02/05/2024
SAFARI PHOTOGRAPHY TIPS FOR BEGINNERS
You will have probably spent a lot of money to go on a safari, some of you will want to take a good camera and get that special moment that you yourself have captured. I often get shown photographs from our clients in camp and I politely say how great they are - but often I want to say if only you did this or that.
Here is my guide for you to make the most of your trip and get the best from you camera.
The right equipment
Smart phones these days take great photographs, and for panoramas and close subjects, don’t be snobbish and ignore your smart phone, some of them have massive resolutions like the iPhone 14/15. They are also amazing for video, with auto-stabilisation tools etc and a lot of editing tools for effects. I always have my iPhone handy and often shoot on it as well as with my camera.
I take two SLR Canon 80D cameras with me, an all-purpose one with an 18-135mm lens for that “where’s my camera” moment or for wider shots and very near subjects. Then I take my 150-600 lens for the majority of shots, most of my shots require good zoom capability, often around the 300 or 400 mm mark, and for this, a smart phone is no good. You do not need to spend thousands of pounds, a good 150-600 from Tamron or Sigma is less that £1000 and great lenses.
Editing
Cameras are brilliant, but lighting conditions are out of your control, this causes exposure issues and regardless of how careful you are with the shooting mode, more often than not, a photograph can benefit from some post processing. This can be exposure, colour saturation, sharpening, tint and warmth, contract, vibrancy etc. I use Apple products and there are a number of ways of bringing your photos to life a bit. The simple method is to use autofix in Photos or more advanced applications like the one I use for my favourite photos which is Photoshop.
Put in the time on editing, it is better to have ten or twenty really great photos, well exposed and corrected, with a story to tell rather than hundreds of dull snaps of a lion sleeping, or a wildebeest grazing.i
Patience and burst photography
Endless snaps of images of animals doing nothing in particular are not terribly interesting unless you are making an identification catalogue. Do not shoot what I call “type” photographs, we all know what a lion looks like. Be patient, talk (whisper) to the guide and ask what is likely to happen and get ready, finger on the trigger.
For example, if you want to take a photograph of an eagle you think might fly off from a puddle from which it is drinking, hopefully in your direction, then keep still and do not make a noise because if you do it will fly off away from you and you will have a great photo of its behind. When it does fly off, have your camera in burst mode and from the moment it opens its wings, take 10 or 20 shots in rapid fire, and if its still in your sights, keep shooting. If you’re lucky, one of them will be great!
Which ISO setting
When shooting on safari, unless it’s early morning or dusk, will usually be in good light and so low ISO modes are recommended because the higher the ISO, the more sensitive the sensor is to light and the more noise will be in your photo. Auto ISO should work well but the important thing is to achieve the aperture, how much light gets through, and the exposure time, shutter speed, that you are looking for. An open aperture achieves that lovely soft focus background that makes subjects jump from the page. On the other hand, shutter priority might be important as a fast shutter speed reduces blur from a fast moving object, like a cheetah running.
When to switch off auto-focus
Auto-focus is great and generally should be used, (as are stabilisation features on your lens). However, some times you need to switch it off. One example would be say a leopard in a tree when there are branches and leaves in the foreground or background. Without good care, you might focus on a leaf in front of the leopard and leave the face out of focus. In these challenging focus conditions switch off auto-focus and rely on your skill to focus on the face of the leopard.
These portrait style photographs benefit from an open aperture, around f/4.0, to achieve a nice soft background, this means the depth of field (the amount of front to back distance in focus, will be greatly reduced and focussing on the wrong element will ruin the photo - a soft subject cannot be recovered.
Tripod or not
On safari you will never be allowed out of the truck when animals are around and a full length tripod is a pain to swing about, especially for other companions. I carry a small tripod that I can rest on the roof of the truck. Another option is to use bean bags or clamps on the window or window frame. Ask your guide to bring bean bags before you arrive.
Experienced guide with photographers
Where you take your photo from is completely at the mercy of the guide. Guides experienced with photographers will have a number of skills up their sleeve to help you get the best shot. Firstly, they will slowly approach the subject and you should keep very quiet and not move around too much, animals tend to have great peripheral vision and are incredibly sensitive to noise and smell. Secondly, they can anticipate animal behaviour and although you might feel you are in the wrong place, you will soon discover you are in the right place for that special moment. Inexperienced guides will go to where they think the action will be and end up being in the wrong place when it happens.
Photo analysis:
The jumping wildebeest, we were the other side of the river, so that the wildebeest would come towards us and the light was perfect. The aperture was at f/6.3 and a shutter speed of 1/1250 for a sharp image, notice the water splashed, water droplets perfectly frozen in time.
This cheetah mum decided to jump on the mound to have a look around, either to check on the kids or to see if a small antelope was in range. Aperture was f/5.6, shutter was 1/800 and the zoom setting 221mm, near the bottom end. The open shutter created a beautiful soft focus background to create the cheetah jumping out off the page.