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Premier Adventure Premier Adventure is the only tour agency that offers the best licensed tour guides who have also be

07/01/2021

An amazing discovery.

25/11/2020
05/07/2020

πŸ‡°πŸ‡­πŸ‡ΉπŸ‡­ Cambodia-Thailand "Two Kingdoms, One Destinations" marks the 70th Anniversary of Cambodia-Thailand Diplomatic Relations. πŸ‡ΉπŸ‡­πŸ‡°πŸ‡­

14/06/2020
αž’αž“αžΆαž‚αžΆαžšαž―αž€αž‘αŸαžŸαžœαžΈαž„αž”αžΆαž“αž‘αž‘αž½αž›αž˜αžΌαž›αž“αž·αž’αž·αžŸαžšαž»αž”αž‘αžΉαž€αž”αŸ’αžšαžΆαž€αŸ‹αž”αŸ’αžšαž˜αžΆαžŽ ្៑,០៑៦.៧០ αžŠαž»αž›αŸ’αž›αžΆαžšαž’αžΆαž˜αŸαžšαž·αž€ αž–αžΈαžŸαž”αŸ’αž”αž»αžšαžŸαž‡αž“αž‡αžΆαž…αŸ’αžšαžΎαž“αžšαž½αž˜αž˜αžΆαž“αŸ– αž—αŸ’αž“αžΆαž€αŸ‹αž„αžΆαžšαžœαžΈαž„ αž”αž»αž‚αŸ’αž‚αž›αž·αž€...
03/06/2020

αž’αž“αžΆαž‚αžΆαžšαž―αž€αž‘αŸαžŸαžœαžΈαž„αž”αžΆαž“αž‘αž‘αž½αž›αž˜αžΌαž›αž“αž·αž’αž·αžŸαžšαž»αž”αž‘αžΉαž€αž”αŸ’αžšαžΆαž€αŸ‹αž”αŸ’αžšαž˜αžΆαžŽ ្៑,០៑៦.៧០ αžŠαž»αž›αŸ’αž›αžΆαžšαž’αžΆαž˜αŸαžšαž·αž€ αž–αžΈαžŸαž”αŸ’αž”αž»αžšαžŸαž‡αž“αž‡αžΆαž…αŸ’αžšαžΎαž“αžšαž½αž˜αž˜αžΆαž“αŸ– αž—αŸ’αž“αžΆαž€αŸ‹αž„αžΆαžšαžœαžΈαž„ αž”αž»αž‚αŸ’αž‚αž›αž·αž€αžšαž”αžŸαŸ‹αžœαžΈαž„ αž“αž·αž„ αžšαŸ‰αžΌαž™αžΆαž›αŸ‹αž‚αŸ’αžšαž»αž” αž–αŸ’αžšαž˜αž‘αžΆαŸ†αž„αžŠαŸƒαž‚αžΌαžŸαž αž€αžΆαžšαž•αŸ’αžŸαŸαž„αŸ—αž‡αžΆαž…αŸ’αžšαžΎαž“αž‘αŸ€αž αžŠαžΎαž˜αŸ’αž”αžΈαž‡αž½αž™αžŠαž›αŸ‹αž‚αŸ’αžšαž½αžŸαžΆαžšαž’αŸ’αž“αž€αž”αžΎαž€αž”αžšαžšαŸ‰αžΊαž˜αŸ‰αž€αž€αž„αŸ‹αž”αžΈ αž“αž·αž„αž˜αž‚αŸ’αž‚αž»αž‘αŸαžŸαž€αŸαž‘αŸαžŸαž…αžšαžŽαŸαžŠαŸ‚αž›αžšαž„αž•αž›αž”αŸ‰αŸ‡αž–αžΆαž›αŸ‹αž–αžΈαž€αžΆαžšαžšαžΆαžαžαŸ’αž”αžΆαžαž“αŸƒαž‡αž˜αŸ’αž„αžΊαž€αžΌαžœαžΈαžŠαŸ‘αŸ©αŸ” αž›αŸ„αž€αž’αŸ’αž“αž€αž’αžΆαž…αž˜αž€αž…αž»αŸ‡αžˆαŸ’αž˜αŸ„αŸ‡αž“αŸ…αž€αžΆαžšαž·αž™αžΆαž›αŸαž™αž€αžŽαŸ’αžαžΆαž›αž“αŸƒαž’αž“αžΆαž‚αžΆαžšαž―αž€αž‘αŸαžŸαžœαžΈαž„αž“αŸ…αž—αŸ’αž“αŸ†αž–αŸαž‰ αž¬αž“αŸ…αž€αžΆαžšαž·αž™αžΆαž›αŸαž™αžαŸ†αžŽαžΆαž„αž”αŸ’αžšαž…αžΆαŸ†αžαŸαžαŸ’αžαžŸαŸ€αž˜αžšαžΆαž” αžŠαžΎαž˜αŸ’αž”αžΈαž‘αž‘αž½αž›αž”αžΆαž“αž€αž‰αŸ’αž…αž”αŸ‹αž‘αžΉαž€αž”αŸ’αžšαžΆαž€αŸ‹αž§αž”αžαŸ’αžαž˜αŸ’αž—αž…αŸ†αž“αž½αž“ ៣០ αžŠαž»αž›αŸ’αž›αžΆαžšαž’αžΆαž˜αŸαžšαž·αž€ αž…αžΌαž›αž€αŸ’αž“αž»αž„αž‚αžŽαž“αžΈαžœαžΈαž„αžšαž”αžŸαŸ‹αž›αŸ„αž€αž’αŸ’αž“αž€αŸ” αžŸαžΌαž˜αž—αŸ’αž‡αžΆαž”αŸ‹αž˜αž€αž‡αžΆαž˜αž½αž™αž“αžΌαžœαŸ–
β€’ αž’αžαŸ’αžαžŸαž‰αŸ’αž‰αžΆαžŽαž”αžŽαŸ’αžŽαžŸαž‰αŸ’αž‡αžΆαžαž·αžαŸ’αž˜αŸ‚αžš (αž…αŸ’αž”αžΆαž”αŸ‹αžŠαžΎαž˜)
β€’ αž”αžŽαŸ’αžŽαžŸαž˜αŸ’αž‚αžΆαž›αŸ‹αž™αžΆαž“αŸ’αžαž™αž“αŸ’αž (αžšαŸ‰αžΊαž˜αŸ‰αž€αž€αž„αŸ‹αž”αžΈ αž¬αžαž»αž€αžαž»αž€) αž¬αž’αžΆαž‡αŸ’αž‰αžΆαž”αžŽαŸ’αžŽαž˜αž‚αŸ’αž‚αž»αž‘αŸαžŸαž€αŸαž‘αŸαžŸαž…αžšαžŽαŸ
αž˜αžΌαž›αž“αž·αž’αž·αž§αž”αžαŸ’αžαž˜αŸ’αž—αž“αŸαŸ‡ αž“αžΉαž„αž”αž“αŸ’αžαž’αŸ’αžœαžΎαž€αžΆαžšαž…αŸ‚αž€αž‡αžΌαž“αžšαž αžΌαžαžŠαž›αŸ‹αž’αžŸαŸ‹αžαžœαž·αž€αžΆαžšαž‘αžΆαŸ†αž„αž’αžŸαŸ‹ αžŠαŸ„αž™αž•αŸ’αžαž›αŸ‹αž’αžΆαž‘αž·αž—αžΆαž–αž‡αžΌαž“αžŠαž›αŸ‹αž’αŸ’αž“αž€αžŠαŸ‚αž›αž˜αž€αž…αž»αŸ‡αžˆαŸ’αž˜αŸ„αŸ‡αž˜αž»αž“αŸ” αžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž–αŸαžαŸŒαž˜αžΆαž“αž”αž“αŸ’αžαŸ‚αž˜ ០្៣ ៩៩៩ ៩៨៩ / ០៑្ ៩៩៩ αŸ€αŸ¨αŸ©αŸ•

22/05/2020

αž‘αŸαžŸαž…αžšαžŽαŸ αž”αŸ’αžšαžΆαžŸαžΆαž‘αž€αŸ„αŸ‡αž€αŸαžš αžαŸαžαŸ’αžαž–αŸ’αžšαŸ‡αžœαž·αž αžΆαžš
Ker Temple
Vihear Province
# Kingdom of Cambodia
-Date: 10th century. Chok Gargyar (Koh Ker in modern time) was the capital of the Khmer kingdom from 928 to 944.
-King: Jayavarman IV, a maternal uncle of King Ishanavarman II (the Angkor king until 928).
-Cult: Hindu
_Focusing on The Angkor Temples, 2nd Edition-p347

Credit: αž€αŸ’αžšαžŸαž½αž„αž–αŸαžαŸŒαž˜αžΆαž“ - Ministry of Information

10/04/2020

A HOLLYWOOD AWARD WINNING DOCUMENTARY VIDEO BY TIM PEK
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A little film about the most beautiful and largest religious temple ever built by the Khmer Empire, King Suryavarman II (1113-1150 AD) in the early 12th century. The Angkor Wat temple is located in the north-west of Cambodia, located in Siem Reap.

21/02/2020

Welcome to Cambodia!! πŸ‡°πŸ‡­πŸ‡°πŸ‡­πŸ‡°πŸ‡­
Kingdom of Wonder!! πŸ™πŸ» πŸ™πŸ» πŸ™πŸ»

Cambodia has everything to show you such as cultural and natural sites, recreational activities, culture and tradition, Cambodian foods, traditional dances, lifestyle...​etc,.

We, Premier Adventure will serve what you need with our premium quality services!!

25/01/2020
24/01/2020
21/01/2020

Extreme Gardening at Cambodia's Angkor Wat Temple
Credit: BBC

13/01/2020

αž€αž˜αŸ’αž–αž»αž‡αžΆαžŸαžΌαž˜αžŸαŸ’αžœαžΆαž‚αž˜αž“αŸαž—αŸ’αž‰αŸ€αžœαž‘αŸαžŸαž…αžšαž‡αžΆαžαž· αž“αž·αž„αž’αž“αŸ’αžαžšαž‡αžΆαžαž·αž€αŸ’αž“αž»αž„αžœαŸαž‘αž·αž€αžΆαž”αŸ’αžšαž‡αž»αŸ†αž€αŸ†αž–αžΌαž›αžšαžŠαŸ’αž‹αž˜αž“αŸ’αžαŸ’αžšαžΈαž‘αŸαžŸαž…αžšαžŽαŸαž’αžΆαžŸαŸŠαžΆαž“αž…αžΆαž”αŸ‹αž–αžΈαžαŸ’αž„αŸƒαž‘αžΈ 17 αžŠαž›αŸ‹ 23 αžαŸ‚αž˜αž€αžšαžΆ αž†αŸ’αž“αžΆαŸ† 2021 αž€αŸ’αž“αž»αž„αž€αžΆαžšαž’αž”αž’αžšαžŸαžΆαž‘αžš αžŸαž αž‚αž˜αž“αŸαžŸαž“αŸ’αžαž·αž—αžΆαž– αž“αž·αž„αž‡αŸ„αž‚αžœαžΆαžŸαž“αžΆαžαŸ‚αž˜αž½αž™αŸ”

Cambodia welcomes you to the 2021 ASEAN Tourism Forum (ATF) to be held from January 17th to 23rd, 2021 as we celebrate our Community of Peace and a Shared Future.

αžŸαŸ’αžšαž”αž‘αŸ…αž“αžΉαž„αž‚αŸ„αž›αž“αž™αŸ„αž”αžΆαž™αžšαž”αžŸαŸ‹αžšαžΆαž‡αžšαžŠαŸ’αž‹αžΆαž—αž·αž”αžΆαž›
αžŸαžΌαž˜αž’αžšαž‚αž»αžŽαžŸαž“αŸ’αžαž·αž—αžΆαž– αž™αžΎαž„αžŸαŸ’αžšαž›αžΆαž‰αŸ‹ αž“αž·αž„αž€αžΆαžšαž–αžΆαžšαžŸαž“αŸ’αžαž·αž—αžΆαž–αŸ”

HAPPY NEW YEAR!Credit: MYTV
30/12/2019

HAPPY NEW YEAR!
Credit: MYTV

Angkor Eye Ferris WheelA giant ferris wheel to open in Siem Reap soon. Built-in Svay Dongkom commune’s Box Ville complex...
19/12/2019

Angkor Eye Ferris Wheel

A giant ferris wheel to open in Siem Reap soon. Built-in Svay Dongkom commune’s Box Ville complex in Siem Reap, the structure will rise 85 meters above the ground. With 48 cabins, the Ferris wheel will be able to carry 192 people at a time. It will be one of the biggest Ferris wheels in the ASEAN region.

This world-class Ferris wheel will enhance the province’s tourism offer, for both national and local tourists. The project will contribute to keeping tourists in the province for longer periods of time.
The investment will not only help keep tourists in the province longer but will also generate jobs for locals. It will help promote Khmer culture to tourists from around the world who visit Siem Reap.

It will also play an important role in establishing new tourism products to attract tourists

18/09/2019

Taking a ride on Cambodia's bamboo train in Battambang Province is the best way to view authentic countryside and daily life of Khmer people. πŸ‡°πŸ‡­πŸ‡°πŸ‡­πŸ‡°πŸ‡­

12/09/2019

The change of Southeast Asia Countries Shapes for almost 1500 years.
Source: EmporerTigerstar

This is amazing. Well done India.
11/09/2019

This is amazing. Well done India.

Suresh K*mar has been pedalling people at IIT-Delhi since 2002. But now a solar-powered hybrid rickshaw will make his job less burdensome.

09/09/2019

αž™αŸ„αž„αžαžΆαž˜αžšαž”αžΆαž™αž€αžΆαžšαžŽαŸαž˜αž½αž™αžšαž”αžŸαŸ‹αž’αž„αŸ’αž‚αž€αžΆαžšαžŸαž αž”αŸ’αžšαž‡αžΆαž‡αžΆαžαž· αžαŸ’αžšαžΈαŸ£αŸ % αžαŸ’αžšαžΌαžœαž”αžΆαž“αž”αŸ†αž–αž»αž›αžŠαŸ„αž™αž•αŸ’αž›αžΆαžŸαŸ’αž‘αž·αž€ αž αžΎαž™αž“αŸ…αžαŸ’αžšαžΉαž˜αž†αŸ’αž“αžΆαŸ†αŸ’αŸ αŸ₯០ αž•αŸ’αž›αžΆαžŸαŸ’αž‘αž·αž€αž“αžΉαž„αž˜αžΆαž“αž…αŸ†αž“αž½αž“αž…αŸ’αžšαžΎαž“αž‡αžΆαž„αžαŸ’αžšαžΈαž‘αžΆαŸ†αž„αž’αžŸαŸ‹αž“αŸ…αž€αŸ’αž“αž»αž„αžŸαž˜αž»αž‘αŸ’αžšαŸ”

According to a UN report, 30% of fish are already poisoned by plastic, and by 2050 there will be more plastic in the seas than fish.

06/09/2019

In Cambodia, a City of Towering Temples in the Forest!!

By National Geographic

04/09/2019

Welcome to the Kingdom of Angkor, Cambodia.

Credit: BBC

26/08/2019

Amazing religious temples of Cambodia.

Video by: Culture Trip

αžŠαžΎαž˜αž€αŸ†αžŽαžΎαžαž’αž”αŸ’αžŸαžšαžΆαž€αŸ’αž“αž»αž„αžšαžΏαž„αž€αžΌαžšαžŸαž˜αž»αž‘αŸ’αžšαž‘αžΉαž€αžŠαŸ„αŸ‡ (αžŸαž„αŸ’αžαŸαž”)​-------------------------------------------------------------------------...
24/08/2019

αžŠαžΎαž˜αž€αŸ†αžŽαžΎαžαž’αž”αŸ’αžŸαžšαžΆαž€αŸ’αž“αž»αž„αžšαžΏαž„αž€αžΌαžšαžŸαž˜αž»αž‘αŸ’αžšαž‘αžΉαž€αžŠαŸ„αŸ‡ (αžŸαž„αŸ’αžαŸαž”)​
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αž’αž”αŸ’αžŸαžšαžΆ....​ αž–αžΆαž€αŸ’αž™β€‹αž“αŸαŸ‡β€‹αž’αŸ’αžœαžΎβ€‹αž²αŸ’αž™β€‹αž™αžΎαž„β€‹αž“αžΉαž€β€‹αž‘αŸ…β€‹αžŠαž›αŸ‹β€‹αžšαžΌαž”β€‹αž‘αŸαž–β€‹αž’αž”αŸ’αžŸαžšβ€‹αž‘αžΆαŸ†αž„β€‹αž‘αžΆαž™β€‹αžŠαŸ‚αž›β€‹αž”αž»αž–αŸ’αžœβ€‹αž”αž»αžšαžŸβ€‹ αžαŸ’αž˜αŸ‚β€‹αžšβ€‹αž”αžΆαž“β€‹αž†αŸ’αž›αžΆαž€αŸ‹β€‹αž“αŸ…β€‹β€‹αžαžΆαž˜β€‹αž”αŸ’αžšαžΆαž„αŸ’αž‚β€‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αžΆαž“αžΆαŸ” αžšαžΌαž”β€‹αž’αž”αŸ’αžŸαžšαžΆβ€‹ αžαŸ‚αž„β€‹αž˜αžΆαž“β€‹αž‘αžΉαž€αž˜αž»αžβ€‹αž‰αž‰αžΉαž˜αžŸαŸ’αž„αž”αŸ‹β€‹αž₯αžβ€‹αž‘αž»αž€αŸ’αžβ€‹αž€αž„αŸ’αžœαž›αŸ‹β€‹ αž“αž·αž„β€‹ αž˜αžΆαž“β€‹αž€αžΆαž™αžœαž·αž€αžΆαžšβ€‹αž‘αž“αŸ‹β€‹αž—αŸ’αž›αž“αŸ‹β€‹αž›αŸ’αžœαžαŸ‹β€‹αž›αŸ’αžœαž“αŸ‹β€‹αžšαŸαžšαžΆαŸ†β€‹αž αžΆαž€αŸ‹β€‹αžŠαžΌαž…β€‹αž‡αžΆβ€‹αžšαž”αžΆαŸ†β€‹αžŸαž½αž‚αŸŒαŸ” αžαžΎβ€‹αž’αž”αŸ’αžŸαžšαžΆβ€‹αž˜αžΆαž“β€‹αžŠαžΎαž˜β€‹αž€αŸ†αžŽαžΎαžβ€‹αž˜αž€β€‹αž–αžΈβ€‹αžŽαžΆ?

αž€αŸ†αžŽαžΎαžβ€‹αž’αž”αŸ’αžŸαžšαžΆβ€‹αž˜αžΆαž“β€‹αžŠαŸ†αžŽαžΆαž›β€‹αž˜αž€β€‹αž–αžΈβ€‹αžšαžΏαž„β€‹αž€αžΌαžšβ€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡αŸ” αž“αŸ…β€‹αž€αŸ’αž“αž»αž„β€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡β€‹αž˜αžΆαž“β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹ αž“αž·αž„β€‹ αžœαžαŸ’αžαž»β€‹αž‘αž·αž–αŸ’αžœβ€‹αž…αŸ’αžšαžΎαž“β€‹αžšαž€β€‹αž“αžΉαž„β€‹αž‚αžŽαž“αžΆαž–αž»αŸ†β€‹αž’αžŸαŸ‹αŸ” αžŠαŸ„β€‹αž™β€‹αž…αž„αŸ‹β€‹αžƒαžΎαž‰β€‹αž“αžΌαžœβ€‹αžœαžαŸ’αžαž»β€‹αž‘αž·αž–αŸ’αžœβ€‹αž‘αžΆαŸ†αž„β€‹αž“αŸ„αŸ‡β€‹ αž“αž·αž„ β€‹αž…αž„αŸ‹β€‹αž”αžΆαž“β€‹αž“αžΌαžœβ€‹αž‡αžΈαžœαž·αžβ€‹αž’αž˜αžαŸˆ αž–αž–αž½αž€β€‹αž‘αŸαž–αŸ’αžαžΆβ€‹ αž“αž·αž„β€‹ αž–αž–αž½αž€β€‹αž™αž€αŸ’αžŸβ€‹ αžŸαž αž€αžΆαžšβ€‹αž‚αŸ’αž“αžΆβ€‹αž€αžΌαžšβ€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡αžŠαŸ„αž™β€‹αžŸαž“αŸ’αž™αžΆαž‚αŸ’αž“αžΆβ€‹αžαžΆβ€‹ αž”αžΎβ€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž›αŸαž…β€‹αž‘αžΎαž„β€‹αž…αŸ†αž˜αž»αžβ€‹αž–αž–αž½αž€β€‹αž‘αŸαž–αŸ’αžαžΆβ€‹αž“αŸ„αŸ‡β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž”αžΆαž“β€‹αž‘αŸ…β€‹αž–αž–αž½αž€β€‹αž‘αŸαž–αŸ’αžαžΆ αž”αžΎαž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž›αŸαž…β€‹αž‘αžΎαž„β€‹αž…αŸ†αž˜αž»αžβ€‹αž–αž–αž½αž€β€‹αž™αž€αŸ’αžŸβ€‹αž“αŸ„αŸ‡β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž”αžΆαž“β€‹αž‘αŸ…β€‹αž–αž–αž½αž€β€‹αž™αž€αŸ’αžŸαŸ” αž”αž“αŸ’αž‘αžΆαž”αŸ‹αž–αžΈβ€‹αžŸαž“αŸ’αž™αžΆβ€‹αž‚αŸ’αž“αžΆβ€‹αž˜αŸ‰αžΊαž„β€‹αž˜αŸ‰αžΆαžαŸ‹αžŠαžΌαž…αŸ’αž“αŸαŸ‡β€‹αž αžΎαž™ αž—αžΆαž‚αžΈβ€‹αž‘αžΆαŸ†αž„β€‹αž–αžΈαžšβ€‹αž€αŸβ€‹αž…αžΆαž”αŸ‹β€‹αž•αŸ’αžαžΎαž˜β€‹αž˜αž αžΆβ€‹αž”αŸαžŸαž€αž€αž˜αŸ’αž˜β€‹αžšαž”αžŸαŸ‹β€‹αžαŸ’αž›αž½αž“αžŠαŸ„αž™β€‹αž˜αžΆαž“β€‹αž“αžΆαž‚β€‹αžˆαŸ’αž˜αŸ„αŸ‡β€‹αžœαžΆαžŸαž»αž€αžΈ αž’αŸ’αžœαžΎβ€‹αž‡αžΆβ€‹αžαŸ’αžŸαŸ‚αžŸαž˜αŸ’αžšαžΆαž”αŸ‹β€‹αž‘αžΆαž‰β€‹αž€αžΌαžšβ€‹αž˜αž αžΆβ€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡ αž“αž·αž„β€‹αž™αž€β€‹αž—αŸ’αž“αŸ† αž˜αž»αž“αŸ’αž‘αžšαŸˆ αžŠαŸ‚αž›αž“αŸ…β€‹αž…αŸ†β€‹αž€αžŽαŸ’αžαžΆαž›β€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡β€‹αž’αŸ’αžœαžΎβ€‹αž‡αžΆβ€‹αž”αŸ’αžšαžŠαžΆαž”αŸ‹β€‹αž”αž„αŸ’αžœαž·αž›β€‹αž€αžΌαžšαŸ” αž€αžΆαžšβ€‹αž€αžΌαžšβ€‹αž”αŸ’αžšαž–αŸ’αžšαžΉαžαŸ’αžβ€‹αž‘αŸ…β€‹αž’αžŸαŸ‹β€‹αžšαž™αŸˆβ€‹αž–αŸαž›β€‹αž‡αžΆαž„β€‹αž˜αž½αž™β€‹αž–αžΆαž“αŸ‹β€‹αž†αŸ’αž“αžΆαŸ†αž‘αž·αž–αŸ’αžœβ€‹αž“αŸ…β€‹αž‘αŸαžœαž›αŸ„αž€β€‹αŸ” αžœαžαŸ’αžαž»αž‘αž·αž–αŸ’αžœβ€‹αžŠαŸ‚αž›β€‹αž€αžΎαžβ€‹αž…αŸαž‰β€‹αž–αžΈβ€‹αž€αžΆαžšβ€‹αž€αžΌαžšβ€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡β€‹αžšαž½αž˜β€‹αž˜αžΆαž“αŸˆ

៑. αž•αŸ’αž€αžΆβ€‹ αž”αžŽαŸ’αžŽβ€‹αž‡αžΆαžαž·αŸ– αžαŸ’αžœαžΆαž™β€‹αž‘αŸ…β€‹β€‹αž–αŸ’αžšαŸ‡β€‹αž–αŸ’αžšαž αŸ’αž˜β€‹αž™αž€β€‹αž‘αŸ…β€‹αžŠαžΆαŸ†β€‹αž“αŸ…β€‹αž–αŸ’αžšαž αŸ’αž˜β€‹αž›αŸ„αž€β€‹αž‘αžΆαŸ†αž„β€‹αžŠαž”αŸ‹β€‹αž”αŸ’αžšαžΆαŸ†β€‹αž˜αž½αž™β€‹αž‡αžΆαž“αŸ‹
្. αžŠαŸ†αžšαžΈβ€‹αž€αŸ’αž”αžΆαž›β€‹αž”αžΈβ€‹αžˆαŸ’αž˜αŸ„αŸ‡β€‹ αž–αŸ’αž’αžšαžΆαžœαŸαžŽαŸ– αžαŸ’αžœαžΆαž™β€‹αž‘αŸ…β€‹αž–αŸ’αžšαŸ‡β€‹αž₯αž“αŸ’αž‘αŸ’αžšβ€‹αž’αŸ’αžœαžΎβ€‹αž‡αžΆβ€‹αž™αžΆαž“β€‹αž‡αŸ†αž“αž·αŸ‡
៣. αž–αŸ’αžšαŸ‡β€‹αž“αžΆαž„β€‹ αžŸαŸ’αžšαžΈβ€‹αž›αž€αŸ’αžŸαŸ’αž˜αžΈαŸ– αžαŸ’αžœαžΆαž™β€‹αž‘αŸ…β€‹αž–αŸ’αžšαŸ‡β€‹αžœαž·αžŸαŸ’αžŽαž»β€‹αž’αŸ’αžœαžΎβ€‹αž‡αžΆβ€‹αž’αž‚αŸ’αž‚β€‹αž˜αž αŸαžŸαžΈ
ៀ. αžŸαŸαŸ‡β€‹αžŸβ€‹αžˆαŸ’αž˜αŸ„αŸ‡ αž§αž…αŸ’αž…αŸαž™β€‹αžŸαŸ’αžœαžšαŸ– αž˜αž·αž“β€‹αžαŸ’αžœαžΆαž™β€‹αž²αŸ’αž™β€‹αž’αžΆαž‘αž·αž‘αŸαž–β€‹αž’αž„αŸ’αž‚β€‹αžŽαžΆβ€‹αž‘αŸ αžšαž€αŸ’αžŸαžΆβ€‹αž‘αž»αž€β€‹αž‡αžΆβ€‹αž“αž·αž˜αž·αžαŸ’αžβ€‹αžšαžΌαž”β€‹αž‚αŸ„αžšαž–β€‹αž”αŸ’αžšαžαž·αž”αžαŸ’αžαž·β€‹αžŸαžΈαž›β€‹αž”αŸ’αžšαžΆαŸ†β€‹β€‹αžŸαž˜αŸ’αžšαžΆαž”αŸ‹β€‹αž‹αžΆαž“β€‹αž‘αžΆαŸ†αž„β€‹αž”αžΈ αž‚αžΊβ€‹αž‹αžΆαž“β€‹αž‘αŸαžœαž›αŸ„αž€ αž‹αžΆαž“β€‹αž˜αž“αž»αžŸαŸ’αžŸβ€‹αž›αŸ„αž€β€‹ αž“αž·αž„β€‹ αž‹αžΆαž“β€‹αž”αžΆαžαžΆαž›αž›αŸ„αž€αŸ”
αŸ₯. αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžαŸ– αž‡αžΆβ€‹αžœαžαŸ’αžαž»β€‹αžŸαž€αŸ’αžαž·β€‹αžŸαž·αž‘αŸ’αž’αž·β€‹αž’αŸ’αžœαžΎβ€‹αž²αŸ’αž™β€‹αž˜αžΆαž“β€‹αž’αžΆαž™αž»β€‹αžœαŸ‚αž„β€‹αž₯αžβ€‹αžŠαŸ‚αž“β€‹αž€αŸ†αžŽαžαŸ‹
៦. αž’αž”αŸ’αžŸαžšαžΆαŸ– αž’αž”αŸ’αžŸαžšβ€‹αžšαžΆαž”αŸ‹β€‹αžŸαž·αž”β€‹αž’αž„αŸ’αž‚β€‹αž›αŸαž…β€‹αž…αŸαž‰β€‹αž‘αžΎαž„αž’αžŽαŸ’αžαŸ‚αžβ€‹αž–αžΆαžŸβ€‹αž–αŸαž‰β€‹αž›αŸ†αž β€‹αž’αžΆαž€αžΆαžŸβ€‹β€‹αžšαŸαžšαžΆαŸ†β€‹αžšαž”αžΆαŸ†αžŸαž½αž‚αŸŒβ€‹ αž”αž“αŸ’αž‘αžΆαž”αŸ‹β€‹αž–αžΈβ€‹αžœαžαŸ’αžαž»β€‹αžŸαž€αŸ’αžαž·β€‹αžŸαž·αž‘αŸ’αž’αž·β€‹αž‘αžΈβ€‹αž”αŸ’αžšαžΆαŸ†β€‹αž‚αžΊβ€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž”αžΆαž“β€‹αž’αŸ’αž›αžΆαž€αŸ‹β€‹αž‘αŸ…β€‹αž€αŸ’αž“αž»αž„ β€‹αžŠαŸƒβ€‹αž–αž½αž€β€‹αž™αž€αŸ’αžŸβ€‹αŸ” αž”αŸ’αžšαž˜αž»αžβ€‹αž’αž”αŸ’αžŸαžšβ€‹β€‹αž“αžΆαž˜αž˜αŸ‰αžΌαž˜αž αž·αž“αžΈ αžŠαŸ‚αž›αž‡αžΆαžαž½αž’αž„αŸ’αž‚αž–αŸ’αžšαŸ‡αžœαž·αžŸαŸ’αžŽαž»αž”αŸ’αžšαŸ‚αž€αžΆαž™αžŠαŸ„αž™αž€αžΆαžšαž“αž·αž˜αŸ’αž˜αž·αž αž’αŸ’αžœαžΎβ€‹αžŸαž‰αŸ’αž‰αžΆβ€‹αž²αŸ’αž™β€‹αž”αžšαž·αžœαžΆαžšβ€‹ αžšαžΆαŸ†β€‹αžšαž”αžΆαŸ†αž‘αŸαž–β€‹αž–αž„αŸ’αžœαž€αŸ‹β€‹αž…αž·αžαŸ’αžβ€‹αž–αž½αž€β€‹αž™αž€αŸ’αžŸβ€‹αž²αŸ’αž™β€‹αž—αŸ’αž›αžΉαž€β€‹αž—αŸ’αž›αŸαž…β€‹αž•αžΉαž€β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžαŸ” αžšαžŸβ€‹αžšαž”αžΆαŸ†β€‹αž‘αžΆαž€αŸ‹β€‹αž‘αžΆαž‰β€‹αž–αž½αž€β€‹αž’αžŸαž»αžšαŸˆβ€‹αž²αŸ’αž™β€‹αžŸαŸ’αžšαžΎαž”β€‹αžŸαŸ’αžšαžΆαž›β€‹ αžŸαŸ’αž›αž»αžβ€‹αžŸαŸ’αž›αž»αž„β€‹αž’αžΆαžšαž˜αŸ’αž˜αžŽαŸβ€‹αž‘αŸ…β€‹αžαžΆαž˜β€‹αž€αŸ’αž”αžΆαž…αŸ‹β€‹αžšαžΆαŸ†αŸ” αžƒαžΎαž‰β€‹αž±αž€αžΆαžŸβ€‹αž›αŸ’αž’β€‹ αž–αŸ’αžšαŸ‡β€‹αžœαž·αžŸαŸ’αžŽαž»β€‹αž€αŸβ€‹αž€αžΆαž‘αžΆβ€‹αžαŸ’αž›αž½αž“β€‹αž‡αžΆβ€‹αž–αŸ’αžšαŸ‡β€‹αž–αžΆαž™β€‹αž†αž€αŸ‹β€‹αž™αž€β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžβ€‹αž²αŸ’αž™β€‹αž–αž½αž€β€‹αž‘αŸαžœαžαžΆβ€‹ αž•αžΉαž€β€‹αž‘αžΆαŸ†αž„β€‹αž’αžŸαŸ‹β€‹αžŠαžΎαž˜αŸ’αž”αžΈβ€‹αž²αŸ’αž™β€‹αž˜αžΆαž“β€‹αž‡αžΈαžœαž·αžβ€‹αž’αž˜αžαŸˆβ€‹αŸ” αž–αŸαž›β€‹αž”αŸαžŸαž€αž€αž˜αŸ’αž˜αž€αžΌαžšβ€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡β€‹αž”αžΆαž“β€‹αž…αž”αŸ‹β€‹αžŸαž–αŸ’αžœβ€‹αž‚αŸ’αžšαž”αŸ‹β€‹αž αžΎαž™ αž–αž½αž€β€‹αžŸαŸ’αžšαžΈβ€‹αž‘αŸαž–β€‹αž’αž”αŸ’αžŸαžšβ€‹αž‘αžΆαŸ†αž„β€‹αž’αžŸαŸ‹β€‹αž”αžΆαž“β€‹αž€αŸ’αž›αžΆαž™αž‘αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ’αžšαžΈβ€‹αžšαž”αžΆαŸ†β€‹αžŸαž½αž‚αŸŒβ€‹αžšαžΆαŸ†αžαŸ’αžœαžΆαž™β€‹αž–αŸ’αžšαŸ‡β€‹αž₯αž“αŸ’αž‘αŸ’αžšβ€‹αžαžΆαŸ†αž„αžαŸ‚αžαž–αžΈβ€‹αž“αŸ„αŸ‡β€‹αž˜αž€αŸ”

αžšαž”αžΆαŸ†β€‹αžšαž”αžŸαŸ‹β€‹αž–αž–αž½αž€β€‹αžŸαŸ’αžšαžΈβ€‹αž‘αŸαž–β€‹αž’αž”αŸ’αžŸαžšβ€‹αž“αŸ„αŸ‡β€‹ αžŸαž“αŸ’αž˜αžαŸ‹β€‹αž αŸ…β€‹αžαžΆβ€‹ αžšαž”αžΆαŸ†β€‹αž’αž”αŸ’αžŸαžšαžΆβ€‹αŸ” αžšαž”αžΆαŸ†β€‹αž’αž”αŸ’αžŸαžšαžΆβ€‹αžšαžΆαŸ†αž›αžΎαž€β€‹αž‘αžΈβ€‹αž˜αž½αž™β€‹αž“αŸ…β€‹αž‹αžΆαž“β€‹αžŸαž˜αž»αž‘αŸ’αžšβ€‹αž‘αžΉαž€β€‹αžŠαŸ„αŸ‡αž αŸ…β€‹αžαžΆβ€‹ αžšαž”αžΆαŸ†β€‹αž‘αžΉαž€β€‹αž’αž˜αŸ’αžšαžΉαžαŸ” αž–αŸαž›β€‹αžšαŸαžšαžΆαŸ†β€‹αž–αž–αž½αž€β€‹αž‘αŸαž–β€‹αž’αž”αŸ’αžŸαžšβ€‹αžαŸ‚αž„β€‹αž€αžΆαž“αŸ‹β€‹αž•αŸ’αž€αžΆβ€‹αž”αžŽαŸ’αžŽαž‡αžΆαžαž·β€‹αž‡αžΆβ€‹αž“αž·αž…αŸ’αž…β€‹ αžŠαŸ‚αž›β€‹αžαŸ†αžŽαžΆαž„β€‹αž²αŸ’αž™β€‹αž‘αŸαžœαž›αŸ„αž€ αžŸαž»αž—αž˜αž„αŸ’αž‚αž›β€‹ αž“αž·αž„β€‹ αž—αžΆαž–β€‹αžšαž»αž„β€‹αžšαžΏαž„β€‹αžšαž”αžŸαŸ‹β€‹αžŸαžαŸ’αžβ€‹αž“αž·αž€αžšβ€‹αž‚αŸ’αžšαž”αŸ‹β€‹αž‹αžΆαž“αŸ”

αž’αžαŸ’αžαž”αž‘β€‹αžŠαžΎαž˜αŸˆ αžŸαŸ€αžœαž—αŸ…β€‹αž€αŸ†αžŽαžΎαžβ€‹αž’αž”αŸ’αžŸαžšαžΆ αžšαŸ€αž”β€‹αžšαŸ€αž„β€‹αžŠαŸ„αž™β€‹ αž‰αŸ‰αŸ‚αž” αžŸαŸ‚ αž“αž·αž„β€‹ αž…αž€αŸ‹β€‹ αž¬αž‘αŸ’αž’αžΈ αž”αŸ„αŸ‡β€‹αž–αž»αž˜αŸ’αž–β€‹αž†αŸ’αž“αžΆαŸ†β€‹αŸ’αŸ αŸ‘αŸ  αžŠαŸ„αž™β€‹αž‚αŸ’αžšαžΉαŸ‡β€‹αžŸαŸ’αžαžΆαž“β€‹αž”αŸ„αŸ‡β€‹αž–αž»αž˜αŸ’αž–β€‹αž•αŸ’αžŸαžΆαž™β€‹αžŸαžΆαžŸαŸ’αžαŸ’αžšαžΆαŸ”

21/08/2019

Bayon and Angkor Wat captured by a drone.
AMAZING !!

αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜ ឬ αžšαžΆαž‡αžœαž·αž αžΆαžšPrasat Ta Prohm/ Rajavihara (Tomb Raider)[English Below] -------------------------------------...
20/08/2019

αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜ ឬ αžšαžΆαž‡αžœαž·αž αžΆαžš
Prasat Ta Prohm/ Rajavihara (Tomb Raider)
[English Below]
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αžˆαŸ’αž˜αŸ„αŸ‡αžŠαžΎαž˜αžšαž”αžŸαŸ‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜αž‚αžΊ αžšαžΆαž‡αžœαž·αž αžΆαžšαŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜αž˜αžΆαž“αž‘αžΈαžαžΆαŸ†αž„αž“αŸ…αžαžΆαž˜αž•αŸ’αž›αžΌαžœαžœαž„αŸ‹αžαžΌαž…αž‘αŸ…αžαžΆαž˜αž‘αŸ’αžœαžΆαž‡αŸαž™αž‚αžΊ αž”αž“αŸ’αž‘αžΆαž”αŸ‹αž–αžΈαž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž€αŸ‚αžœ αž”αŸ’αžšαž αŸ‚αž›αŸ‘αž‚.ម αž αžΎαž™αž˜αžΆαž“αž€αŸ†αž–αŸ‚αž„αž”αž“αŸ’αž‘αžΆαž™αž€αŸ’αžαžΈαž•αŸ’αž“αŸ‚αž€αž–αžΆαž™αŸαž–αŸ’αž™αŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž€αžŸαžΆαž„αž‘αžΎαž™αž“αŸ…αž€αŸ’αž“αž»αž„αž†αŸ’αž“αžΆαŸ†αŸ‘αŸ‘αŸ¨αŸ¦αž“αŸƒαž‚αŸ’αžšαžΉαžŸαŸ’αžαžšαžΆαž‡ αžŠαŸ„αž™αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž‡αŸαž™αžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ§ αžŠαžΎαž˜αŸ’αž”αžΈαž§αž‘αŸ’αž‘αž·αžŸαžαŸ’αžœαžΆαž™αž–αŸ’αžšαŸ‡αž˜αžΆαžαžΆαžšαž”αžŸαŸ‹αž–αŸ’αžšαŸ‡αž’αž„αŸ’αž‚αž€αŸ’αžšαŸ„αž˜αžšαžΌαž”αž—αžΆαž–αž”αŸ’αžšαžΆαž‡αŸ’αž‰αžΆαž”αžΆαžšαž˜αžΈαŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αžšαž»αŸ†αž–αŸαž‘αŸ’αž’αž‘αŸ…αžŠαŸ„αž™αžˆαžΎαž’αŸ†αŸ—αžŠαž»αŸ‡αž›αžΎαž”αŸ’αžšαžΆαžŸαžΆαž‘αŸ”

αžαžΆαž˜αžŸαž·αž›αžΆαž…αžΆαžšαž·αž€αž“αŸ…αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž”αž‰αŸ’αž‡αžΆαž€αŸ‹αž”αŸ’αžšαžΆαž”αŸ‹αž–αžΈαž‘αŸ†αž αŸ† αž“αž·αž„αž˜αž»αžαž„αžΆαžšαžšαž”αžŸαŸ‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αŸ” αžαžΆαž–αŸ’αžšαž αŸ’αž˜αž˜αžΆαž“ αŸ£αŸ‘αŸ€αŸ αž—αžΌαž˜αž· αž“αž·αž„αž˜αžΆαž“αž˜αž“αž»αžŸαŸ’αžŸ ៧៩៣៦αŸ₯αž“αžΆαž€αŸ‹ αž˜αžΎαž›αžαŸ‚αž”αŸ’αžšαžΆαžŸαžΆαž‘αžšαž½αž˜αž˜αžΆαž“αžšαžΆαž‡αž‚αŸ’αžšαžΌ αŸ‘αŸ¨αž“αžΆαž€αŸ‹ αž˜αž“αŸ’αžšαŸ’αžαžΈαŸ’αŸ§αŸ€αŸ αž“αžΆαž€αŸ‹ αž‡αŸ†αž“αž½αž™αž€αžΆαžšαŸ’αŸ’αŸ αŸ’αž“αžΆαž€αŸ‹ αž“αž·αž„αž’αŸ’αž“αž€αžšαžΆαŸ†αžšαž”αžΆαŸ† ៦៑αŸ₯αž“αžΆαž€αŸ‹αŸ” αž€αŸ’αž“αž»αž„αž…αŸ†αž“αŸ„αž˜αž‘αŸ’αžšαž–αŸ’αž™αžŸαž˜αŸ’αž”αžαŸ’αžαž·αžšαž”αžŸαŸ‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž˜αžΆαž“ αž…αžΆαž“αž˜αžΆαžŸ αžŠαŸ‚αž›αž˜αžΆαž“αž‘αŸ†αž„αž“αŸ‹αž‡αžΆαž„αŸ₯αŸ αŸ αž‚αžΈαž‘αžΌαž€αŸ’αžšαžΆαž˜ αž˜αžΆαž“αž–αŸαž‡αŸ’αžšαŸ£αŸ₯៣αŸ₯ αž‚αž»αž‡αžαŸ’αž™αž„αŸ€αŸ αŸ¦αŸ’αŸ  αžαŸ’αž”αžΌαž„αž˜αžΆαž“αžαŸ†αž›αŸƒαŸ€αŸ₯ៀ០ αžŸαŸ’αž”αŸƒαž–αžΈαž”αŸ’αžšαž‘αŸαžŸαž…αž·αž“αŸ¨αŸ§αŸ¦ αžŸαžΌαžαŸ’αžšαŸ₯៑្ αž“αž·αž„αž€αŸ’αž›αžŸαŸ‹αŸ₯αŸ’αŸ£αŸ”

αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜αž€αžŸαžΆαž„αž‘αžΎαž„αž–αžΈαžαŸ’αž˜αž—αž€αŸ‹ αž“αž·αž„αžαŸ’αž˜αž”αžΆαž™αž€αŸ’αžšαŸ€αž˜αž˜αžΆαž“αž€αŸ†αž–αŸ‚αž„ αŸ₯αž‡αžΆαž“αŸ‹ αž“αž·αž„β€‹ αž˜αžΆαž“αž”αŸ’αžšαžΆαž„αŸ’αž‚αž”αŸ’αžšαžΆαžŸαžΆαž‘αž…αŸ†αž“αž½αž“αŸ£αŸ©αŸ”β€‹ αž€αŸ†αž–αŸ‚αž„αžαžΆαž„αž€αŸ’αžšαŸ…αžšαž”αžŸαŸ‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž˜αžΆαž“αž”αŸ’αžšαžœαŸ‚αž„ αŸ§αŸ αŸ β€‹ Ξ§ ៑០០០ αž˜αŸ‰αŸ‚αžαŸ’αžšαŸ” αž“αŸ…αžαžΆαž„αž‡αžΎαž„αž‚αŸ„αž”αž»αžšαŸˆαžαžΆαž„αž€αžΎαžαž“αŸƒαž€αŸ†αž–αŸ‚αž„αžαžΆαž„αž€αŸ’αžšαŸ… αž˜αžΆαž“αž’αžΆαž‚αžΆαžšαžšαž”αžΆαŸ†αž˜αž½αž™αŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž€αŸαžαŸ’αžšαžΌαžœαž”αžΆαž“αž…αžΆαžαŸ‹αž‘αž»αž€αž•αž„αžŠαŸ‚αžš αž‡αžΆαžŸαžΆαž€αž›αžœαž·αž‘αŸ’αž™αžΆαž›αŸαž™αž•αŸ’αž“αŸ‚αž€αžœαž·αž‘αŸ’αž™αžΆαžŸαžΆαžŸαŸ’αžαŸ’αžšαžŠαŸ‚αž›αž€αŸ’αžšαŸ„αž˜αž€αžΆαžšαž‚αŸ’αžšαž”αŸ‹αž‚αŸ’αžšαž„αžšαž”αžŸαŸ‹αž€αŸ’αžŸαžαŸ’αžšαžΈαž₯αž“αŸ’αž‘αŸ’αžšαž‘αŸαžœαžΈαŸ”
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Prasat Ta Prohm/ Rajavihara
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Ta Prohm (Khmer: αž”αŸ’αžšαžΆαžŸαžΆαž‘αžαžΆαž–αŸ’αžšαž αŸ’αž˜, pronunciation: prasat taprohm) is the modern name of the temple at Angkor, Siem Reap Province, Cambodia, built in the Bayon style largely in the late 12th and early 13th centuries and originally called Rajavihara (in Khmer: αžšαžΆαž‡αžœαž·αž αžΆαžš). Located approximately one kilometre east of Angkor Thom and on the southern edge of the East Baray, it was founded by the Khmer King Jayavarman VII as a Mahayana Buddhist monastery and university. Unlike most Angkorian temples, Ta Prohm is in much the same condition in which it was found: the photogenic and atmospheric combination of trees growing out of the ruins and the jungle surroundings have made it one of Angkor's most popular temples with visitors. UNESCO inscribed Ta Prohm on the World Heritage List in 1992. Today, it is one of the most visited complexes in Cambodia’s Angkor region. The conservation and restoration of Ta Prohm is a partnership project of the Archaeological Survey of India and the APSARA (Authority for the Protection and Management of Angkor and the Region of Siem Reap).

History:
Foundation and expansion:
In 1186 A.D., Jayavarman VII embarked on a massive program of construction and public works. Rajavihara ("monastery of the king"), today known as Ta Prohm ("ancestor Brahma"), was one of the first temples founded pursuant to that program. The stele commemorating the foundation gives a date of 1186 A.D.

Jayavarman VII constructed Rajavihara in honour of his family. The temple's main image, representing Prajnaparamita, the personification of wisdom, was modelled on the king's mother. The northern and southern satellite temples in the third enclosure were dedicated to the king's guru, Jayamangalartha, and his elder brother respectively. As such, Ta Prohm formed a complementary pair with the temple monastery of Preah Khan, dedicated in 1191 A.D., the main image of which represented the Bodhisattva of compassion Lokesvara and was modelled on the king's father.

The temple's stele records that the site was home to more than 12,500 people (including 18 high priests and 615 dancers), with an additional 80,000 souls in the surrounding villages working to provide services and supplies. The stele also notes that the temple amassed considerable riches, including gold, pearls and silks. Expansions and additions to Ta Prohm continued as late as the rule of Srindravarman at the end of the 15th century.

Abandonment and restoration :

After the fall of the Khmer Empire in the 15th century, the temple of Ta Prohm was abandoned and neglected for centuries. When the effort to conserve and restore the temples of Angkor began in the early 21st century, the Γ‰cole franΓ§aise d'ExtrΓͺme-Orient decided that Ta Prohm would be left largely as it had been found, as a "concession to the general taste for the picturesque." According to pioneering Angkor scholar Maurice Glaize, Ta Prohm was singled out because it was "one of the most imposing [temples] and the one which had best merged with the jungle, but not yet to the point of becoming a part of it". Nevertheless, much work has been done to stabilize the ruins, to permit access, and to maintain "this condition of apparent neglect.

As of 2013, Archaeological Survey of India has restored most parts of the temple complex some of which have been constructed from scratch. Wooden walkways, platforms and roped railings have been put in place around the site to protect the monument from further damages due to the large tourist inflow.

The site:
Layout:
The design of Ta Prohm is that of a typical "flat" Khmer temple (as opposed to a temple-pyramid or temple-mountain, the inner levels of which are higher than the outer). Five rectangular enclosing walls surround a central sanctuary. Like most Khmer temples, Ta Prohm is oriented to the east, so the temple proper is set back to the west along an elongated east-west axis. The outer wall of 1000 by 650 metres encloses an area of 650,000 square metres that at one time would have been the site of a substantial town, but that is now largely forested. There are entrance gopuras at each of the cardinal points, although access today is now only possible from the east and west. In the 13th century, face towers similar to those found at the Bayon were added to the gopuras. Some of the face towers have collapsed. At one time, moats could be found inside and outside the fourth enclosure. The presence of two moats led some historians to speculate that the 12th/13th remain of Ta Prohm is an expansion of a more ancient Buddhist shrine on the same site.

The three inner enclosures of the temple proper are galleried, while the corner towers of the first enclosure form a quincunx with the tower of the central sanctuary. This basic plan is complicated for the visitor by the circuitous access necessitated by the temple's partially collapsed state, as well as by the large number of other buildings dotting the site, some of which represent later additions. The most substantial of these other buildings are the libraries in the southeast corners of the first and third enclosures; the satellite temples on the north and south sides of the third enclosure; the Hall of Dancers between the third and fourth eastern gopuras; and a House of Fire east of the fourth eastern gopura.

Ta Prohm has not many narrative bas-reliefs (as compared to Angkor Wat or Angkor Thom). One explanation that has been proffered for this dearth is that much of the temple's original Buddhist narrative artwork must have been destroyed by Hindu iconoclasts following the death of Jayavarman VII. At any rate, some depictions of scenes from Buddhist mythology do remain. One badly eroded bas-relief illustrates the "Great Departure" of Siddhartha, the future Buddha, from his father's palace. The temple also features stone reliefs of devatas (minor female deities), meditating monks or ascetics, and dvarapalas or temple guardians.

Trees :
The trees growing out of the ruins are perhaps the most distinctive feature of Ta Prohm, and "have prompted more writers to descriptive excess than any other feature of Angkor. Two species predominate, but sources disagree on their identification: the larger is either the silk-cotton tree (Ceiba pentandra) or thitpok Tetrameles nudiflora, and the smaller is either the strangler fig (Ficus gibbosa). or gold apple (Diospyros decandra). Angkor scholar Maurice Glaize observed, "On every side, in fantastic over-scale, the trunks of the silk-cotton trees soar skywards under a shadowy green canopy, their long spreading skirts trailing the ground and their endless roots coiling more like reptiles than plants.

In popular media :

The temple of Ta Prohm was used as a location in the film Tomb Raider. Although the film took visual liberties with other Angkorian temples, its scenes of Ta Prohm were quite faithful to the temple's actual appearance, and made use of its eerie qualities.

Many people, mostly young earth creationists, claim that one of the carvings resembles a stegosaurus, however the carving does not represent a living stegosaur but instead either a rhinoceros or a boar over a leafy background.

An edited photo of the temple was used in the booklet for Creed's third album Weathered.

References:
1. Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, ISBN 9781842125847
2. Higham, C., 2014, Early Mainland Southeast Asia, Bangkok: River Books Co., Ltd., ISBN 9786167339443
3.http://www.thehindu.com/…/history-and-cu…/article3700248.ece
4.Glaize, p.143. For the text of the foundational stele and its translation into French, see Coèdes, "La stèle de Ta-Prohm."
5. Coedès, George (1968). Walter F. Vella (ed.). The Indianized States of Southeast Asia. trans.Susan Brown Cowing. University of Hawaii Press. ISBN 978-0-8248-0368-1.
6.Glaize, p.143.
7.Glaize, p.141.
8. Jacques, Claude (2008). "Chapter 1: Moats and Enclosure Walls of the Khmer Temples". In Bacus, Elisabeth A; Glover, Ian; Sharrock, Peter D; Guy, John; Pigott, Vincent C (eds.). Interpreting Southeast Asia's past: monument, image and text : selected papers from the 10th International Conference of the European Association of Southeast Asian Archaeologists. Singapore: NUS Press. pp. 3–8. ISBN 9789971694050.
9. Glaize, p.145.
10.Dehra Dun, "ASI to conserve trees at Cambodian temple", 13 June 2008, The Tribune, Chandigarh, India, accessed 2009-05-09
11. Freeman and Jacques, p.137.
12. Glaize, pp.143-145.
13. Kuban, Glen J. "Stegosaur Carving on a Cambodian Temple?". paleo.cc. Retrieved 7 December 2010.
14. Switek, Brian (12 March 2009). "Stegosaurus, Rhinoceros, or Hoax?". Smithsonian. Retrieved 23 August 2018.
15. APSARA Accessed 17 May 2005.
16. Freeman and Jacques, p.136.

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19/08/2019

αž‘αžŸαŸ’αžŸαž“αžΈαž™αž—αžΆαž–β€‹αž“αŸƒαž”αŸ’αžšαžΆαžŸαžΆαž‘αž‡αŸαž™αž‚αž·αžšαžΈ (αž”αžΆαž™αŸαž“β€‹)​ αž“αžΆαžšαžŠαžΌαžœαžœαžŸαŸ’αžŸαžΆ!!
Scenery of Jayakiri Temple (Prasat Bayon) in the rainy season!!

16/08/2019

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Causes of the destruction of the largest Ancient City of Angkor, Cambodia
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Source: Bright Side
https://youtu.be/WhRu56tjyvw

 #αžšαž˜αžŽαžΈαž™αžŠαŸ’αž‹αžΆαž“αž–αžΎαž„αžαžΆαžαž»αž¬αž–αžΎαž„αž‡αŸ’αžšαž½αž‰αž“αŸ…αž›αžΎαžαŸ’αž“αž„αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“-----------------------------------------------------------------------αž–αŸαžαŸŒ...
15/08/2019

#αžšαž˜αžŽαžΈαž™αžŠαŸ’αž‹αžΆαž“αž–αžΎαž„αžαžΆαžαž»αž¬αž–αžΎαž„αž‡αŸ’αžšαž½αž‰αž“αŸ…αž›αžΎαžαŸ’αž“αž„αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“

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αž–αŸαžαŸŒαž˜αžΆαž“αž‘αžΌαž‘αŸ…

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αž’αžαŸ’αžαž”αž‘ Post Khmer
αžαžαžŠαŸ„αž™αŸ– Kim Thonn

 #αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“ αž¬αž˜αž αž·αž“αŸ’αž‘αŸ’αžšαž”αž–αŸŒαž [English Below]---------------------------------------------------------- #αž‘αžΈαžαžΆαŸ†αž„αž—αžΌαž˜αž·αžŸαžΆαžŸαŸ’αžšαŸ’αžαž—αŸ’...
14/08/2019

#αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“ αž¬αž˜αž αž·αž“αŸ’αž‘αŸ’αžšαž”αž–αŸŒαž [English Below]
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#αž‘αžΈαžαžΆαŸ†αž„αž—αžΌαž˜αž·αžŸαžΆαžŸαŸ’αžšαŸ’αž
αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αžŸαŸ’αžαž·αžαž“αŸ…αž€αŸ’αž“αž»αž„αžŸαŸ’αžšαž»αž€αžŸαŸ’αžœαžΆαž™αž›αžΎ αž“αž·αž„αžŸαŸ’αžšαž»αž€αžœαŸ‰αžΆαžšαž·αž“ αž…αŸ†αž„αžΆαž™ αŸ¦αŸ αž‚αžΈαž‘αžΌαž˜αŸ‰αŸ‚αžαŸ’αžšαž–αžΈαž€αŸ’αžšαž»αž„αžŸαŸ€αž˜αžšαžΆαž” αž“αž·αž„αž”αŸ’αžšαž αŸ‚αž› ្αŸ₯αž‚αžΈαž‘αžΌαž˜αŸ‰αŸ‚αžαŸ’αžšαž–αžΈαž”αŸ’αžšαžΆαžŸαžΆαž‘αž”αž“αŸ’αž‘αžΆαž™αžŸαŸ’αžšαžΈαŸ” αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αž˜αžΆαž“αžˆαŸ’αž˜αŸ„αŸ‡αžŠαžΎαž˜αžαžΆ αž˜αž αž·αž“αŸ’αžšαŸ’αž‘αž”αž–αŸŒαž αž‡αžΆαž€αž“αŸ’αž›αŸ‚αž„αžŠαŸ‚αž›αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž‡αŸαž™αžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ’ αž”αŸ’αžšαžΆαžšαž–αŸ’αž’αž’αŸ’αžœαžΎαž–αž·αž’αžΈαž‘αŸαžœαžšαžΆαž‡ αž“αž·αž„αž”αŸ’αžšαž€αžΆαžŸαž―αž€αžšαžΆαž‡αŸ’αž™αž–αžΈαž”αŸ’αžšαž‘αŸαžŸαž‡αŸ’αžœαžΆαž€αŸ’αž“αž»αž„αž†αŸ’αž“αžΆαŸ†β€‹αŸ¨αŸ αŸ’ αžŠαŸ‚αž›αž‡αžΆαž–αŸαž›αžŠαŸ‚αž›αžŸαž˜αŸαž™αž’αž„αŸ’αž‚αžšαž€αžΎαžαž‘αžΎαž„αŸ” αž—αŸ’αž“αŸ†αž“αŸαŸ‡αž‡αžΆαž‘αžΈαž€αŸ’αžšαž»αž„αžšαž”αžŸαŸ‹αž…αž€αŸ’αžšαžαŸ’αž˜αŸ‚αžš (αž’αžΆαžŽαžΆαž…αž€αŸ’αžšαžαŸ’αž˜αŸ‚αžš)αžŠαŸ†αž”αžΌαž„αž‚αŸαž‡αž·αžαž€αž“αŸ’αž›αŸ‡αžŸαžαžœαžαŸ’αžŸαž˜αž»αž“αž–αŸαž›αž”αŸ’αžαžΌαžšαž‘αŸ…αž αž·αž αžšαžΆαž›αŸαž™ αžŠαŸ‚αž›αž₯αž‘αžΌαž„αž“αŸαŸ‡αž αŸ…αžαžΆαžšαž›αž½αžŸαŸ” αž˜αžΆαž“αž”αŸ’αžšαžΆαžŸαžΆαž‘αž”αŸ’αžšαž αŸ‚αž› ្០ αžαŸ’αžšαžΌαžœαž”αžΆαž“αžšαž€αžƒαžΎαž‰αž“αŸ…αž›αžΎαž—αŸ’αž“αŸ†αž“αŸαŸ‡αŸ” αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αžαŸ’αžšαžΌαžœαž”αŸ’αžšαž‡αžΆαž–αž›αžšαžŠαŸ’αž‹αžαŸ’αž˜αŸ‚αžšαž…αžΆαžαŸ‹αž‘αž»αž€αžαžΆ αž‡αžΆαž—αŸ’αž“αŸ†αžŸαž€αŸ’αž€αžΆαžšαž”αžΌαž‡αžΆαž“αŸ…αž€αŸ’αž“αž»αž„αž”αŸ’αžšαž‘αŸαžŸαž€αž˜αŸ’αž–αž»αž‡αžΆ αž αžΎαž™αž€αŸαž‡αžΆαž€αž“αŸ’αž›αŸ‚αž„αžŠαŸ‚αž›αž‡αžΆαž‘αžΈαž–αŸαž‰αž“αž·αž™αž˜αž€αŸ’αž“αž»αž„αž’αŸ’αžœαžΎαž’αž˜αŸ’αž˜αž™αžΆαžαŸ’αžšαžΆαž€αŸ’αž“αž»αž„αž…αž“αŸ’αž“αŸ„αŸ‡αž–αŸαž›αž…αž»αž„αžŸαž”αŸ’αžαžΆαž αŸαž–αž·αž’αžΈαž”αž»αžŽαŸ’αž™αŸ” αžœαžΆαž‡αžΆαž€αž“αŸ’αž›αŸ‚αž„αžŠαŸ‚αž›αž˜αžΆαž“αžαž½αž“αžΆαžŠαŸαžŸαŸ†αžαžΆαž“αŸ‹ αž“αŸ…αžαŸ†αž”αž“αŸ‹αž”αŸ’αžšαžœαžαŸ’αžαž·αžŸαžΆαžŸαŸ’αžαŸ’αžšαž…αž€αŸ’αžšαž—αž–αžαŸ’αž˜αŸ‚αžšαŸ” αž“αŸ…αž›αžΎαž€αŸ†αž–αžΌαž›αž—αŸ’αž“αŸ†αž˜αžΆαž“αžœαžαŸ’αžαžαžΌαž…αž˜αž½αž™αžŠαŸ‚αž›αž˜αžΆαž“αžŠαŸ†αž€αž›αŸ‹αž”αžŠαž·αž˜αžΆαž–αŸ’αžšαŸ‡αž–αž»αž‘αŸ’αž’αž˜αž½αž™αž’αž„αŸ’αž‚αž‘αŸ†αžšαŸαžαž–αŸ’αžšαŸ‡αž€αžΆαž™αžŠαŸ‚αž›αž†αŸ’αž›αžΆαž€αŸ‹αž…αŸαž‰αž–αžΈαž•αŸ’αž‘αžΆαŸ†αž„αžαŸ’αž˜αž—αŸ’αž“αŸ†αžαŸ‚αž˜αŸ’αžαž„αŸ” αž“αŸ…αž€αŸ’αž”αŸ‚αžšαž“αŸ„αŸ‡αžŠαŸ‚αžšαž˜αžΆαž“αž‘αžΉαž€αž’αŸ’αž›αžΆαž€αŸ‹αžŠαŸ‚αž›αž‡αžΆαž€αžΆαžšαž‘αžΆαž€αŸ‹αž‘αžΆαž‰αž˜αž½αž™αžŸαŸ†αžšαžΆαž”αŸ‹αž‘αŸαžŸαž…αžšαž˜αž»αž‡αž‘αžΉαž€αž€αŸ†αžŸαžΆαž“αŸ’αžαŸ” αž“αŸ…αž‡αŸ†αžšαžΆαž›αž—αŸ’αž“αŸ†αž˜αžΆαž“αž‘αžΈαžŸαž€αŸ’αž€αžΆαžšαŸˆαžαžΌαž…αž˜αž½αž™αžŠαŸ‚αž›αž“αŸ…αž‘αžΈαž“αŸ„αŸ‡αž‚αŸαž±αŸ’αž™αžˆαŸ’αž˜αŸ„αŸ‡αžαžΆαž‘αžΉαž€αž‡αž”αŸ‹ αž‚αžΊαž‡αžΆαž€αž“αŸ’αž›αŸ‚αž„αžŠαŸ‚αž›αž‘αžΉαž€αž•αž»αžŸαž…αŸαž‰αž–αžΈαž€αŸ’αž“αž»αž„αžαŸ’αž˜ αž αžΎαž™αžαŸ’αžšαžΌαžœαž…αžΆαžαŸ‹αž‘αž»αž€αžαžΆαž‡αžΆαž‘αžΉαž€αž–αŸ’αžšαŸ‡αžŠαŸ„αž™αž αŸαžαž»αž“αŸ„αŸ‡αž•αž»αžŸαž…αŸαž‰αž–αžΈαž—αŸ’αž“αŸ†αžŸαž€αŸ’αž€αžΆαžšαž”αžΌαž‡αžΆαŸ”αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αž‚αžΊαž‡αžΆαž‡αž½αžšαž—αŸ’αž“αŸ†αžαžΌαž…αž˜αž½αž™αžŠαŸ‚αž›αž˜αžΆαž“αž€αž˜αŸ’αž–αžŸαŸ‹αžαŸ’αž–αžŸαŸ‹αž›αŸ’αž˜αž˜αž αžΎαž™αžŸαŸ’αžαž·αžαž“αŸ…αž—αžΆαž‚αžαžΆαž„αžαŸ’αž”αžΌαž„αž‡αž½αžšαž—αŸ’αž“αŸ†αžŠαž„αžšαŸ‚αž€αŸ” αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αž›αžΆαžαžŸαž“αŸ’αž’αžΉαž„αž”αŸ’αžšαžœαŸ‚αž„αž”αŸ’αžšαž αŸ‚αž› αŸ€αŸ αž‚αž˜ αž–αžΈαž”αŸ‰αŸ‚αž€αžαžΆαž„αž›αž·αž…αžˆαžΆαž„αžαžΆαž„αž‡αžΎαž„ αž‘αŸ…αžαžΆαž„αž€αžΎαžαžˆαžΆαž„αžαžΆαž„αžαŸ’αž”αžΌαž„ αž αžΎαž™αžŠαŸ‚αž›αž˜αžΆαž“αž…αž˜αŸ’αž„αžΆαž™αž”αŸ’αžšαž αŸ‚αž› αŸ€αŸ¨αž‚αž˜αž“αŸ…αžαžΆαž„αž‡αžΎαž„αž€αŸ’αžšαž»αž„αžŸαŸ€αž˜αžšαžΆαž”αŸ” αž€αŸ†αž–αžΌαž›αž—αŸ’αž“αŸ†αž‘αžΆαŸ†αž„αž’αžŸαŸ‹αž˜αžΆαž“αž€αž˜αŸ’αž–αžŸαŸ‹αž”αŸ’αžšαž αžΆαž€αŸ‹αž”αŸ’αžšαž αŸ‚αž›αž‚αŸ’αž“αžΆ αžŠαŸ‚αž›αž˜αžΆαž“αž€αž˜αŸ’αž–αžŸαŸ‹αž‡αžΆαž˜αž’αŸ’αž™αž˜ αŸ€αŸ αŸ αž˜αŸ” αž€αŸ†αž–αžΌαž›αžŠαŸ‚αž›αžαŸ’αž–αžŸαŸ‹αž”αŸ†αž•αž»αžαž‚αžΊαž˜αžΆαž“αž€αŸ†αž–αžŸαŸ‹ αŸ€αŸ¨αŸ§αž˜αŸ” αžαžΆαž˜αž—αžΌαž˜αž·αžŸαžΆαžŸαŸ’αžαŸ’αžš αž˜αž½αž™αž•αŸ’αž“αŸ‚αž€αž’αŸ†αž“αŸƒαž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αž‚αžΊαž‡αžΆαžαŸ’αž˜αž—αž€αŸ‹αŸ”αž αŸαžαž»αžŠαžΌαž…αŸ’αž“αŸαŸ‡αž αžΎαž™αžœαžΆαž˜αžΆαž“αžŸαžΆαžšαžŸαŸ†αž…αžΆαž“αŸ‹αž‡αžΆαžαŸ’αž›αžΆαŸ†αž„αž€αŸ’αž“αž»αž„αžŸαž˜αŸαž™αž’αž„αŸ’αž‚αžš αžŠαŸ„αž™αž”αžΆαž“αž•αŸ’αžŠαž›αŸ‹αž“αžΌαžœαžœαžαŸ’αžαž»αž’αžΆαžαž»αžŠαžΎαž˜αž€αŸ’αž“αž»αž„αž€αžΆαžšαžŸαžΆαž„αžŸαž„αŸ‹αžŸαŸ†αžŽαž„αŸ‹αž•αŸ’αžŸαŸαž„αŸ— αžšαž½αž˜αž˜αžΆαž“αž‘αžΆαŸ†αž„αž”αŸ’αžšαžΆαžŸαžΆαž‘αž‡αžΆαž…αŸ’αžšαžΎαž“αž‚αŸ’αž“αž»αž„αžαŸ†αž”αž“αŸ‹αž’αž„αŸ’αž‚αžšαŸ” αž”αŸ’αžšαž—αž–αžŸαŸ†αžαžΆαž“αŸ‹αž‡αžΆαž„αž‚αŸαž‚αžΊαžŸαŸ’αžαž·αžαž“αŸ…αž”αŸ‰αŸ‚αž€αž’αžΆαž‚αŸ’αž“αŸαž™αŸαž“αŸƒαž—αŸ’αž“αŸ†αŸ”

#αžαŸ†αž”αž“αŸ‹αž€αžΆαžšαž–αžΆαžš
αž“αŸ…αž›αžΎαž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αž˜αžΆαž“αž“αžΌαžœαžαŸ†αž”αž“αŸ‹αž‘αžΆαž€αŸ‹αž‘αžΆαž‰αž‡αžΆαž…αŸ’αžšαžΎαž“αž“αŸ…αž€αŸ’αž“αž»αž„αž§αž‘αŸ’αž™αžΆαž“αž‡αžΆαžαž·αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“αŸ” αžαŸ†αž”αž“αŸ‹αž“αŸαŸ‡αž˜αžΆαž“αž‘αžΈαžŸαŸ’αžαž·αžαž“αŸ…αž€αŸ’αž“αž»αž„αžŸαŸ’αžšαž»αž€αžŸαŸ’αžœαžΆαž™αž›αŸαž„ αž“αž·αž„αžŸαŸ’αžšαž»αž€αžœαŸ‰αžΆαžšαž·αž“αŸ” αž”αž“αŸ’αžαŸ‚αž˜αž–αžΈαž“αŸαŸ‡αžαŸ†αž”αž“αŸ‹αžαŸ’αžšαžΌαžœαž”αžΆαž“αž™αžΌαž“αžΈαžŸαŸ’αž€αžΌαžŠαžΆαž€αŸ‹αž‡αžΆαž”αŸαžαž·αž€αž—αžŽαŸ’αžŒαž–αž·αž—αž–αž›αŸ„αž€αž“αŸ…αžαŸ’αž„αŸƒαž‘αžΈαŸ‘ αžαŸ‚αžαž»αž›αžΆαž†αŸ’αž“αžΆαŸ†αŸ‘αŸ©αŸ©αŸ’αŸ”

#αž―αž€αžŸαžΆαžšαž™αŸ„αž„
1. Etienne Aymonier, Le Cambodge. Ernest Leroux, Paris 1904.
2. Site des Kulen - UNESCO World Heritage Centre.
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MOUNTAIN​ (MAHENDRAPARVATA)

Phnom Kulen, also romanized as (Phnom Koulen, Phnum KulΓ©n or Koulen Mountain) (Khmer: αž—αŸ’αž“αŸ†αž‚αžΌαž›αŸ‚αž“ pronounced [pΚ°num.kuː.lein], meaning "Mountain of Lychees") is a mountain range and a part of Phnom Kulen National Park in Siem Reap Province, Cambodia.


Rather than a hill range, Phnom Kulen is an isolated chain of small mountain plateaux of moderate height lying south of the DΓ’ngrΓͺk Mountains. The range stretches for about 40 km in a WNW–ESE direction and is located some 48 km north of Siem Reap.

Its highest point is 487 m and its height is quite regular, averaging 400 m all along the range.

Geologically Phnom Kulen is formed of sandstone. It was important as a quarry in Angkorian times, the major quarries being located in the southeastern angle of the massif.


Main article: Phnom Kulen National Park
There is a sanctuary in the area, Phnom Kulen National Park, straddling the districts of Svay Leu and Va Rin. Its purpose is recreational and scientific in order to preserve the natural scenic features of Phnom Kulen mountain, like some famous waterfalls.

The park is located about 48 km to the north of the provincial town of Siem Reap.

TENTATIVE LIST FOR WORLD HERITAGE NOMINATION
This site was added to Cambodia's national Tentative List for World Heritage on 1 September 1992, to be nominated under World Heritage criteria (v) and (vi). The effort continued in 2016 when over 300 families were removed from already crowded areas and existing facilities for tourists were upgraded.[3]


Waterfall at Phnom Kulen.
The Phnom Kulen mountain range is located 30 km northwards from Angkor Wat. Its name means "mountain of the lychees". There is a sacred hilltop site on top of the range.

Phnom Kulen is considered a holy mountain in Cambodia, of special religious significance to Hindus and Buddhists who come to the mountain in pilgrimage.

Near these mountains is Preah Ang Thom, a 16th-century Buddhist monastery notable for the giant reclining Buddha, the country's largest.

The SamrΓ© tribe was formerly living at the edge of Phnom Kulen, quarrying sandstone and transporting it to the royal sites.


Phnom Kulen has major symbolic importance for Cambodia as the birthplace of the ancient Khmer Empire, for it was at Phnom Kulen that King Jayavarma II proclaimed independence from Java in 804 CE. Jayavarman II initiated the Devaraja cult of the king, a linga cult, in what is dated as 804 CE and declaring his independence from Java of whom the Khmer had been a vassalage state (whether this is actually "Java", the Khmer chvea used to describe Champa, or "Lava" (a Lao kingdom) is debated, as well as the legend that he was earlier held as a ransom of the kingdom in Java. See Higham's The Civilization of Angkor for more information about the debate).[8] During the Angkorian era the relief was known as Mahendraparvata (the mountain of Great Indra).

Phnom Kulen was further developed under the rule of Udayadityavarman II, who made it the capital of his empire and constructed many temples and residences as well as the 1000 Lingas at Kbal Spean. At its peak, the Kulen development was larger than modern-day Phnom Penh and one of the largest cities in the 11th-century world. It would later be eclipsed by Angkor, but still served a vital role, as its water irrigated the entire region.

The Khmer Rouge used the location as a final stronghold as their regime came to an end in 1979 in the Cambodian–Vietnamese War.[citation needed]


Stairway to Preah Ang Thom
Chup Preah is a stream flowing into the mountain's valley. Kulen Mountain has two waterfalls. The first is between four and five metres high and 20 to 25 metres wide. There is a shallow pond below it. The second waterfall is 15 to 20 metres high and 10 to 15 metres wide. This pours into a larger area of water which is popular to visit and swim in on Kulen Mountain tours. These sizes apply to the dry and rainy seasons although the current will be weaker in the dry season.

Kbal Spean is known for its carvings representing fertility and its waters which hold special significance to Hindus. Just 5 cm under the water's surface over 1000 small linga carvings are etched into the sandstone riverbed. The waters are regarded as holy, given that Jayavarman II chose to bathe in the river, and had the river diverted so that the stone bed could be carved. Carvings include a stone representation of the Hindu god Vishnu lying on his serpent Ananta, with his wife Lakshmi at his feet.[5] A lotus flower protrudes from his navel bearing the god Brahma. The river then ends with a waterfall and a pool.

Preah Ang Thom houses a large statue of Buddha. It was built in the 16th century and is eight metres high. Preah Ang Thom is the sacred and worshipping god for Kulen Mountain. There are also two large Cham Pa trees nearby. Besides Preah Ang Thom, Chhok Ruot, footprints of Preah Bat Choan Tuk, Peung Chhok, Peung Ey So and Peung Ey Sey, can also be seen.

The Linga is along the river of Siem Reap and has a lot of figures of Yoni and Linga spreading out at the bottom of the river.

The Terrace of Sdach K*m Ling has a small brick-built ruined temple in its centre. It was covered by lava for hundreds of years.

Srah Damrei is a large, sandstone sculpture of an elephant. It is joined by several other smaller sculptures which have been dated to the 8th or 9th centuries. It is accessible by motor bike and take approximately one hour from the waterfall.


1.Etienne Aymonier, Le Cambodge. Ernest Leroux, Paris 1904.
2.Site des Kulen - UNESCO World Heritage Centre
3.Vichea, Pang (2016-07-05). "UNESCO push will clear villagers off of Kulen Mountain". Phnom Penh Post. Retrieved 2018-09-12.
4.Rooney, 2005, pp. 264–265
5.Friess, Steve (April 29, 2002). "Beyond, Literally, Angkor Wat". Time Magazine. Retrieved October 5, 2008.
6.Les Tribus du Cambodge
7.Coedès, George (1968). Walter F. Vella (ed.). The Indianized States of Southeast Asia. trans.Susan Brown Cowing. University of Hawaii Press. ISBN 978-0-8248-0368-1.
8.Higham, Charles (2002). Civilizations of Angkor. University of California Press. ISBN 0-520-23442-1.
9.Higham, 2001: pp.54-59
10."About Kulen National Park - Kulen Revealed". Kulen Revealed. Retrieved 2018-09-08.

 #αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„ ឬ αž”αŸ’αžšαžΆαžŸαžΆαž‘αž”αžšαž˜αŸαžŸαŸ’αžœαžšαŸˆαž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž˜αžΆαž“αž‘αžΈαžαžΆαŸ†αž„αžŸαŸ’αžαž·αžαž“αŸ…αž…αž˜αŸ’αž„αžΆαž™αž”αŸ’αžšαž˜αžΆαžŽαŸ‘αŸ£αž‚αžΈαž‘αžΌαž˜αŸ‰αŸ‚αžαŸ’αžš αž“αŸƒαž—αžΆαž‚αžαžΆαž„αž€αžΎαžαž–αžΈαž‘αžΈαž€αŸ’αžšαž»αž„αžŸαŸ€αž˜αžšαžΆαž” αž αžΎαž™αžŸαŸ’...
14/08/2019

#αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„ ឬ αž”αŸ’αžšαžΆαžŸαžΆαž‘αž”αžšαž˜αŸαžŸαŸ’αžœαžšαŸˆ

αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž˜αžΆαž“αž‘αžΈαžαžΆαŸ†αž„αžŸαŸ’αžαž·αžαž“αŸ…αž…αž˜αŸ’αž„αžΆαž™αž”αŸ’αžšαž˜αžΆαžŽαŸ‘αŸ£αž‚αžΈαž‘αžΌαž˜αŸ‰αŸ‚αžαŸ’αžš αž“αŸƒαž—αžΆαž‚αžαžΆαž„αž€αžΎαžαž–αžΈαž‘αžΈαž€αŸ’αžšαž»αž„αžŸαŸ€αž˜αžšαžΆαž” αž αžΎαž™αžŸαŸ’αžαž·αžαž“αŸ…αž€αŸ’αž“αž»αž„αž”αžšαž·αžœαŸαžŽαž“αŸƒαž’αžαžΈαžαžšαžΆαž‡αž’αžΆαž“αžΈαž αžšαž·αž αžšαž›αŸαž™αž“αžΆαžŸαž˜αŸαž™αž”αž»αžšαžΆαžŽ αž”αŸ‰αž»αž“αŸ’αžαŸ‚αžŸαž–αŸ’αžœαžαŸ’αž„αŸƒαžŸαŸ’αžαž·αžαž“αŸ…αž€αŸ’αž“αž»αž„ αž—αžΌαž˜αž·αžͺαž‘αŸ„αž€ αžƒαž»αŸ†αž”αžΆαž‚αž„ αžŸαŸ’αžšαž»αž€αž”αžΆαž‚αž„ αžαŸαžαŸ’αžαžŸαŸ€αž˜αžšαžΆαž” αž“αŸƒαžαŸ†αž”αž“αŸ‹αžšαž›αž½αžŸαŸ”αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž‡αžΆαž”αŸ’αžšαžΆαžŸαžΆαž‘αž˜αž½αž™αžŸαŸ’αžαž·αžαž“αŸ…αž…αž“αŸ’αž›αŸ„αŸ‡αž”αžΆαŸ’αžšαžŸαžΆαž‘αž”αžΆαž‚αž„ αž“αž·αž„αž”αŸ’αžšαžΆαžŸαžΆαž‘αž›αž›αŸƒ αž“αŸ…αžαžΆαž„αž›αž·αž…αž•αŸ’αž›αžΌαžœαž‘αŸ…αž€αžΆαž“αŸ‹αž”αŸ’αžšαžΆαžŸαžΆαž‘αž”αžΆαž‚αž„αŸ”

αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„ αžαŸ’αžšαžΌαžœαž”αžΆαž“αž”αŸ’αžšαž‡αžΆαž‡αž“αžŸαž˜αŸαž™αž€αŸ’αžšαŸ„αž™αžŠαžΆαž€αŸ‹αžˆαŸ’αž˜αŸ„αŸ‡αžαžΆαž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„ αžŠαŸ„αž™αž™αŸ„αž„αž‘αŸ…αžαžΆαž˜αžšαžΌαž”αžŸαŸ†αžŽαžΆαž€αŸ‹αž–αŸ’αžšαŸ‡αž‚αŸ„αž…αŸ†αž“αž½αž“αž”αžΈαž…αŸ†αž–αžΈαž˜αž»αžαž”αŸ’αžšαžΆαž„αŸ’αž‚αž‘αžΆαŸ†αž„αž”αžΈαž“αŸƒαž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αŸ” αž”αŸ‰αž»αž“αŸ’αžαŸ‚αžαžΆαž˜αž–αž·αžαž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž˜αžΆαž“αžˆαŸ’αž˜αŸ„αŸ‡αžαžΆ αžŸαŸ’αžšαžΈαž”αžšαž˜αŸαžŸαŸ’αžœαžšαŸˆ αž‡αžΆαž—αžΆαžŸαžΆαžŸαŸ†αžŸαŸ’αž€αŸ’αžšαžΉαžαŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž“αŸαŸ‡αžαŸ’αžšαžΌαžœαž”αžΆαž“αž€αžŸαžΆαž„αž‘αžΎαž„αž“αŸ…αžŸαžαžœαžαŸ’αžŸαžšαŸαž‘αžΈαŸ© αžŠαŸ„αž™αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž₯αž“αŸ’αžšαŸ’αž‘αžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ‘ (៨៧៧-៨៨៩) αžŠαžΎαž˜αŸ’αž”αžΈαž§αž‘αŸ’αž‘αž·αžŸαžŠαž›αŸ‹αž–αŸ’αžšαŸ‡αž₯αžŸαžΌαžšαž€αŸ’αž“αž»αž„αž–αŸ’αžšαž αŸ’αž˜αž‰αŸ’αž‰αžŸαžΆαžŸαž“αžΆαŸ” αž“αŸαŸ‡αž€αŸαž‡αžΆαž”αŸ’αžšαžΆαžŸαžΆαž‘ αžŠαŸ‚αž›αžŸαž„αŸ‹αž‘αžΎαž„αžŠαžΎαž˜αŸ’αž”αžΈαž§αž‘αŸ’αž‘αž·αžŸαžαŸ’αžœαžΆαž™αžŠαž›αŸ‹αž–αŸ’αžšαŸ‡αž˜αžΆαžαžΆαž”αž·αžαžΆαžšαž”αžŸαŸ‹αž–αŸ’αžšαŸ‡αž’αž„αŸ’αž‚ αž“αž·αž„αž”αž»αž–αŸ’αžœαž‡αž“ αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž‡αŸαž™αžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ’ αž“αž·αž„αž–αŸ’αžšαŸ‡αž’αž‚αŸ’αž‚αž˜αž αŸαžŸαžΈαŸ”

αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αžαŸ’αžšαžΌαžœαž”αžΆαž“αž‡αž»αžŸαž‡αž»αž›αžŠαŸ„αž™αž‚αž˜αŸ’αžšαŸ„αž„αž–αžΈαžšαž•αŸ’αžŸαŸαž„αž‚αŸ’αž“αžΆαž‚αžΊ αž‘αžΈαŸ‘αž‚αž˜αŸ’αžšαŸ„αž„αžšαž”αžŸαŸ‹αž”αŸ’αžšαž‘αŸαžŸαž αž»αž„αž‚αŸ’αžšαžΈ αž…αžΆαž”αŸ‹αž–αžΈαž†αŸ’αž“αžΆαŸ†αŸ‘αŸ©αŸ©αŸ€ αžŠαž›αŸ‹ αž†αŸ’αž“αžΆαŸ†αŸ‘αŸ©αŸ©αŸ¦ αž“αž·αž„αžŠαŸ†αžŽαžΆαž€αŸ‹αž€αžΆαž›αž‘αžΈαŸ’αžŠαŸ„αž™αž‚αž˜αŸ’αžšαŸ„αž„αžšαž”αžŸαŸ‹αž”αŸ’αžšαž‘αŸαžŸαž’αžΆαž‘αžΊαž˜αŸ‰αž„αŸ‹ αž…αžΆαž”αŸ‹αž•αŸ’αžαžΎαž˜αž“αŸ…αž†αŸ’αž“αžΆαŸ†αŸ‘αŸ©αŸ©αŸ‘-្០០៣ αž›αž»αŸ‡αž”αž…αŸ’αž…αž”αŸ’αž”αž“αŸ’αž“αž”αž“αŸ’αžαžŠαŸ„αž™αž’αž—αž·αžšαž€αŸ’αžŸαžŠαŸ„αž™αž‚αž˜αŸ’αžšαŸ„αž„αžšαž”αžŸαŸ‹αž’αžΆαž‘αžΊαž˜αŸ‰αž„αŸ‹αžŸαž αž€αžΆαžšαž‡αžΆαž˜αž½αž™αž’αžΆαž‡αŸ’αž‰αžΆαž’αžšαž‡αžΆαžαž·αž’αž”αŸ’αžŸαžšαžΆαŸ”

αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž”αŸ‚αžšαž˜αž»αžαž‘αŸ…αž‘αž·αžŸαžαžΆαž„αž€αžΎαž αžŠαŸ‚αž›αž‘αž·αžŸαžŸαŸ†αžαžΆαž“αŸ‹αž€αŸ’αž“αž»αž„αž€αžΆαžšαž•αŸ’αžαž›αŸ‹αž€αŸ†αžŽαžΎαžαžŠαž›αŸ‹αžŸαžαŸ’αžœαž‘αžΆαŸ†αž„αž‘αžΆαž™αŸ” αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž˜αžΆαž“αž‘αŸ†αž αŸ†αŸ₯αŸ αŸ αž˜αŸ‰αŸ‚αžαŸ’αžšαž‚αž»αžŽαŸ€αŸ αŸ αž˜αŸ‰αŸ‚αžαŸ’αžšαž˜αžΆαž“αž€αŸ†αž–αŸ‚αž„αž’αŸ’αžœαžΎαž’αŸ†αž–αžΈαžαŸ’αž˜αž”αžΆαž™αž€αŸ’αžšαŸ€αž˜αž–αŸαž‘αŸ’αž’αž‡αž»αŸ†αžœαž·αž‰αž‡αžΆαž–αžΈαžšαžŠαžΆαž…αŸ‹αžŠαŸ„αž™αž‘αŸ‚αž€αž–αžΈαž‚αŸ’αž“αžΆ αž“αž·αž„αž˜αžΆαž“αž€αŸ†αž–αŸ‚αž„αž˜αž½αž™αž’αŸ’αžœαžΎαž’αŸ†αž–αžΈαž₯αžŠαŸ’αž‹αž–αŸαž“αŸ’αž’αž‡αž»αŸ†αžœαž·αž‰αžαžΏαž“αž”αŸ’αžšαžΆαžŸαžΆαž‘αžŠαŸ‚αž›αž’αžΆαž…αž˜αžΎαž›αžƒαžΎαž‰αž“αžΌαžœαžŸαŸ’αž“αžΆαž€αžŸαŸ’αž“αžΆαž˜αžαŸ’αž›αŸ‡αŸ—αŸ”

αž€αŸ†αž–αŸ‚αž„αž‘αžΈαŸ‘ αžŸαž„αŸ‹αž’αŸ†αž–αžΈαžαŸ’αž˜αž”αžΆαž™αž€αŸ’αžšαŸ€αž˜αŸ” αžαŸ’αž›αŸ„αž„αž‘αŸ’αžœαžΆαžšαž…αžΌαž›αž˜αžΆαž“αž›αž˜αŸ’αž’αž”αž„αŸ’αž’αž½αž… αž“αž·αž„αž…αž˜αŸ’αžšαžΉαž„αž”αž„αŸ’αž’αž½αž…αž’αŸ†αž’αŸ’αžœαžΎαž’αŸ†αž–αžΈαžαŸ’αž˜αž—αž€αŸ‹αžŠαŸ„αž™αž˜αžΆαž“αž€αŸ’αž”αžΆαž…αŸ‹αž…αž˜αŸ’αž›αžΆαž€αŸ‹αž€αŸ’αž”αžΌαžšαž›αŸ’αž’αžŸαŸ’αž’αžΆαž αž˜αžΆαž“αžŸαžŸαžšαžœαŸ‚αž„αž–αžΈαžšαž”αž‰αŸ’αžˆαžšαž’αŸ’αžœαžΎαž’αŸ†αž–αžΈαžαŸ’αž˜αž—αž€αŸ‹αŸ” αž•αŸ’αž›αžΌαžœαž…αžΌαž›αž˜αžΆαž“αž€αŸ’αžšαžΆαž›αžαŸ’αž˜αž”αžΆαž™αž€αŸ’αžšαŸ€αž˜αŸ” αž€αŸ†αž–αŸ‚αž„αž‘αžΈαŸ’αžŸαž„αŸ‹αž’αŸ†αž–αžΈαžαŸ’αž˜αž”αžΆαž™αž€αŸ’αžšαŸ€αž˜αž αžΎαž™αž˜αžΆαž“αžŸαžΆαž—αžΆαž–αž”αžΆαž€αŸ‹αž”αŸ‚αž€αžαŸ’αž›αžΆαŸ†αž„αŸ” αž“αŸ…αž–αŸαž›αžŠαžΎαžšαž αž½αžŸαž€αžΆαžαŸ‹αž€αŸ†αž–αŸ‚αž„αž‘αžΈαŸ’αž‘αŸ…αžαžΆαž„αž€αŸ’αž“αž»αž„ αž™αžΎαž„αžƒαžΎαž‰αž˜αžΆαž“αž”αŸ’αžšαžΆαž„αŸ’αž‚αž˜αž½αž™αž“αŸ…αžαžΆαž„αžαŸ’αžœαŸαž„αžŠαŸƒ αžŠαŸ‚αž›αž”αŸ’αžšαžΆαž„αŸ’αž‚αž“αŸ„αŸ‡αž’αŸ’αžœαžΎαž’αŸ†αž–αžΈαž₯αžŠαŸ’αž‹αž›αž˜αŸ’αž’αžŠαŸ„αž™αžαŸ’αž˜αž—αž€αŸ‹αž“αŸ…αžαŸ’αž›αŸ„αž„αž‘αŸ’αžœαžΆαžš αž“αž·αž„αžŸαžŸαžšαž‘αŸ’αžœαžΆαžšαŸ” αž…αŸ†αžŽαŸ‚αž€αž―αž€αŸ†αž–αŸ‚αž„αž‘αžΈαŸ£ αžŸαž„αŸ‹αž’αŸ†αž–αžΈαž₯αžŠαŸ’αž‹αžαŸ’αžšαžΌαžœαž”αžΆαž“αž”αžΆαž€αŸ‹αž”αŸ‚αž€αžαžΌαž…αžαžΆαžαžŸαŸ’αž‘αžΎαžšαžαŸ‚αž˜αž·αž“αž’αžΆαž…αžŸαž˜αŸ’αž‚αžΆαž›αŸ‹αž”αžΆαž“αž‘αžΎαž™ αž”αŸ‰αž»αž“αŸ’αžαŸ‚αž”αžΎαž™αžΎαž„αž–αž·αž“αž·αžαŸ’αž™αž±αŸ’αž™αž”αžΆαž“αž›αŸ’αž’αž·αžαž›αŸ’αž’αž“αŸ‹ αž™αžΎαž„αžƒαžΎαž‰αž˜αžΆαž“αž”αŸ†αžŽαŸ‚αž€αž₯αžŠαŸ’αž‹αžαŸ’αž›αŸ‡αžšαž”αžŸαŸ‹αž€αŸ†αž–αŸ‚αž„αž“αŸαŸ‡αž‡αžΆαž€αŸ‹αž‡αžΆαž˜αž·αž“αžαžΆαž“αŸ” αž“αŸ…αž€αŸ’αž“αž»αž„αž€αŸ†αž–αŸ‚αž„αž“αŸαŸ‡αž˜αžΆαž“αžšαžΌαž”αž‚αŸ„αž…αŸ†αž“αž½αž“αŸ£αž€αŸ’αžšαžΆαž”αž–αžΈαž˜αž»αžαž”αŸ’αžšαžΆαž„αŸ’αž‚αžŸαŸ†αžαžΆαž“αŸ‹αŸ” αž‚αŸ„αž“αŸ„αŸ‡αž‚αžΊαž‡αžΆαž™αžΆαž“αž‡αŸ†αž“αž·αŸ‡αžšαž”αžŸαŸ‹αž–αŸ’αžšαŸ‡αž₯αžŸαžΌαžšαž‚αžΊαž‚αŸ„αž“αž“αŸ’αž‘αž·αŸ”

αž“αŸ…αž›αžΎαžαžΏαž“αž˜αžΆαž“αž”αŸ’αžšαžΆαž„αŸ’αž‚αž…αŸ†αž“αž½αž“αž”αŸ’αžšαžΆαŸ†αž˜αž½αž™αžŸαž„αŸ‹αžšαŸ€αž”αž‡αžΆαž‡αž½αžšαž“αŸ…αž›αžΎαžαžΏαž“αžαŸ‚αž˜αž½αž™ αž€αŸ’αž“αž»αž„αž“αŸ„αŸ‡αž˜αžΆαž“αž”αŸ’αžšαžΆαž„αŸ’αž‚αž”αžΈαžŸαŸ’αžαž·αžαž“αŸ…αž€αŸ’αž“αž»αž„αž‡αž½αžšαžαžΆαž„αž˜αž»αž αžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž§αž‘αŸ’αž‘αž·αžŸαžŠαž›αŸ‹αž”αž»αž–αŸ’αžœαž€αžΆαžšαžΈαž‡αž“αž—αŸαž‘αž”αŸ’αžšαž»αžŸαžŠαŸ‚αž›αž€αžΆαž›αž–αžΈαž˜αž»αž“αž“αŸ…αž€αŸ’αž“αž»αž„αž”αŸ’αžšαžΆαž„αŸ’αž‚αž‘αžΆαŸ†αž„αž“αŸαŸ‡αžαŸ’αžšαžΌαžœαž”αžΆαž“αž‚αŸαžαž˜αŸ’αž€αž›αŸ‹αžšαžΌαž”αž‘αŸαžœαžšαžΌαž”αž—αŸαž‘αž”αŸ’αžšαž»αžŸ αž“αž·αž„αž”αŸ’αžšαžΆαž„αŸ’αž‚αž”αžΈαž‘αŸ€αžαžŸαŸ’αžαž·αžαž“αŸ…αž‡αž½αžšαžαžΆαž„αž€αŸ’αžšαŸ„αž™ αžŸαž˜αŸ’αžšαžΆαž”αŸ‹αž§αž‘αŸ’αž‘αž·αžŸαžŠαž›αŸ‹αž”αž»αž–αŸ’αžœαž€αžΆαžšαžΈαž‡αž“αž—αŸαž‘αžŸαŸ’αžšαžΈαž€αžΆαž›αž–αžΈαž˜αž»αž“αžαŸ’αžšαžΌαžœαž”αžΆαž“αž‚αŸαžαž˜αŸ’αž€αž›αŸ‹αž‘αŸαžœαžšαžΌαž”αž—αŸαž‘αžŸαŸ’αžšαžΈαž“αŸ…αž€αŸ’αž“αž»αž„αž”αŸ’αžšαžΆαž„αŸ’αž‚αž“αžΈαž˜αž½αž™αŸ—αŸ”

αžαžΆαž˜αžŸαž·αž›αžΆαž…αžΆαžšαžΉαž€αž›αŸαž K-៧៑៣ αž”αŸ’αžšαžΆαžŸαžΆαž‘αž–αŸ’αžšαŸ‡αž‚αŸ„αž˜αžΆαž“αžˆαŸ’αž˜αŸ„αŸ‡αžŠαžΎαž˜αžαžΆ αž”αžšαž˜αŸαžŸαŸ’αžœαžšαŸˆ αž‡αžΆαž—αžΆαžŸαžΆαž”αžΆαž›αžΈαž¬αžŸαŸ†αžŸαŸ’αžšαŸ’αžαžΉαž αžŠαŸ‚αž›αž˜αžΆαž“αž“αŸαž™αžαžΆαž–αŸ’αžšαŸ‡αžŸαž·αžœαŸˆαžŠαž›αŸ‹αž”αŸ’αžšαžŸαžΎαžš αž‡αžΆαžˆαŸ’αž˜αŸ„αŸ‡αž–αŸ’αžšαŸ‡αžŸαž·αžœαŸˆαž“αž·αž„αž–αŸ’αžšαŸ‡αž˜αžšαžŽαž“αžΆαž˜αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž‡αŸαž™αžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ’(៨០្-៨αŸ₯០)αŸ”αž”αŸ’αžšαžΆαžŸαžΆαž‘αž“αŸαŸ‡αž”αžΆαž“αžŸαŸ’αžαžΆαž”αž“αžΆαž‘αžΎαž„αž“αŸ…αž€αŸ’αž“αž»αž„αž†αŸ’αž“αžΆαŸ†αŸ¨αŸ§αŸ©αž“αŸƒαž‚αŸ’αžšαž·αžŸαŸ’αžαžŸαž€αžšαžΆαž‡αž€αŸ’αž“αž»αž„αžšαž‡αŸ’αž‡αž€αžΆαž›αž–αŸ’αžšαŸ‡αž”αžΆαž‘αž₯αž“αŸ’αž‘αŸ’αžšαžœαžšαŸ’αž˜αŸαž“αž‘αžΈαŸ‘αŸ”

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Premier Adventure is the most unique tour agency based in Cambodia founded by a group of enthusiastic Cambodian tourism experts. Our mission is to provide the most adventurous travel experience, first-class tour guides and premium transportation services, guaranteed to every single visitor across the globe. We ensure that all our clients will surely be offered the most trusted, satisfied, enjoyable and memorable experience from the beginning to the end.