Zubaan Books

Zubaan Books Zubaan is an independent feminist publishing house. Visit us at: http://www.zubaanbooks.com
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Post 9/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 9/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 8/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 8/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 7/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 7/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 6/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 6/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 5/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 5/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 4/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 4/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 3/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 3/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 2/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 2/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

             

Post 1/9 : Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami ...
10/01/2025

Post 1/9
: Check out our newest title, Framing Portraits, Binding Albums: Family Photographs in India by Shilpi Goswami and Suryanandini Narain. To buy the physical and digital copies of the book, check out the link in bio.

About the book: Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.
They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

 We are delighted to invite everyone for an evening of exciting book discussion. Zubaan in collaboration with the India ...
08/01/2025



We are delighted to invite everyone for an evening of exciting book discussion. Zubaan in collaboration with the India International Centre (IIC) is bringing to you Three Centuries of Travel Writing by Muslim Women. Join in for an illustrated lecture and discussion by Prof. Siobhan Lambert-Hurley, cultural historian, Professor of Global History, University of Sheffield, UK. Prof. Lambert-Hurley will speak about the intrepid Muslim women travellers, especially of the last centuries, who travelled the world for adventure, exploration, pilgrimage and more.

Date: January 13, 2025
Time: 6PM IST
Venue: Conference Room 1, Main building, India International Centre

We are beginning the New Year with some exciting announcements! Our newest title Framing Portraits, Binding Albums: Fami...
03/01/2025

We are beginning the New Year with some exciting announcements! Our newest title Framing Portraits, Binding Albums: Family Photographs in India is out for pre-orders at a great discount between 3rd-9th January, 2025!

About the Book- Long neglected in academic discourse in India, family photographs make a silent contribution to the histories of photography, marginality and the family. In this volume, the writers dwell on the importance of family photographs and their visual omnipresence in our daily lives.

They point out how family photographs have belonged to the ‘vernacular’ material of visual culture, more seen and lived with, less written and consciously thought about. Attempting to retrieve family photographs from a space of neglect, this volume demonstrates how they are fundamental to the microhistories of a nation and its many societies, and suggests the importance of such counterarguments to the dominant strains in an emerging discursive space.

The essays do not offer a comprehensive survey of all types of family photographs in India. Instead, they present focused insights into chosen areas of interest on the part of the writers. Collectively, they embrace the intersectionalities of gender, caste, class and regional trajectories, making the politics of representation even more layered with contestations between the historical, oral and affective memorialisation surrounding family archives and photographs. These concerns centrally inform the essays, as they accept and negotiate a terrain shared by all types of narrativisation.

To buy the book, check out the link in the bio.

Before we plan for the new year ahead, it is important for us to take a winter break. Our projects and publishing activi...
24/12/2024

Before we plan for the new year ahead, it is important for us to take a winter break. Our projects and publishing activities, including the shipping of print book orders, will be paused from December 25, 2024, to January 1, 2025. We will resume work on January 2, 2025.

 Read an excerpt from Ramachandran Usha's book Unmoored, translated by Krupa Ge. About the book: In Unmoored, Ramachandr...
23/12/2024



Read an excerpt from Ramachandran Usha's book Unmoored, translated by Krupa Ge. 

About the book: In Unmoored, Ramachandran Usha crafts an intimate exploration of migration and belonging. Three women—Ayesha, Indu, and Ameera—return to Chennai from the Gulf, each looking to reunite with the loved ones they left behind. Despite differences in religion, social status and age, they are also united in their quest for a true sense of home. Usha’s novella dwells on the seldom-told yet pervasive story of women who travel to the Middle East and beyond, driven by the need to secure their families’ futures.

The protagonists of the two short stories featured in this collection, ‘Khushka’, and ‘Success’, have much in common with the women of Unmoored, even as they grapple with crises of faith and finance.

To buy the book, check out the link in the bio.

 📚 Here's an excerpt from Natasha Bandodkar, Sonal Jain's book I have A Question.Scroll down to learn more about the boo...
20/12/2024

📚

Here's an excerpt from Natasha Bandodkar, Sonal Jain's book I have A Question.

Scroll down to learn more about the book.

16-year-old Kalki is at the center of many things — being teased for her body hair, unable to express her concerns about acne and painful periods, and she’s questioning practices that she’s been conditioned into but doesn’t approve of. However, when her favourite younger cousin gets her first period, she resolves to make changes by shaking things up a bit.

But how should she go about it?

Will she find answers to the million questions she has about her changing body?

To buy the book, check out the link in the bio

  Here's an excerpt from Natasha Bandodkar, Sonal Jain's book I have A Question.Scroll down to learn more about the book...
20/12/2024



Here's an excerpt from Natasha Bandodkar, Sonal Jain's book I have A Question.

Scroll down to learn more about the book.

16-year-old Kalki is at the center of many things — being teased for her body hair, unable to express her concerns about acne and painful periods, and she’s questioning practices that she’s been conditioned into but doesn’t approve of. However, when her favourite younger cousin gets her first period, she resolves to make changes by shaking things up a bit.

But how should she go about it?

Will she find answers to the million questions she has about her changing body?

To buy the book, check out the link in the bio

Menstruation comes with many taboos, do’s and don’ts and whatnot. It’s exactly what 16-year-old Kalki went through — bei...
13/12/2024

Menstruation comes with many taboos, do’s and don’ts and whatnot. It’s exactly what 16-year-old Kalki went through — being teased for her body hair, unable to express her concerns about acne and painful periods, and she’s questioning practices that she’s been conditioned into but doesn’t approve of. However, when her favourite younger cousin gets her first period, she resolves to make changes by shaking things up a bit.

But how should she go about it?

Will she find answers to the million questions she has about her changing body?

𝗪𝗲 𝗮𝗿𝗲 𝗯𝗮𝗰𝗸 𝘄𝗶𝘁𝗵 𝗮𝗻𝗼𝘁𝗵𝗲𝗿 𝗰𝗼𝗻𝘁𝗲𝘀𝘁!
𝗔𝗹𝗹 𝘆𝗼𝘂 𝗵𝗮𝘃𝗲 𝘁𝗼 𝗱𝗼 𝗶𝘀, 𝗳𝗶𝗻𝗱 𝘁𝗵𝗲 𝗺𝘆𝘁𝗵𝘀, 𝗰𝗼𝗺𝗺𝗲𝗻𝘁 𝘄𝗶𝘁𝗵 𝘆𝗼𝘂𝗿 𝗮𝗻𝘀𝘄𝗲𝗿𝘀 𝗮𝗻𝗱 𝘀𝗵𝗮𝗿𝗲 𝗮 𝗺𝘆𝘁𝗵 𝘆𝗼𝘂 𝗵𝗮𝘃𝗲 𝗰𝗼𝗺𝗺𝗼𝗻𝗹𝘆 𝗵𝗲𝗮𝗿𝗱 𝘁𝗼 𝘄𝗶𝗻 𝘁𝗵𝗲 𝗴𝗶𝗳𝘁 𝗵𝗮𝗺𝗽𝗲𝗿.

If you want to buy this book to learn about menstrual health and more, please check the link in the bio.

 🚨📚 : A New World Romance by Susham Bedi, translated by Astri Ghosh. An accidental meeting at a seminar brings Ketaki an...
06/12/2024

🚨📚 : A New World Romance by Susham Bedi, translated by Astri Ghosh.
An accidental meeting at a seminar brings Ketaki and Aditya, two academics based in the United States, together. Well established in their careers, with romantic and marital relationships behind them, they are located in different cities in what the author calls the ‘new world’ or Navabhum, while the ‘old world’ or Purabhum has long been left behind. Neither is in search of a relationship, but they find themselves falling deeply and inexorably in love. Even as the new world opens up infinite possibilities, the old world casts its gentle shadow over their lives and touches everything. Where, the author asks, will their love take them? Susham Bedi’s moving and delicately crafted novel is brought to us in this sensitive and nuanced translation by Astri Ghosh.

About the Author: Susham Bedi has left an indelible mark on Hindi literature with her nine novels, numerous short story collections, and poetry. Her writings, which often delve into the lives of Indian diaspora communities, have been translated into English, Urdu, French, and Dutch. She was honoured with prestigious awards from the Uttar Pradesh Hindi Sansthan (2007) and the Sahitya Academy in Delhi (2006). She also shared her knowledge and passion for Hindi language and literature as a teacher at Columbia University.

About the Translator: Astri Ghosh is a translator, writer, actor and teacher. Growing up in New Delhi with a Norwegian mother and an Indian father, Ghosh developed a deep understanding of both Indian and Norwegian cultures from an early age. This has enabled her to effectively bridge cultural gaps in her translations. She translates into Hindi, English, and Norwegian.

This book is published under Women Translating Women, A collaborative project of the Ashoka Centre for Translation, the Susham Bedi Memorial Fund and Zubaan Publishers.

translation.ashoka.edu.in
sushambedi.com
To buy the book, check the link in bio.
     
   

 Here's an excerpt from Sangeeta Bandyopadhyay's book (translated by Ipsa S) Hidden TreasureScroll down to learn more ab...
05/12/2024



Here's an excerpt from Sangeeta Bandyopadhyay's book (translated by Ipsa S) Hidden Treasure

Scroll down to learn more about the book.

Living on rent in a wealthy, religious house, Chintamoni spends her days holding together her ordinary, lower-class family. Nothing excites her in her marriage to an unremarkable man, while the shadow of her son’s heart disease looms over her austere life. When a secretive devotee of Ma Kali begins boarding in the house, Chintamoni realises that the man has been eyeing her. His arrival kindles her dormant desires, bringing her both love and money. But the events that should have changed her life for the better end up making it much worse. Hidden Treasure is the story of a woman—and of women—struggling to make something of their lives in a world run by men, money, and religion.

To buy the book, check out the link in the bio.


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