Textile Odyssey Tours

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Textile Odyssey Tours Tours promoting awareness and understanding of cultural diversity through ethnic textiles and dress May your Journeys be enlightening and textile-filled!

Dear Friends:

I founded Textile Odyssey in 2000 with the idea of developing unique, innovative tours that connect cultures through textile arts. My interest in fiber arts, handcrafted textiles, clothing design, and unique cultures led me to travel extensively in remote areas of Asia, South America, and the South Pacific throughout much of my life. Between 1973 -1976 and 1982 -1984, I spent five y

ears in Asia, observing the fascinating cultures in many countries. From the larger cities in Taiwan, Singapore, Hong Kong, and Japan, I made my way to small towns and villages in China, Burma, Indonesia, Thailand, Malaysia, Laos, Nepal, India, Sri Lanka, and the Philippines. After taking a break from my long travel adventures to raise three children, I had the opportunity to visit northern Vietnam in 1999. I was astonished to discover that, despite the globalization that seem to be happening all over the world, many ethnic minorities still wore their unique clan outfits, expressing a proud allegiance to their ancestral group. Men, women, and children all wore their elaborately decorated, indigo-dyed, handwoven outfits in the fields, in town, in their villages, as well as at festivals. Further research and fieldwork with the ethnic groups in Vietnam, China, and the Southeast Asian Massif confirmed that there are numerous ethnic groups who wear distinctive group dress and continue other ancient ways of living. And, despite the mass media/communications technology available today, little is known about many of these intriguing peoples. It is with this sense of wide-eyed exhilaration that I develop each Textile Odyssey tour. As we travel to remote villages, we see and learn about traditional textile processes firsthand from local artisans. Beyond the special opportunities to witness unique techniques of weaving, spinning, natural dyeing, embroidery, braiding, applique, batik, etc., our conversations with members of these groups provide insights and understanding of these diverse cultures and their remarkable ways of thinking. In these small, out-of-the-way places, we are often greeted with generous hospitality. These gestures of human kindness and warmth towards one another as human beings are intrinsic to the way of being for many tribal peoples. Experiencing this generosity of spirit reminds us that we are all, thankfully, part of this greater humanity. Your participation in Textile Odyssey Tours helps me fund an endeavor that is close to my heart and, in my humble opinion, very worthy. Little has been recorded about many of the minority groups in the Southeast Asian Massif-- as well as other remote cultures in the world. I hope that my documentation of these groups - through photographs and interviews with individuals within these groups - preserves some of their history for future generations. Documentation of these peoples and their cultural traditions is a way of recognizing their voice and place in history; it acknowledges the value of these peoples. This is crucial for the well-being of individuals and future descendants of these clans. At the same time, these unique ways of living are diverse solutions to the world's problems - they serve as an invaluable body of knowledge from which all of humanity can benefit. Warm Regards,

Serena Lee

[email protected]

www.textileodyssey.com

More info on Serena Lee's Research:
Serena Lee has presented her research on the dress of ethnic minorities in northern Vietnam and southwest China internationally at various venues including Stanford University, the 16th Congress of the International Union of Anthropological and Ethnological Sciences, the Textile Society of America Symposium 2008 and 2014, the de Young Museum, the World Eco-Fiber Textile Forum 2008, UC Davis, the Association for Asian Studies Conference 2011, the Southwest University of Nationalities (Sichuan, China), the Thai Studies conference 2016, the Society for Asian Arts, Asian Borderlands Research Network, etc. She is an advisor to the board of the Textile Arts Council of the Fine Arts Museum of San Francisco and founder and leader of its Ethnic Textiles Study Group. Read about Serena’s research:

Encyclopedia of World Dress and Fashion: Lee, Serena. "Crossing Borders and Time: Ethnic Dress across the Vietnam–China Border in the Twenty-First Century." The Berg Fashion Library. November 2014 online update: http://www.bergfashionlibrary.com/view/bewdf/BEWDF-v10/EDch10916.xml (accessed 6 Nov. 2014.) DOI: 10.2752/BEWDF/EDch10916. "Redefining Borders and Identity: Ethnic Dress of the Lolo/Yi Groups Across the Vietnam-China Border," presented at the Textile Society of America Symposium 2014. Available FREE online at:

http://digitalcommons.unl.edu/tsaconf/907/


"Dress of the Lolo, Pathen, Hmong, and Yao of Northern Vietnam in 2005-2006: Reflections of Cultural Continuity and Change” by Serena Lee (Harrigan) , presented at the Textile Society of American Symposium 2008

Available FREE online at: http://digitalcommons.unl.edu/tsaconf/97


News:

Mark your calendars! On Sept. 30, 2017, I will be giving a presentation on "Textile Arts and Ethnic Dress of Vietnam" for the Society for Asian Arts. This will be at the Asian Art Museum in San Francisco. Here's the link for more information and to register

https://www.societyforasianart.org/programs/member-events/textile-arts-and-ethnic-dress-vietnam-serena-lee


I look forward to seeing you there! Also, for videos and more photos from recent Textile Odyssey Tours, check on Facebook: https://www.facebook.com/textileodyssey/

Contact me for more information

18/06/2024

Silk felt is unique to this area of China. See this video for an explanation of how this textile is created.

Silk felt and batik in southwest China. This is just one of the many fascinating places we'll be visiting on the 2025 Te...
18/06/2024

Silk felt and batik in southwest China. This is just one of the many fascinating places we'll be visiting on the 2025 Textile Odyssey Tour to Southwest China. See the following post for the explanation about silk felt.

For more information about this tour, send me a message with your email address.

All photos © Serena Lee, 2024

These handspun, handwoven and natural dyed wool textiles are from the Peruvian Andes. This Pre-Colombian scaffolding/ di...
17/04/2024

These handspun, handwoven and natural dyed wool textiles are from the Peruvian Andes. This Pre-Colombian scaffolding/ discontinuous warp and weft technique, known as “ticlla” was thought to be a lost art, but Nilda Callanaupa of CTTC ( Center of Traditional Textiles of Cusco) found weavers in Pitumarca village who still knew the ancient technique of their ancestors. The varying solid blocks of color are created through a unique warping technique done only in the Andes. In my travels there (2000-2004), Pitumarca weavers revived this technique, encouraged at least in part by purchases made by enthusiastic members of our tour groups. Kudos to the amazing skills and minds of Andean weavers! ❤️

Textile Odyssey Tour to China Making cords on this lovely hand-carved wood braiding stand. Guizhou, China 2015I'll be le...
07/04/2024

Textile Odyssey Tour to China

Making cords on this lovely hand-carved wood braiding stand.

Guizhou, China 2015

I'll be leading a Textile Odyssey to Southwest China again in 2025. Send me a DM if you are interested in joining me.

A stunning kira (woman's dress) woven in Bhutan's unique kushuthara For info on Textile Odyssey's 2024 Tour to Bhutan, s...
26/03/2024

A stunning kira (woman's dress) woven in Bhutan's unique kushuthara

For info on Textile Odyssey's 2024 Tour to Bhutan, send a PM.

www.textileodyssey.com

26/03/2024

The extraordinary textiles and weaving techniques of Bhutan.

I am returning to this beautiful Himalayan country in December 2024. For more information, PM me.

Textile Odyssey Tour to Bhutan

www.textileodyssey.com

22/12/2023

The Pathen are one of the smallest ethnic groups in Vietnam. The women have a very unique dress consisting of piecework of handwoven supplementary weft weave cloth and solid color cloth. Their loom is unique in that the weaver can lift and move it while sitting on the seat. Note the painstaking pick-up technique used to make the beautiful supplementary weft designs.
Textile Odyssey to Vietnam 2023

09/12/2023

Hmong woman rocking back and forth with indigo dyed h**p cloth between a log and a flat stone. This process known as calendaring presses the fibers together to create a sheen that makes the fabric shiny and is said to make the cloth more water-resistant.

Textile Odyssey to Vietnam 2023

09/12/2023

White Hmong woman batiking on handwoven h**p cloth.

Textile Odyssey to Vietnam 2023

17/11/2023

A Hmong woman weaving on a traditional Hmong loom, which is tied to the wall. Note the large combination shuttle and be**er.

Textile Odyssey in Northern Vietnam, 2023

27/08/2023

In Sumba, Indonesia, 2017:

Tying warp threads off for dyeing a multicolored complex design. This painstaking process involves binding raffia thread around small bundles of warp threads ikat that will be removed and replaced when dyeing each color. After the design is dyed in the desired colors - a process which may take months- it will then be woven on a backstrap loom.

Sumbanese ikat cloths are often characterized by dramatic human and animal figures. Images such as roosters are symbolic of the royalty. Indigo and Morinda are among the natural dyestuffs used.

Copyright Serena Lee, 2023

This is the hand-dyed ikat rug woven with handspun cotton and silk weft threads - a traditional process in Uzbekistan. Y...
07/01/2023

This is the hand-dyed ikat rug woven with handspun cotton and silk weft threads - a traditional process in Uzbekistan. You can see the beautiful irregular and nubby texture of the handspun yarns. (See video of handspinning cotton and silk thread in previous post.)

Textile Odyssey Tour to Uzbekistan 2019

07/01/2023

Hand spinning yarn for the weft threads of an ikat rug. The inner layer of the thread is cotton. The outer layer is silk. The warp threads will be tied and hand dyed in ikat technique and then woven with this handspun cotton and silk weft thread. See next post for photo of an ikat rug woven with these threads.

Textile Odyssey to Uzbekistan, 2019

07/01/2023

Weaving silk velvet ikat in Uzbekistan

Textile Odyssey Tour to Uzbekistan, 2019

18/12/2022

Creating Lotus Fiber Cloth
Textile Odyssey to Myanmar 2017

Originally woven only for monks in Myanmar, in recent years lotus fiber cloth is also made for tourists and the international market. Here's a video of how the fiber is pulled out of the cut stalk, rolled, and twisted together. Listen to the video hear more about the process of making this unusual and luxurious cloth.

30/11/2022

Weaving patola ratus ikat in Lio, Flores

Textile Odyssey to Indonesia 2018

28/11/2022

Winding warp for this traditional Bhutanese supplementary warp cloth

Textile Odyssey Tour to Bhutan 2018

27/08/2022
27/08/2022

Nepal NP Silk: these wonderful women are empowering Nepali women through raising mulberry silk cocoons and developing silk products in Nepal.

18/11/2021

Acheik/luntaya weaving in Myanmar

Textile Odyssey in Myanmar, 2017

Copyright Serena Lee, 2021

Jacquard weaving in Sulawesi, 2016 www. textileodyssey.comCopyright Serena Lee, 2021
06/10/2021

Jacquard weaving in Sulawesi, 2016

www. textileodyssey.com

Copyright Serena Lee, 2021

A fascinating history about turkeys before the Pilgrims’ Thanksgiving came into being. Ancient Puebloans raised turkeys ...
21/08/2021

A fascinating history about turkeys before the Pilgrims’ Thanksgiving came into being. Ancient Puebloans raised turkeys to make warm blankets, weaving their feathers around yucca cordage. Turkeys molt their feathers - they are the only bird that does not bleed in the process.

Archaelogist and Anthropologist Mary Keahlee describes her ancestors’ ingenious blankets: “Inventing a blanket that thermally insulates the body by creating pockets of non-moving air thus traps in heat and prevents heat loss. This is not a new technology because the ancestors used the technology during harsh winters, in the terrain they lived in.

“If you wrap the feathers around cordage making the down stand up, you create a structure that maintains air pockets that capture heat. Modern down and other synthetic insulated jackets do the same thing.”

I love seeing turkeys in ponderosa woods, moving slowly uphill like priests absorbed in morning prayers. At twilight, they are dark shapes seeking acorns and insects, always leaving their ...

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