Performance by Elen Braga at De Single art center in Antwerp.
Friday June 7 and 8, at 7pm (1h)
« Three dancers struggle at the hands of this enormous figure named Bababuá. »
‘Brazilian artist Elen Braga develops performances, videos, installations and textile works. In her practice she unravels myths and how they survive in contemporary beliefs and behavior.
She creates a unique performance in front of the enormous wall of DE SINGEL. She immersed herself in local stories about giants, from which she developed her own giant. Three dancers struggle at the hands of this enormous figure named « Bababuá ». Against the backdrop of a burning building we see the eternal cycle of power building and power decline.’
@elenbraga_arts
@desingelartscentre
#elenbraga #desingel #bababua
“On the occasion of our film series #LynnHershmanLeeson: Moving-Image Innovator, frequent Hershman Leeson collaborator #TildaSwinton sat down in one of MoMA’s theaters to revisit their 2002 project #Teknolust. Swinton, who plays four different roles in this “sexual biogenetic comedy,” notes just how prescient the film is about now-commonplace topics like online dating, cloning, and AI—and how rare it is to encounter these themes without a dystopian edge. “It’s very, very unusual for anybody to talk with such a sense of optimism about the relationship between AI and human energies.”
🔊🔺The film series Lynn Hershman Leeson: Moving-Image Innovator is on view in MoMA’s theaters June 7–20, 2024. 🔻📣
(RP @bridgetdonahue.nyc)
opening this Saturday: FELIPE TALO - ‘Gintong Panahon’
curated by Pilar Soler Montes
opens Saturday June 8, 5-8pm
at Wouters Gallery
GINTONG PANAHON is the second chapter of Cuerda y corazón. A project by Felipe Talo, curated by Pilar Soler Montes, which explores his autobiography.
#felipetalo @felipetalo
#pilarsolermontes @pilarsolermontes #gintongpanahon #goldenage
#lamanila
Wouters Gallery, in collaboration with Rectangle, is pleased to present “Guardians,” a group exhibition by net.art pioneers Auriea Harvey, Joan Heemskerk, JODI, Lynn Hershman Leeson and Julia Scher. This exhibition explores the multiple dualities and interpretations of guardianship, from historical mythological figures to contemporary societal and corporate control. It highlights how this concept transcends physical boundaries to become a pervasive force in our digital lives, shaping our identities in a world increasingly determined by algorithms.
April 24 – June 1, 2024
Opening Wednesday 24 April 24, 2024, 5–8pm
GUARDIANS
a joint project of Wouters Gallery | Rectangle, Brussels.
AURIEA HARVEY
JOAN HEEMSKERK
JODI
LYNN HERSHMAN LEESON
JULIA SCHER
exhibition text by Barbara Cueto
Image 2: Julia Scher @kunstverein_moenchengladbach
Image 3: Lynn Hershman Leeson @labiennale
Image 4: Auriea Harvey @movingimagenyc
Image 5: JODI @centrepompidoumetz_ @juliastoschekfoundation
image 6: Joan Heemskerk @rectangle_be
#guardians #aurieaharvey #joanheemskerk #JODI #lynnhershmanleeson #juliascher #barbaracueto #netart #digitalpioneers #newmediaart #woutersbrussels #rectanglebrussels #brusselsartweek
RP @juliastoschekfoundation • LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?
11 April 2024 – 2 February 2025
OPENING
9 April 2024, 6–10 p.m. (Artist talk: 6:30 p.m.)
The Julia Stoschek Foundation is excited to present “Lynn Hershman Leeson: Are Our Eyes Targets?”, the first solo exhibition by the renowned artist and media pioneer in Düsseldorf. Spanning the entire second floor of the foundation, the exhibition features videos, photo-collages, and interactive and mixed-media installations that delve into the artist’s groundbreaking practice.
2024 marks the fortieth anniversary of the epic video installation, “The Electronic Diaries of Lynn Hershman Leeson 1984–2019” (1984–2019), which forms the centerpiece of the exhibition. Hershman Leeson examines her personal experiences of abuse and illness and the relationship between technology and self, amid the global political context. As the work shifts between time frames and perspectives, viewers encounter the evolution of multiple, sometimes contradictory personas that represent the artist. These slipping identities lead us to question how much of what we see on our screens is true, revealing a gap between reality and our mediated images of it. Set against the contemporary media landscape, Hershman Leeson’s work rings truer than ever.
Curator: Lisa Long
Assistant Curator: @lineajan
Inspired by the iconic work “The Electronic Diaries of Lynn Hershman Leeson 1984–2019” (1984–2019), the group exhibition “Digital Diaries“ (opening the same day) will look at how artists have experimented with diaristic forms in video and digital art from the 1970s to today.
📹 @bureauborsche
@lynn.l.leeson #lynnhershmanleeson #areoureyestargets #electronicdiaries #cyberroberta #shadowstalker #paranoid #juliastoschekfoundation #jsf @juliastoschek
‘The motif of death equally thrives in the universe of Angélique Aubrit and Ludovic Beillard. During the performance inaugurating the exhibition, they maneuver three characters in altered states of consciousness. While Ed enjoys his cosmic journey, Al resists his bad trip, and, as he dozes off, they try to revive Bob’s corpse. This theater of living effigies derives its macabre aesthetic from death masks that were customarily made to immortalize the deceased. Performed or not, their characters remain without expression nor presence. Rather like in the bloody orgies in Dennis Cooper’s 1993 short story “Jerk”, featuring a puppet theater full of teenagers thirsting for sex and blood, no one ever truly dies.’ (…)
Excerpt of exhibition text @lila.torqueo
——
you crack me up!
with
Angélique Aubrit & Ludovic Beillard
Victoria Palacios
exhibition text by Lila Torquéo
March 2 - April 6, 2024
opening Saturday March 2, 5-8pm, with ongoing performance
@wouters.brussels
#youcrackmeup #angéliqueaubrit #ludovicbeillard #victoriapalacios #lilatorquéo #woutersgallery
RP @wouters.sablon • Join us tonight for some coconut water, courtesy of the Afro-Brazilian painter, Alcides
Alcides Pereira dos Santos
Agua de Coco (detail)
85 x 115 cm (34 x 46 in)
2002
Acrylic on canvas
#galleryopening #alcidespereiradossantos #wouterssablon #selftaughtartist
RP @shanghartgallery • “The forebears are born by being trained. Training them is training a part of ourselves, the part that has been termed destiny.”—XU ZHEN®
On view until 25 February 2024, XU ZHEN®’s solo exhibition at Hong Museum in Wenzhou continues the artist’s interest in the transformation, iteration, and re-evaluation of cultural symbols in a post-globalization ecology. Through art, the exhibition seeks to galvanize people into reimagining the future and primitivity. “Today, our knowledge, civilization, and truth (i.e. the forebears) must feel fresh. Only knowledge that can be applied afresh to the new era can have meaning.”
@xuzhen8848 @hongmuseum_official
#ShanghART #XuZhen #HongMuseum #wenzhou
SEDUCTION OF A CYBORG, an exhibition spanning 4 decades of video making with Elen Braga, Eli Cortiñas, Lynn Hershman Leeson & Anne-Mie Van Kerckhoven.
opening Thursday September 7, 5-9pm
September 8 - October 28, 2023
extended opening hours during @brusselsgalleryweekend
The title of the exhibition refers to a video from 1994 by Lynn Hershman Leeson and was recently on view in the groundbreaking exhibition ‘Signals. How Video Transformed the World’ @themuseumofmodernart (March 5 - July 8, 2023). The video ‘Seduction of a Cyborg’ is part of the MoMA collection, and on view at the gallery until October 28.
@elenbraga_arts
@eli.cortinas
@lynn.l.leeson
@headnurse_amvk
Exhibition text @evelyn_simons
#seductionofacyborg #elenbraga #elicortiñas #lynnhershmanleeson #annemievankerckhoven #soranamunsya #brusselsgalleryweekend
RP @themuseumofmodernart • A woman becomes addicted to an algorithm in Lynn Hershman Leeson’s “Seduction of a Cyborg.” Seduced into a computer-simulated world in an attempt to restore her eyesight, her body is manipulated and eventually breaks down.
How does one become a cyborg? What does it look and feel like to be part human and part computer? Today, these questions are no longer just for the realm of science fiction.
Since the 1960s, artist Lynn Hershman Leeson has been experimenting with new technologies and the potential of cyborgs, engaging with the urgent issues of gender, privacy, surveillance, and censorship.
“Technology is neutral. We invent these things, and as humans we give it meaning. So, if humans are utopian, then the technology will be also. And if humans are greedy, and need things, and use it in a negative way, then it’s dystopian, but technology itself depends on what its partner is.” — Lynn Hershman Leeson
📖 Read an interview with Hershman Leeson on #MoMAMagazine, link in bio.
📺 Stream “Seduction of a Cyborg” through August 2 in the latest installment of our @HyundaiCard Video Views series featuring video works from the collection.
—
Lynn Hershman Leeson. “Seduction of a Cyborg” (excerpt). 1994. The Museum of Modern Art, New York. The Modern Women’s Fund. © 2023 Lynn Hershman Leeson
—
The video “Seduction of a Cyborg” by Lynn Hershman Leeson will be on view at the gallery in Brussels during @brusselsgalleryweekend which opens September 7, 2023.
MoMA is streaming works from its collection and “Seduction of a Cyborg” is online through August 2.
LINK IN BIO
#lynnhershmanleeson #seductionofacyborg #momanewyork #brusselsgalleryweekend
Tonight opens POSTCARD FROM BRUXELLES in Genoa.
Thank you @pinksummercontemporaryart team Virginia, Alesandro, Francesca and Antonella !
with:
Elen Braga
Ludovic Beillard
Eli Cortiñas
Mark Dion
Filip Van Dingenen
Matthias Dornfeld
Charles Hascoët
Delphine Hennelly
Gerard Herman
Lynn Hershman Leeson
Klara Hobza
Jean Katambayi Mukendi
Geert Marijnissen
Julien Saudubray
There will be two exhibitions, the first in Brussels by Pinksummer at Waldburger Wouters opened in the Belgian capital on June 3 visible until July 8, and the second in Genoa by Waldburger Wouters in the space of Pinksummer in Palazzo Ducale opening on June 23 and visible until the end of July.
The trait d’union of the two galleries is the artist Mark Dion, represented by both.
The titles of the exhibitions will be Postcard from Genova and Postcard from Bruxelles.
Xu Zhen at National Gallery of Australia
Eternity vs Evolution
until September 2020
#xuzhen
#nationalgalleryaustralia
@xuzhenmadein
@nationalgalleryaus
#eternity #evolution
#chinesecontemporaryart