Partly Cloudy
Early morning, still half-dreaming,
floating in that sweet uncertainty of the light between
this world and another world
that might yet be, but has not been,
seen through a curtain
as the roll of fog, still furled,
crests and curls over the sloping shoulders from the coast,
those oaks on the hillside come in and out of focus,
as the day drifts in and out of frame.
To know how the clouds and the day
will play themselves out, no one can claim;
how high the sky might be today
there is no way to see,
but the gray layer encroaching on the hills,
the ambiguity
of what might or might not become my ceiling
does not worry me.
I know that wheeling shadows change the world constantly,
that weather is made to form in a way
that a cloud may shade me on a warm day,
while another may gray over and darken with curtains of rain.
One is as certain a sign of grace as the other,
in this mix of cloud and sun together,
this scatter of weather that mottles the face of the planet:
without the contrasts, from what place
would the chasing shadows come
that slide over the hills, and then
fly across the fields
to fill the imagination?
Tom Martin - Poetry
Jim Lamb - Painting
https://www.jimlambstudio.com/
Line of Poplars
The old row of poplars that grows here,
and rakes the breeze free of its shine,
is set in a determined line,
drawn across the path of the prevailing wind,
grown close together in a design
vainly plotting to slow down the ocean-born weather.
The poplars reach up, candle-slim, striving
for height in the burnished air between these austere hills,
to comb what light they can
from the sunny lulls that separate the pulses
of the fog that filters in when it will,
and dulls the honed edges and fills the narrow
spacing in the single-file trees with gray silence.
There must be good water here, near to the surface,
that fosters the slender trees and their lean, purposeful
shade that keeps greener the wild grasses under them,
even as the growth on the slopes above turns umber,
except for the lush places, shy from the sun,
where moisture holds well into summer,
and willows and low oaks congregate to testify
about the springs that run quietly
hidden deep in the folds.
Late in the day, if you walk along the poplars’ line,
they will scythe clean the light for you,
harvest the shine,
lay down a ladder of shadows to walk through,
the cut sun on your right as it falls to the sea,
and the pieces of afternoon gold at your feet,
the fog just showing on the ridge-top
where the sky will soon go to vermillion,
if the light holds
and the poplars do as they’ve been bidden,
to stop the wind cold.
Tom Martin - Poetry
Jim Lamb - Painting
https://www.jimlambstudio.com