Framestore

Framestore We combine talent and technology
to reframe the possible in advertising, film,
episodic and immersive experiences.

We couldn't be happier to see our work on   recognised in this year's Academy Award nominations đź’š Here's another look at...
24/01/2025

We couldn't be happier to see our work on recognised in this year's Academy Award nominations đź’š

Here's another look at some of the visual effects in Jon M Chu's wickedly wonderful fantasy. Expanding production designer Nathan Crowley's incredible sets was a particularly exciting challenge for our environment artists, extending them upwards while keeping the detail and design consistent.

More VFX magic to be revealed soon!

23/01/2025

Framestore's gravity-defying VFX has been nominated for this year's Best Visual Effects Oscar!

Working closely with the film’s Director, DOP, Production Designer and Production VFX Supervisor, VFX Supervisor Jonathan Fawkner (landing his fourth Oscar nomination!) and his team helped amplify the film’s sense of magic, working on a range of epic environments and note-perfect CG characters. Our work also included concept art courtesy of our in-house art department, as well as previs and postvis via Framestore Pre-production Services (FPS).

22/01/2025

Two branches. One tree.

We're thrilled to have played a part in the upcoming film, Karate Kid: Legends. 🥋

Exclusively in theatres May 30th.

21/01/2025

The gang is back - see who's who in the latest trailer for Bridget Jones: Mad About the Boy. Our VFX team has had an incredible time helping bring Bridget’s final chapter to life.

In cinemas February 14th and streaming exclusively on Peacock February 13th in the US.

20/01/2025

We think you'll agree, our work on How To Train Your Dragon is absolute FIRE.

Led by Production VFX Supervisor Christian Manz and making use of Framestore's full snout-to-tail creative offer, our global team have been working alongside director Dean DeBlois and the film's practical craftspeople to ensure that every single scale you see on screen is absolutely perfect.

Here's a sneak peek behind the emerald curtain, at our work on   đź’š To help bring Jon M. Chu's Ozian adventure to life, o...
17/01/2025

Here's a sneak peek behind the emerald curtain, at our work on 💚 To help bring Jon M. Chu's Ozian adventure to life, our artists extended exquisite sets, gave Glinda her bubble, and crafted a magical menagerie of talking animals. Working closely with production designer Nathan Crowley and cinematographer Alice Brooks, our studios produced some extremely ✨Popular ✨ shots for this broadway blockbuster.

Informed by the fantastic performance of Iñaki Godoy in the role of Monkey D. Luffy our VFX team and VFX Supervisor Andy...
16/01/2025

Informed by the fantastic performance of Iñaki Godoy in the role of Monkey D. Luffy our VFX team and VFX Supervisor Andy Zazzera had so much fun with the unique challenge of creating his gum gum stretching ability.

Throughout the project, they underwent a series of developmental trials to find the right balance of weight, tension, physicality, and overall fantasticalness. Stretchy rubber limbs are famously one of the most complicated creative challenges in VFX because of the limited real-world correlation to ground it in reality.

Watch our full VFX breakdown here: https://youtu.be/ExyxrgzQVfg

Meet Mumbai's Tracker, Sumit Singh, who dreams of visiting the enchanting world of Pandora from 'Avatar.' His all-time f...
16/01/2025

Meet Mumbai's Tracker, Sumit Singh, who dreams of visiting the enchanting world of Pandora from 'Avatar.' His all-time favorite movie is 'Avengers: Endgame,' and he lives by the philosophy to always stay curious and never stop learning.

Sumit Singh, you've been [FRAMED].

https://framestore.medium.com/framed-tracker-sumit-singh-mumbai-53ce7ae15895

What fictional world or place would you like to visit?

15/01/2025

Congratulations to the team behind , whose VFX wizardry has landed them a BAFTA nomination for Best Special Visual Effects!

Our work was led by Visual Effects Supervisor and Creative Director Jonathan Fawkner. Working closely with the film’s Director, DOP, Production Designer and Production VFX Supervisor, Jonathan and his team helped to amplify the film’s sense of magic, working on epic environments and CG characters like Doctor Dillamond.
Framestore’s work also encompassed concept art, as well as previs and postvis courtesy of Framestore Pre-production Services (FPS).

14/01/2025

Congratulations to our artists, technologists and producers whose work on Civil War and Fallout has helped land three nominations for this year's Visual Effects Society Awards!

This work highlights our global team's talent for working with brilliant storytellers to craft compelling, immersive worlds - from documentary-style realism to grittily violent (and darkly comedic) sci-fi.

Framestore was nominated in the following categories:

Outstanding Supporting Visual Effects in a Photoreal Feature - Civil War
Outstanding Visual Effects in a Photoreal Episode - Fallout (episode: The Head)
Outstanding Environment in a Photoreal Feature - Civil War (Washington DC environment)

A huge thank you to everyone involved in these projects, and fingers crossed for the awards ceremony on February 11th...

We sat down with FX Guide to break down two of the most standout VFX moments in Deadpool and Wolverine: the surreal “fin...
09/01/2025

We sat down with FX Guide to break down two of the most standout VFX moments in Deadpool and Wolverine: the surreal “fingers through the face” sequence and the scene-stealing CGI enhancements for Peggy, the film’s ugliest-yet-most-adorable dog.

Read more here: https://www.fxguide.com/fxfeatured/framestore-gives-deadpool-the-fingers/

03/01/2025

Collaborating with Team One, our VFX artists crafted snowy environments and winterscapes to highlight Lexus' fleet of vehicles.

Brand: Lexus

Agency: Team One

Production Company: Imperial Woodpecker
Director: Lisa Gunning
DOP: Roman Vasynov
EP: Charlie Cocuzza

VFX: Framestore
CD: James Rogers
Shoot CD: Alex Thomas
EP: Pete King
Senior Producer: Andrew McLintock
Producers: Diego Bonora, Jose Alvarado
2D Lead: Carlos Adarraga Gomez
Unreal Lead: Paul Krist
CG Lead: Rich Shallcross

Editorial: Union Editorial
Owner/EP: Michael Raimondi
Editor: Jono Griffith

Check out the full credits list here: https://www.framestore.com/work/forecast

The BAFTA longlist is out today, and 4 Framestore projects are in the running: Wicked, Gladiator II, Civil War, and Dead...
03/01/2025

The BAFTA longlist is out today, and 4 Framestore projects are in the running: Wicked, Gladiator II, Civil War, and Deadpool and Wolverine.

We’re also incredibly proud of our team’s contributions to Furiosa: A Mad Max Saga and Beetlejuice Beetlejuice which have also been longlisted in the same category.

Whether you’re in the world for note-perfect witchiness, family-friendly character animation or something more… nerve-jangling, we had you covered in 2024, and we couldn’t be prouder to see our artists, producers and technologists recognised for their work. A huge “thank you!” to everyone who’s poured their talent and expertise into these projects, and fingers crossed for January 15th when the nominations are announced…

03/01/2025

Bridget's back, big pants and all!

A new year and a new chapter as Bridget Jones: Mad About the Boy hits cinemas this Valentine's Day.

VFX Supervisor Mat Krentz recently shared insights with Animation World Network about our work on Tim Burton's Beetlejui...
02/01/2025

VFX Supervisor Mat Krentz recently shared insights with Animation World Network about our work on Tim Burton's Beetlejuice Beetlejuice, detailing how our team delivered 253 VFX shots that maintained the film's handcrafted aesthetic.

Get all the gory details here: awn.com/vfxworld/framestore-crafts-some-ghostly-and-ghastly-vfx-beetlejuice-beetlejuice

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