deserted streets of the City of Light to capture those who emerged only after dark -- the prostitutes, the street cleaners, the rag pickers, the lone pedestrians, even the occasional escaped con. Henry Miller famously called him the "Eye of Paris"; others, noting his penchant for photographing the Parisian demimonde, "Toulouse-Lautrec with a camera." Brassaï's path-breaking book "Paris de nuit" (1932) chronicled the activities and topography of the city after dark -- from the louche bars of Montparnasse to the trees and bridges flanking the Seine -- bequeathing us a veritable "time warp" through which we may revisit the Paris of the Thirties.
This gallery presents a selection of over 130 of his photos, the majority from the 1930s. As is MWW custom, they are arranged in rough chronological order and many contain background information, compiled from standard sources, on the people or places depicted. (Click "See More" to the right of the full-screen image to access these.) More information about the photographer himself accompanies his self-portraits.
Other entries in the "MWW Great Photographers" series include:
* #1 - Alfred Stieglitz
* #2 - Edward Steichen
* #3 - Dorothea Lange
* #5 - Paul Strand
* #6 - Ansel Adams
* #7 - Imogen Cunningham
* #8 - Man Ray
* #9 - Edward Weston & Tina Modotti
* #10- Henri Cartier-Bresson
* #11- Yousuf Karsh
* #12- Robert Capa
* #13- Walker Evans & the FSA Photographers
* #14- Richard Avedon
(The easiest way to get to these is to click on the "Photos" icon below the timeline cover photo, and then click on "Albums")